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Library Buildings around the World

Library Buildings around the World

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The place usually helps us facing <strong>the</strong> blank paper before starting a project once we got to know <strong>the</strong> program. In our case <strong>the</strong><br />

territory, <strong>the</strong> place on which we had to act had been modified by <strong>the</strong> urban project of <strong>the</strong> UMA campus extension. Therefore, we had<br />

to get a more distant view. We considered <strong>the</strong> project and its place as a part of <strong>the</strong> whole landscape. Looking north we find <strong>the</strong><br />

skyline of <strong>the</strong> Malaga Mountains while on <strong>the</strong> south side <strong>the</strong> most diffuse city areas and <strong>the</strong> seashore can be seen. As <strong>the</strong> program<br />

described a building- a complex for <strong>the</strong> Faculty of Economic and Social Sciences- that includes both <strong>the</strong> School of Business and <strong>the</strong><br />

School of Social Science and Labour, became evident that we would have to deal with big proportions. In spite of all this we wanted<br />

to design a building that can be read as a part of <strong>the</strong> topography.<br />

We treated <strong>the</strong> planning as an urban project, with <strong>the</strong> intention of creating a “place” within <strong>the</strong> university campus. The program<br />

suggested a small city in which <strong>the</strong> continuity of <strong>the</strong> public spaces remains permanent once we have entered <strong>the</strong> complex. Streets,<br />

different volumes and environment, mixture of uses … we will find <strong>the</strong>m all inside discovering <strong>the</strong> building.<br />

The whole complex consists of three large rectangular blocks. This composition allows establishing pedestrian streets among <strong>the</strong>m,<br />

which are parallel to <strong>the</strong> building and <strong>the</strong> campus roads as well. These interior streets have different roles, depending on <strong>the</strong> use of<br />

<strong>the</strong> blocks.<br />

The main passage is covered by <strong>the</strong> computer classrooms. This space became a part of <strong>the</strong> entrance hall as well, as it includes all <strong>the</strong><br />

modules that integrate general services: lecture hall, library, cafeteria, rooms for group work, direction, management, and<br />

classrooms at different heights.<br />

The block of <strong>the</strong> departments enjoys <strong>the</strong> biggest independence; however, although <strong>the</strong> longitudinal way is <strong>the</strong> most prevailing, <strong>the</strong><br />

block also helps <strong>the</strong> transversal communication by shortening <strong>the</strong> distance between <strong>the</strong> different special volumes.<br />

The landscape, its topography with a north-to-south slope, and <strong>the</strong> inclined campus streets were determining from <strong>the</strong> beginning. On<br />

<strong>the</strong> o<strong>the</strong>r hand, this made possible that we can enter <strong>the</strong> building without having to pass <strong>the</strong> lower level. The result has a double<br />

advantage: from <strong>the</strong> main entrance <strong>the</strong> space dominates everything, fur<strong>the</strong>rmore allows <strong>the</strong> easy mobility of <strong>the</strong> users at this level of<br />

access where <strong>the</strong> activity of <strong>the</strong> complex is much higher. On <strong>the</strong> whole, three floors over <strong>the</strong> ground and one under it.<br />

The exterior appearance of <strong>the</strong> complex consists of rectangular pieces in which <strong>the</strong> horizontal component dominates <strong>the</strong> vertical one.<br />

Each part expresses outwardly <strong>the</strong> function that fulfils inside. The light in our city is so intense that <strong>the</strong> architecture does not require<br />

colours to identify itself; on <strong>the</strong> contrary, its control has to be one of <strong>the</strong> most important objectives in any project.<br />

It is <strong>the</strong> light that helps us discover architecture, both in <strong>the</strong> exterior and in <strong>the</strong> interior spaces that are set up as a result of <strong>the</strong><br />

exterior volumes. The dominating colours of <strong>the</strong> project, gray and white, allow integrating <strong>the</strong> building into <strong>the</strong> landscape despite its<br />

huge dimensions. In <strong>the</strong> interior, <strong>the</strong> control of <strong>the</strong> light is just as important. This helps us creating comfortable spaces that fit to <strong>the</strong><br />

designated use. The classrooms receive light from <strong>the</strong> north; meanwhile both <strong>the</strong> library and <strong>the</strong> computer classrooms have<br />

skylights. (http://www.archdaily.com)<br />

Centro Cultural en Ollerias, Biblioteca Ollerias - Spain 2000<br />

La fachada del edificio correspondiente a la calle Ollerías se escalona y retranquea, para intentar la articulación de la guardería<br />

infantil colindante con la envejecida arquitectura doméstica del siglo XIX que forma la calle; apenas un gesto de un panel de fachada<br />

indica el acceso desde la calle. En la nueva plaza, el centro cultural se abre paso hasta la zona pública, con prudencia pero indicando<br />

su situación: una amplia escalinata es la primera aproximación, la única referencia en la plaza. En el juego de volúmenes encuentran<br />

su papel las medianerías colindantes, entre las que se encaja el nuevo edificio.<br />

Málaga, die andalusische Großstadt an der spanischen Costa des Sol, ist nicht nur ein beliebtes Urlaubsziel, sondern auch eine<br />

Universitätsstadt. Für ihren „Campus de Teatinos“ wurde nun eine Erweiterung aus drei Gebäudeteilen fertig gestellt. Der Entwurf<br />

dafür stammt von Luis Machuca Arquitectos (Málaga). Das neue Ensemble am Tal des Flusses Guadalhorce besteht aus einem<br />

Gebäude für die Biblio<strong>the</strong>k, für den Veranstaltungssaal, die Verwaltung und ein Restaurant, ein weiteres beherbergt die Aulen und<br />

Seminarräume, und das dritte ist im Grunde der überdachte Bereich zwischen den beiden, der die Räume der Fachbereiche<br />

aufnimmt. Dieser Bau wird von der Straße aus erschlossen und verbindet die beiden anderen Gebäude über Brücken, Passarellen<br />

sowie eine äußere Straße miteinander. Dem Prinzip eines „Lernens im Freien“ (Architekten) folgend, durchdringen sich hier Innen-<br />

und Außenräume. Die halb offenen Treppen, Gänge, Höfe und Galerien werden dabei zu Aufenthaltsorten und bieten Platz für<br />

informelle Gespräche und Treffen. Die Fassade ist geprägt durch großformatige dunkle Platten mit bündig angeordneten, schmal<br />

profilierten Öffnungen. (http://www.baunetz.de<br />

MANSILLA+TUÑÓN Artistas, Madrid – Spain<br />

http://www.mansilla-tunon.com<br />

Libraries:<br />

Biblioteca Regional de Madrid Joaquín Leguina, Madrid – Spain 2004<br />

Authority and authority type: Autonomous Community of Madrid, Size of library: 10.000m²<br />

The Regional <strong>Library</strong> Joaquín Leguina of Madrid is located in <strong>the</strong> south-east of <strong>the</strong> capital city.<br />

Currently, <strong>the</strong> library is placed in a former brewery called El Águila. The library shares <strong>the</strong> building with <strong>the</strong> Regional Archive of<br />

<strong>the</strong> Autonomous Community of Madrid and with <strong>the</strong> Legal Deposit. The original building was built between 1912 and 1914 by<br />

Eugenio Jiménez Corera (*1853 Madrid - +1910 Madrid) and later on was extended by Luis Sainz de los Terreros (*1876 Santander<br />

- +1936 Madrid). The Autonomous Community of Madrid started <strong>the</strong> building works in 1994. The restoration project of <strong>the</strong> building<br />

was managed by <strong>the</strong> Spanish architects Emilio Tuñón Álvarez and Luis Moreno García-Mansilla and was executed between 1998-<br />

2001. The new library was opened in 2002 with <strong>the</strong> name of one of <strong>the</strong> first presidents of <strong>the</strong> Autonomous Community, Joaquín<br />

Leguina (1983-1995), who opened <strong>the</strong> bit to do <strong>the</strong> restoration. The library services are distributed in four stores: Ground level and<br />

first floor: Reference section with 72 reading places and 68 internet and Opac posts. Second floor: Periodicals and cartography<br />

sections: Equipped with: 60 reading places, 12 internet and Opac posts and 2 microfilms readers. Third floor: Multimedia section. It<br />

also house <strong>the</strong> local researchers space. Equipped with: 20 reading places and 14 internet and Opac posts. There are also, two<br />

basements where are placed <strong>the</strong> bibliographic store.<br />

Architectural idea or principle:<br />

Restoration project of a former brewery, built in <strong>the</strong> early 20th century in <strong>the</strong> neomudéjar style. Example of <strong>the</strong> industrial<br />

architecture of <strong>the</strong> time that abounds in Art Noveau as well as historicist elements like red bricks and handmade tiles that has been<br />

preserved. Also, <strong>the</strong> architect aim was to create a functional and comfortable building especially designed for a library purpose.<br />

Detailed description: The library has upkeeped particular elements of <strong>the</strong> brewery like carriages, beer cellars, silos and freezers that<br />

give to <strong>the</strong> current building a picturesque appearance. The architectural project has created a good combination between<br />

preservation of <strong>the</strong> historical building and all <strong>the</strong> implementation of all facilities needed to a functional and comfortable modern<br />

library. (http://www.librarybuildsings.info)<br />

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