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Library Buildings around the World

Library Buildings around the World

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Tarradiddle Players, <strong>the</strong> professional touring company; Community Involvement Program, and a full scope of education classes for<br />

both community and schools. Children's Theatre also works in <strong>the</strong> Charlotte-Mecklenburg Schools, with programs that address<br />

important issues in <strong>the</strong> lives of young people.<br />

Charlotte Mecklenburg <strong>Library</strong><br />

Charlotte Mecklenburg <strong>Library</strong> began more than a century ago as a treasured repository of knowledge. Although humankind has<br />

evolved to read, explore and acquire knowledge in many new ways since <strong>the</strong>n, one important feature has endured: Our services<br />

remain free to all who come to us with a desire to research, learn and experience. Today, libraries must remain nimble and<br />

responsive to <strong>the</strong> changing needs of our customers. Through <strong>the</strong> evolution of communication technology, <strong>the</strong>re has never been more<br />

information available to more people in human history. We act as a guide through that universe of information, providing access for<br />

those who don't have it, and collaboration for those who do. We also provide <strong>the</strong> building blocks for understanding that information,<br />

through <strong>the</strong> development of literacy, skills for success, and community connections.<br />

WHO ARE JOE AND JOAN MARTIN?<br />

Joe and Joan Martin have been two of Charlotte 's most passionately committed and inspirational residents, individuals who<br />

personify everything ImaginOn strives to be. Through <strong>the</strong> generosity of Bank of America, <strong>the</strong>ir support of <strong>the</strong> arts and education in<br />

Charlotte and beyond is recognized and honored in <strong>the</strong> facility’s formal name – ImaginOn: The Joe & Joan Martin Center.<br />

Joe, a champion of racial and gender equity, enjoyed a heralded career with Bank of America, retiring in 2001. He is author of two<br />

books: Fire in <strong>the</strong> Rock, a novel about growing up in <strong>the</strong> segregated South, and On Any Given Day, his personal and touching<br />

account of living with ALS. Joe touched many lives – as a fa<strong>the</strong>r, a mentor, a grandfa<strong>the</strong>r, bro<strong>the</strong>r, confidant, civic and church<br />

leader, and husband. Joe passed away on July 1, 2006 . He remains an inspiration to us all, in our work and in our lives.<br />

Joan’s commitment to our community has touched many lives as well, through her involvement in PTA, scouting, non-profit<br />

organizations, and learning programs in public schools. For 25 years, Joan has been a devoted leader of <strong>the</strong> Learning Center and a<br />

teacher at Christ Church kindergarten. She carries many titles: mo<strong>the</strong>r, educator, grandmo<strong>the</strong>r, tutor, leader, and wife.<br />

ImaginOn is proud to be associated with Joe and Joan Martin, and our mission will always be to uphold <strong>the</strong>ir ideals of service and<br />

commitment to young people and to <strong>the</strong> community.<br />

(http://www.imaginon.org/About_ImaginOn/default.asp)<br />

Grand Rapids Public <strong>Library</strong>, Grand Rapids, MN – USA 2003<br />

The historic Ryerson library was restored and <strong>the</strong> Keeler Wing addition was stripped to its skeleton frame and rebuilt in <strong>the</strong> largest<br />

improvement ever undertaken on a library in Michigan. Now <strong>the</strong> two buildings of <strong>the</strong> Grand Rapids Public <strong>Library</strong> flow toge<strong>the</strong>r.<br />

The Beaux-Arts classical library in rusticated Bedford limestone presides over Veterans' Memorial Park. Classical ornamentation—<br />

a festooned entablature, a modillioned cornice with an<strong>the</strong>mions—add to <strong>the</strong> library's formal dignity. The library was <strong>the</strong> gift of<br />

Martin A. Ryerson (1856–1932), a prominent Chicago industrialist who was a Grand Rapids native and grandson of Antoine<br />

Campau, one of <strong>the</strong> city's earliest pioneer settlers. Aware of Shepley, Rutan and Coolidge's distinguished library designs in eastern<br />

cities and in Chicago, Ryerson himself probably selected <strong>the</strong> Boston firm to create his library for Grand Rapids. The Keeler Wing<br />

addition wrapped <strong>around</strong> and connected to <strong>the</strong> rear of <strong>the</strong> Ryerson building but disregarded its design.<br />

In 1997 voters of Grand Rapids approved a millage to improve <strong>the</strong> city's libraries. A large portion of <strong>the</strong> millage, coupled with<br />

private donations, funded <strong>the</strong> remaking of <strong>the</strong> main library more to <strong>the</strong> twenty-first-century community's liking. To get <strong>the</strong>re <strong>the</strong><br />

addition was reconnected to <strong>the</strong> historic library, reskinned, and windows added to make it compatible with <strong>the</strong> older building. Now<br />

<strong>the</strong> Keeler Wing rests on a masonry base that resembles <strong>the</strong> stone of <strong>the</strong> historic Ryerson building, limestone and glass replaced <strong>the</strong><br />

concrete and tan brick exterior walls, and windows rise in three-story bands. But all attention focuses on <strong>the</strong> historic Ryerson<br />

building. The library's original entrance was restored and a lofty atrium connects and integrates <strong>the</strong> 1904 and 1967 structures. The<br />

renovated and restored main library places Grand Rapids in <strong>the</strong> forefront of a national library renaissance.<br />

(http://sah-archipedia.org/detail%2Fcontent%2Fentries%2FMI-01-<br />

KT14.xml?q=agent%3A”Shepley%2C%20Rutan%20and%20Coolidge”)<br />

Columbia Public <strong>Library</strong>, Daniel Boone Regional <strong>Library</strong>, Columbia, MO – USA 2002<br />

The Columbia Public <strong>Library</strong> is <strong>the</strong> main headquarters for <strong>the</strong> Daniel Boone Regional <strong>Library</strong> in Columbia, Missouri. The building<br />

was made possible through a $22 million bond that was passed by <strong>the</strong> citizens of Columbia. The structure was completed in 2002,<br />

and now offers stunning views of Columbia and <strong>the</strong> University of Missouri from <strong>the</strong> translucent entrance tower.<br />

The library board members chose a New York based architectural firm,Holtzman Moss Architecture, to transform <strong>the</strong> location at<br />

Broadway and Garth Avenue. The library was constructed on <strong>the</strong> same piece of land as <strong>the</strong> old library, and was able to utilize <strong>the</strong><br />

steel framework as homage to <strong>the</strong> predecessor. In addition to <strong>the</strong> steel framework, a chandelier was re-installed by <strong>the</strong> same<br />

electrician who had installed it in <strong>the</strong> previous building in 1970.Though <strong>the</strong> new building introduced modern, lively architecture to<br />

<strong>the</strong> traditional, college town setting of Columbia; an attempt was made to retain pieces of history.<br />

The project was created by architect, Nestor Bottino. Bottino created an exterior infused with color from <strong>the</strong> natural resources used<br />

to construct much of <strong>the</strong> building, such as rosy granite, red clay blocks, and “peach and cream” sandstone. The interior is a mélange<br />

of blues, purples, greens, oranges, and more, while pine wood beams cross overhead. The library boasts a large 102,000 square feet.<br />

The creation of <strong>the</strong> Columbia Public <strong>Library</strong> did bring about some turmoil. A significant amount of tax payers protested <strong>the</strong><br />

building because <strong>the</strong>y felt <strong>the</strong>ir tax money had been misused. The cost of <strong>the</strong> structure paired with <strong>the</strong> high profile New York firm<br />

caused many to question <strong>the</strong> reasoning behind <strong>the</strong> decisions. The library board members followed <strong>the</strong> steps necessary to ensure <strong>the</strong><br />

usability and longevity of <strong>the</strong> Columbia Public <strong>Library</strong>, and as a result, a stunning, lively piece of architecture was created to bring<br />

literacy to <strong>the</strong> public.<br />

(http://lis60001-access2informationdrr.wiki.kent.edu/Columbia+Public+<strong>Library</strong>,+Daniel+Boone+Regional+<strong>Library</strong>,+Columbia,+Missouri)<br />

California Western School of Law, Law <strong>Library</strong>, San Diego, CA – USA 2000<br />

….The design phase of <strong>the</strong> project concentrated on melding <strong>the</strong> programmatic needs of <strong>the</strong> library with <strong>the</strong> aes<strong>the</strong>tic vision<br />

of <strong>the</strong> architect and law school community. Several constraints influenced both areas. First, <strong>the</strong> Board of Trustees made it clear<br />

that <strong>the</strong> $9,000,000 appropriation for <strong>the</strong> building was firm. Second, <strong>the</strong> 12,500- square-foot lot put severe limitations on<br />

<strong>the</strong> footprint of <strong>the</strong> building. The main goal for <strong>the</strong> exterior was for <strong>the</strong> new building to serve as a visual link between <strong>the</strong> two<br />

existing campus buildings, one of which is a late 1920s Italian Renaissance style building, <strong>the</strong> o<strong>the</strong>r an early 1990s Post-Modern<br />

building. These buildings sit on diagonal corners of a intersection; <strong>the</strong> new library is on a third corner. The building, with its<br />

finishes, details and colors emulating <strong>the</strong> Italianate style but in a modern vernacular, is very successful in meeting this goal.<br />

The old library’s interior was dark, crowded and unappealing, so an important aes<strong>the</strong>tic goal was to design a building with a feeling<br />

of light, space and professionalism. The new building has reading spaces offering panoramic views of <strong>the</strong> downtown and <strong>the</strong> bay.<br />

Stack and reading areas have both direct and indirect lighting. Wide aisles are scattered throughout <strong>the</strong> building. Cherry wood is<br />

used on some interior walls and on <strong>the</strong> specially designed tables and carrels, imbuing a warm, professional look. Stack end panels<br />

are a combination of cherry and laminate, bringing a very finished look to <strong>the</strong> stack areas. Green, burgundy and gray-toned fabric,<br />

laminates and woods are used throughout <strong>the</strong> library and in <strong>the</strong> staff offices and work areas…. (Phyllis C. Marion)<br />

93

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