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Library Buildings around the World

Library Buildings around the World

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architects on <strong>the</strong> shortlist have not been told what is happening or when a decision will be taken. Oxford’s academics say<br />

<strong>the</strong>y have become used to such a lack of transparency under outgoing vice chancellor John Hood. Nicholas Bamforth, a<br />

fellow at Queen’s College, says <strong>the</strong> entire Radcliffe Infirmary scheme has been “very much a fait accompli” ra<strong>the</strong>r than<br />

something that has been openly debated. “It’s all <strong>the</strong> brainchild of <strong>the</strong> outgoing vice chancellor and those <strong>around</strong> him,” he<br />

says. “So it has been ra<strong>the</strong>r steamrollered through. [Hood] likes big building developments but whe<strong>the</strong>r that’s what’s needed<br />

remains to be seen.” David Adamson, head of estates at Cambridge University between 1998 and 2007, will not comment<br />

directly on Oxford’s controversies. But he does make one point that wittingly or not carries implied criticism of <strong>the</strong><br />

approach taken to <strong>the</strong> Institute of Public Policy. “We said straight away we were never going to have an RIBA [type]<br />

competition,” he says. “We would appoint architects on <strong>the</strong>ir ability to design, <strong>the</strong>ir track record and on <strong>the</strong>ir initial ideas.”<br />

He believes that, all too often, design competitions force architects into sticking to flimsy early designs that <strong>the</strong>y would much<br />

ra<strong>the</strong>r revise. In contrast <strong>the</strong> Cambridge approach “means you don’t get a quick snatched scheme”, he says. Perhaps when<br />

<strong>the</strong> new vice chancellor Andrew Hamilton — who, like Stern, is heading over from Yale where he has been provost — looks<br />

at <strong>the</strong> books, he will call for <strong>the</strong> scheme to be scaled down, particularly with rumours that <strong>the</strong> Estates Department lost £30<br />

million in <strong>the</strong> Icelandic banks. Even dons like Robin Briggs, at All Souls, who are optimistic about <strong>the</strong> designs, have doubts<br />

about <strong>the</strong> cost of a scheme fashioned at <strong>the</strong> height of <strong>the</strong> economic boom. “There is already a financial crisis in <strong>the</strong><br />

humanities at Oxford with a structural deficit of between £6 and £8 million a year,” he says. “At <strong>the</strong> moment <strong>the</strong> university<br />

is receiving very large amounts of money from <strong>the</strong> Oxford University Press but it can’t be guaranteed in <strong>the</strong> future. So just<br />

how much of this can be done remains to be een.” William Whyte puts it more bluntly still: “Whe<strong>the</strong>r <strong>the</strong> Radcliffe<br />

Infirmary site scheme is ever built is a good question.”<br />

Read more: http://www.bdonline.co.uk/story.asp?sectioncode=426&storycode=3148820#ixzz0TAdBhZSj<br />

University of San Andrés <strong>Library</strong>, Province of Buenos Aires – Argentina 1999<br />

3.000 sqm<br />

The campus of <strong>the</strong> University of San Andrés in Buenos Aires employs a distinct architectural vocabulary, with extensive<br />

use of brick, exposed concrete, and broadeaved overhanging roofs. The main shortcoming of its master plan had long been<br />

an open-ended circulation scheme lacking any apparent conclusion. The new building, besides meeting strictly functional<br />

criteria related to its purpose as a library, was also meant to provide a circulation terminus and to serve as a visual focus<br />

for <strong>the</strong> campus. The brick and steel of <strong>the</strong> trapezoidal building´s main volume echo <strong>the</strong> surrounding buildings, as do <strong>the</strong><br />

broad eaves of <strong>the</strong> roof, which enhance <strong>the</strong> reading environment within by allowing only diffuse light to enter <strong>the</strong> building.<br />

Emerging from <strong>the</strong> metallic roof is <strong>the</strong> library´s main architectural gesture, an elevated cube of double-glazed translucent<br />

glass that admids light during <strong>the</strong> day and emits a soft glow at night. The cube, besides allowing <strong>the</strong> introduction of natural<br />

light into <strong>the</strong> heart of a building much larger than those surrounding it, als acts as a campus landmark: whe<strong>the</strong>r<br />

reflecting or emitting light , it accentuates <strong>the</strong> profile of <strong>the</strong> library, defining it as <strong>the</strong> center of university life and as <strong>the</strong><br />

meeting place of <strong>the</strong> academic community. The library roof is formed by four non identical trapezoids defined by <strong>the</strong> line<br />

segments joining <strong>the</strong> corners of <strong>the</strong> central cube with those of <strong>the</strong> main volume. A notch cut into <strong>the</strong> roof sheltering <strong>the</strong><br />

principal façade defines <strong>the</strong> building´s entrance. ( Viñoly)<br />

VSBA Venturi, Scott Browns & Associates, Inc., Philadelphia, PA – USA<br />

VSBA, LLC, is <strong>the</strong> successor firm to Venturi, Scott Brown and Associates, Inc., which was founded by Robert Venturi and Denise<br />

Scott Brown. Our principals and staff build on our founders’ philosophy — an ethic rooted in social planning, contextual design,<br />

and responsibility to our clients — to offer design that’s sensitive, pragmatic, and creative.<br />

After over fifty years as two of <strong>the</strong> world’s preeminent architects, Robert Venturi has retired from practice while Denise Scott<br />

Brown continues to publish and present her work.<br />

Robert Venturi *June 25, 1925 Philadelphia, PA, USA<br />

Denise Scott Brown *October 3, 1931 Nikana, Nor<strong>the</strong>rn Rhodesia, wife and Partner<br />

http://www.vsba.com<br />

Libraries:<br />

Dumbarton Oaks New <strong>Library</strong> Building, Washington, DC – USA 2005<br />

Dumbarton Oaks recently celebrated <strong>the</strong> opening of its new library, designed by Venturi, Scott Brown and Associates, Inc. The<br />

42,960 gsf, $18,000,000 facility was created to house <strong>the</strong> institution’s noted collections in a state-of-<strong>the</strong>art environment and provide<br />

additional research space. The project was directed by Principal Daniel McCoubrey and managed by Senior Associate James<br />

Wallace. The 5-story library is part of a complex of three McKim, Mead and White buildings amidst <strong>the</strong> Beatrix Farrand landscape<br />

at <strong>the</strong> edge of <strong>the</strong> formal estate gardens. The library’s form is derives from <strong>the</strong> landscape: <strong>the</strong> red brick and limestone east façade<br />

connects with <strong>the</strong> complex’s neo-Georgian structures while <strong>the</strong> west façade is terraced in relation to Farrand’s wooded “Dell”<br />

landscape. The library mediates between <strong>the</strong> ordered court and <strong>the</strong> Romantic landscape. Our extensive site work helped to knit<br />

project components within <strong>the</strong> existing landscape and to protect and restore original features of <strong>the</strong> gardens. Across from <strong>the</strong><br />

library, <strong>the</strong> original chauffeur’s house long served as home for Dumbarton Oaks’ directors. It will now contain dining and kitchen<br />

facilities for fellows and staff. Renovation of <strong>the</strong> original “Cool House,” a greenhouse, provides primary reading space, library<br />

services, and archives storage. Across <strong>the</strong> Dell, VSBA designed <strong>the</strong> Gardeners’ Court building to house a new central plant. We’re<br />

also renovating <strong>the</strong> original Main House for gallery use and administrative purposes. (Venturi)<br />

Schlesinger <strong>Library</strong> Renovation, Radcliffe Institute for Advanced Study, Harvard University,<br />

Cambridge, MA – USA 2004<br />

VSBA programmed and designed a renovation of <strong>the</strong> Arthur and Elizabeth Schlesinger <strong>Library</strong> for <strong>the</strong> History of Women in<br />

America, one of a group of buildings at <strong>the</strong> head of historic Radcliffe Yard. Built in 1907 and originally home to <strong>the</strong> Radcliffe<br />

College <strong>Library</strong>, <strong>the</strong> building became a research library in 1967. It’s now an important component of <strong>the</strong> Radcliffe Institute for<br />

Advanced Study.<br />

Over time, <strong>the</strong> building became more intensely and densely used to meet <strong>the</strong> needs of a modern special collections library. In <strong>the</strong><br />

process, most of <strong>the</strong> character, grace, and generosity of <strong>the</strong> original building interior was obliterated. Our challenge was to help <strong>the</strong><br />

<strong>Library</strong> recover some of its character while meeting <strong>the</strong> 21st century needs of an important collection and contemporary caretakers<br />

and users. We:<br />

•improved building systems to ensure security and long-term preservation of collections •facilitated library staffing and function by<br />

consolidating service points and public access •improved building entry sequence and enable connectivity between public spaces in<br />

Radcliffe Yard buildings<br />

•reclaimed some of <strong>the</strong> building’s historic significance and ethos.<br />

This project was <strong>the</strong> first increment of <strong>the</strong> Radcliffe Institute’s campus plan, completed by VSBA in 2002. Our renovation supports<br />

<strong>the</strong> goals of <strong>the</strong> overall plan, with exhibition and meeting space on <strong>the</strong> first floor and a newly accessible entrance from Radcliffe<br />

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