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Library Buildings around the World

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The brief was to incorporate <strong>the</strong> college’s existing library collection and provide an extensive new IT facility within <strong>the</strong> existing<br />

building on campus. The design, a simple plan arrangement, was developed to minimise intervention with <strong>the</strong> original building. This<br />

was achieved by stripping out all existing non-structural partitions to <strong>the</strong> ground and first floor, unifying <strong>the</strong> interior space. The plan<br />

kept <strong>the</strong> office administration and IT facilities to <strong>the</strong> back of <strong>the</strong> ground floor plan, allowing <strong>the</strong> reception and magazine display<br />

areas to take advantage of <strong>the</strong> south façade. An existing double height space was retained linking <strong>the</strong> now opened ground and first<br />

floor spaces. A new staircase was inserted into this space linking <strong>the</strong> reception to <strong>the</strong> main library area at first floor. The ground<br />

floor brick panels along <strong>the</strong> extent of <strong>the</strong> open library shelving area and those to <strong>the</strong> double height space were removed. These were<br />

replaced with glazed panels incorporating <strong>the</strong> college logo as graphics to <strong>the</strong> glass. Again, <strong>the</strong> insertion of <strong>the</strong> glazing formed a visual<br />

link between <strong>the</strong> ground floor and first floor library space. The simple move of opening and linking up <strong>the</strong> ground and first floor<br />

plans toge<strong>the</strong>r has provided a flexible learning space which is used for many varying activities from quiet study to fashion crits,<br />

exhibitions and film sets. (Allford)<br />

Allies and Morrison, London – UK<br />

http://www.alliesandmorrison.co.uk<br />

Libraries:<br />

Girton College <strong>Library</strong> and Archive, Cambridge - UK 2005<br />

Awards:<br />

RIBA Award 2006<br />

Built to house <strong>the</strong> College’s growing collection of women's papers and rare books, <strong>the</strong> Girton Archive is designed to achieve <strong>the</strong><br />

highest levels of environmental stability with minimum energy use. The south elevation is detailed as a garden wall, its brickwork<br />

punctuated by <strong>the</strong> main reading room window. The warm red brickwork and distinctive terracotta shading screen are a direct<br />

response to <strong>the</strong> materials of <strong>the</strong> library and chapel on ei<strong>the</strong>r side. In connecting with <strong>the</strong> existing library, <strong>the</strong> new building forms a<br />

calm inner courtyard, continuing <strong>the</strong> sequence of enclosed garden spaces that have characterised <strong>the</strong> College since its foundation.<br />

(Allies)<br />

Alsop Partner Architects, London – UK<br />

http://www.alsoparchitects.com<br />

Libraries:<br />

THE PUBLIC, West Bromwich – UK 2005 – 2008<br />

₤ 52.000.000, Total Area: 9,274 square meters<br />

Awards:<br />

MIPIM Future Project Prizes 2003<br />

Literature :<br />

Powell, Kenneth, Mel Gooding, Will Alsop: 1990 – 2000: book 2<br />

Laurence King Publishing 2002<br />

Contained within a simple rectilinear form, The Public was conceived as a “Box of Delights” offering a wide variety of spaces, forms,<br />

angles, curves, surfaces, vistas and atmospheres. Located at <strong>the</strong> heart of <strong>the</strong> new town center for West Bromwich <strong>the</strong> building, with<br />

its large doors and through-routes, is an extension of <strong>the</strong> public town square. The box envelope is punctured by a scattering of<br />

“jellybean” shaped windows that pierce <strong>the</strong> sides of <strong>the</strong> aluminium cladding. Inside, simplicity of form gives way to complexity, with<br />

rugged, multi-faceted or curved forms appearing to balloon into <strong>the</strong> space, sitting on, or suspended from a table structure, with lifts<br />

cutting past <strong>the</strong>m and a wandering, large-scale ramp linking <strong>the</strong> spaces. These forms are containers for <strong>the</strong> many different functions<br />

in <strong>the</strong> building. There are, for example, “Pods” for displaying art, as well as a huge “Sock” containing two large galleries, an events<br />

space “Rock” and a “Pebble.” At <strong>the</strong> top of <strong>the</strong> building, suspended from <strong>the</strong> roof, a series of “Lily-Pads” – dish-shaped floors with<br />

brightly coloured interiors – will house creative workspaces. In places, <strong>the</strong>se structures break through <strong>the</strong> external shell of <strong>the</strong><br />

building. The “Pebble” is clad externally in <strong>the</strong> same stainless steel cladding used internally. The Theater, contained within <strong>the</strong><br />

“Rock,” is designed to serve <strong>the</strong> local community by accommodating a wide variety of functions. Gallery visitors arrive at level 3 at<br />

<strong>the</strong> edge of an informal cluster of tubular steel trees which provide an introduction to <strong>the</strong> delights of <strong>the</strong> Galley experience.<br />

The trees, designed by Ben Kelly Design, incorporate a mass of displays, lights, projectors, input terminals and decorative panels.<br />

After passing through <strong>the</strong> trees visitors arrive at <strong>the</strong> “Sock,” a black sculptural form rising through three stories and dominating <strong>the</strong><br />

North East end of <strong>the</strong> building. This accommodates <strong>the</strong> two temporary exhibition galleries - a white single story room at Level 3 and<br />

black two story room at Level 1. The overall interior of The Public was designed as a bioclimatic space. The “Pod” structures make<br />

it possible to target energy into spaces where people ga<strong>the</strong>r, thus allowing a high degree of energy efficiency. Natural ventilation is<br />

used where possible.<br />

Peckham <strong>Library</strong> and Media Centre - London Borough of Southwark - UK 1999<br />

₤ 4.500.000<br />

Awards:<br />

2001 AIA London Chapter Design Award for Best Building<br />

2001 Civic Trust Award<br />

2001 BCIA Award<br />

2000 RIBA Stirling Prize – Building of <strong>the</strong> year<br />

The public library at Peckham, south London, completed late in 1999, is part of a concerted programme of regeneration and<br />

community growth for this part of <strong>the</strong> borough of Southwark and forms one element in a new public square. Alsop´s architectural<br />

approach responds to, and interacts with, a client brief which seeks to redefine <strong>the</strong> role of <strong>the</strong> library in <strong>the</strong> local community. After<br />

<strong>the</strong> practice´s appointment (through a process of competitive interview), Alsop launched an intense dialoge with <strong>the</strong> community to<br />

discover what sort of building Peckham´s inhabitants wanted. Different groups who would eventually use <strong>the</strong> building; schools,<br />

disabled forums, inhabitants of Peckham, were consulted at design workshops. The result was a striking example of <strong>the</strong> new<br />

community architecture. Eschewing <strong>the</strong> idea of a library as astatic and somewhat rarefied preserve of a accumulated knoeledge,<br />

wisdom and information, <strong>the</strong> Peckham model proposes that <strong>the</strong> 21 st century library should reach out to <strong>the</strong> community, encourage<br />

access to knowledge and embrace <strong>the</strong> diversity of <strong>the</strong> local population. Alsop´s first major building in London, <strong>the</strong> Peckham <strong>Library</strong><br />

brings toge<strong>the</strong>r a number of <strong>the</strong>mes and ideas which have long preoccupied <strong>the</strong> practice. Most obviously, <strong>the</strong>re is <strong>the</strong> conviction that<br />

6

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