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Library Buildings around the World

Library Buildings around the World

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Mediacenter – The Ne<strong>the</strong>rlands Institute for Sound and Vision, Hilversum – The Ne<strong>the</strong>rlands (design<br />

1999) 2006<br />

Support: Bureau Bowkunde<br />

30.000.000 m², € 40.000.000<br />

The new building for <strong>the</strong> Ne<strong>the</strong>rlands Institute For Sound And Vision consists of five levels under ground and five levels above<br />

ground. In <strong>the</strong> underground, <strong>the</strong> national archives of Dutch radio and television recordings are stacked <strong>around</strong> a deep canyon.<br />

Above ground, a staged volume contains <strong>the</strong> media museum. The third element is <strong>the</strong> office building of <strong>the</strong> institute. The three<br />

volumes toge<strong>the</strong>r enclose a large public atrium. The facade of <strong>the</strong> building is a screen of coloured relief glass that depicts famous<br />

images of Dutch television, a composition by graphic designer Jaap Drupsteen. (Neutelings)<br />

Shipping and Transport College, Rotterdam – The Ne<strong>the</strong>rlands 2001 – 2005<br />

Support: ABT Bouwkunde<br />

Program: 30.000 m2, Costs: € 40.000.000<br />

This seventy metres high tower has a mixed program of educational spaces, offices and public functions. A route of escalators links<br />

<strong>the</strong> different departments from <strong>the</strong> lobby all <strong>the</strong> way to <strong>the</strong> top. The low-rise part of <strong>the</strong> building contains <strong>the</strong> special facilities like<br />

simulator rooms, restaurants, a media centre, a sports centre, and workshops. The cantilevered conference room overlooks <strong>the</strong> Port<br />

of Rotterdam, while <strong>the</strong> stepped student restaurant on <strong>the</strong> ground floor overlooks <strong>the</strong> Maas river. The meandering building volume<br />

forms a vertical icon for this international centre of maritime knowledge. (Neutelings)<br />

Nowotny Architects, Delft – The Ne<strong>the</strong>rlands<br />

http://www.nowotny.nl<br />

Libraries:<br />

Trevianum School, Sittard (Prov. Limburg) – The Ne<strong>the</strong>rlands 2005<br />

The school has 2,500 pupils and 220 staff with one of <strong>the</strong> largest schools in <strong>the</strong> Ne<strong>the</strong>rlands. The design has put <strong>the</strong> urban power of a<br />

large building, combined with <strong>the</strong> small scale for <strong>the</strong> welfare of pupils is important according to <strong>the</strong> credo of <strong>the</strong> school each pupil<br />

counts. " The new buildings and existing building as a multifaceted and colorful ensemble designed <strong>the</strong> building in which<br />

recognizable spatial and geometric units grouped toge<strong>the</strong>r with <strong>the</strong> old building and an inseparable whole. The units differ in shape,<br />

color and materialization. This creates visibility for individuals and groups, clarity, and identity. Space for large and small groups.<br />

The new building consists of three parts with an area of approximately 9,000 m2. The units of <strong>the</strong> new building are named for <strong>the</strong>ir<br />

shape: Boat, Shell, and Hook. The bridge is shaped like a ship. The existing and <strong>the</strong> new building are considered as a bridge anchors,<br />

each with a social heart in <strong>the</strong> form of an atrium. The exterior of <strong>the</strong> existing building is constructed of dark brick. Then pick up<br />

following a gradient to an orange (wooden) skin for <strong>the</strong> shell and yellow brick for Hook, interrupted by <strong>the</strong> attention when <strong>the</strong> white<br />

bridge. The addition of <strong>the</strong> new building on <strong>the</strong> old building was a linear structure that asked for meeting spaces and spatial to<br />

create differentiation. The telescoping of <strong>the</strong> recognizable geometric entities created, in addition to <strong>the</strong> atrium and <strong>the</strong> transfer zone,<br />

geometrically indeterminate restrooms as corners and stay places <strong>the</strong>y serve. Space for informal meetings and consultations. The<br />

whole complex is home to <strong>the</strong> students. A village with two large squares, one passage and numerous squares, interconnected and<br />

permeated by multiform streets and roads. The application of voids and numerous vistas creates transparency and safety. The color<br />

concept is interacting with <strong>the</strong> concept of space and form. The spaciousness is <strong>the</strong> concept and <strong>the</strong> color lines in floors walls and<br />

ceilings supported and also unexpectedly changed. This creates a walkable painting in an interplay of security and resulting<br />

impulses. A stimulating work environment with spatial color and material incentives. The existing building has remained <strong>the</strong> domain<br />

of <strong>the</strong> substructure, <strong>the</strong> new second phase explicitly focused on education. The upper floor of <strong>the</strong> bridge is divided into zones and<br />

transfer library, staff rooms downstairs offers. Nowotny awarded <strong>the</strong> students a glimpse through <strong>the</strong> glass cone in <strong>the</strong> staff room. "A<br />

reference to <strong>the</strong> Berlin Reichstag by Norman Foster in which <strong>the</strong> audience looks down at <strong>the</strong> administrative center, <strong>the</strong> plenary<br />

hall." Shell Hook and offer a collection of classrooms, group work areas, work stations and computer equipment itself. Movable<br />

walls create flexible layouts in <strong>the</strong> time available. The atrium is <strong>the</strong> second major meeting of <strong>the</strong> school. Nowotny chose an organic<br />

design. "Liquid but still coherent, an outline that yields a natural circulation. You must atrium and surrounding areas really look<br />

like an urban landscape. The compositions are a la Kandinsky. Lots of color, form powerful, expressive. " Because of <strong>the</strong> budget of<br />

<strong>around</strong> 15.5 million euro would be awarded through a European tender. Ultimately, especially <strong>the</strong> concept of color Nowotny - as it is,<br />

especially influenced by <strong>the</strong> color and richness of Memphis Mendini - decisive. "I use color to compensate for <strong>the</strong> strenuous training<br />

company. Spaciousness, colors and materials have been translated into a stimulating environment. Corners, staying places,<br />

smallness, exciting colors and lighting concepts combat <strong>the</strong> threat of a large, anonymous lea<strong>the</strong>r company. " Inside <strong>the</strong> different<br />

areas flow into each o<strong>the</strong>r. The ellipse is a recurring guide. Not only in head shapes and details such as bay windows, as well as color<br />

lines. Sometimes even <strong>the</strong> deconstructive. Like <strong>the</strong> yellow / green wall of <strong>the</strong> atrium - "as if a sheet is folded. The opposite blue<br />

window suggests a rounded shape that <strong>the</strong>re really is not. It is this combination of organic design and color variation that each<br />

corner of <strong>the</strong> building unique and recognizable, Nowotny emphasized. "Variegation increases <strong>the</strong> versatility of <strong>the</strong> design. The<br />

building is a village that derives its power from unexpected changes. That is <strong>the</strong> secret of a small pleasant environment. Color is used<br />

as an art form. " (http://architectenweb.nl)<br />

OIII Architecten, Amsterdam – The Ne<strong>the</strong>rlands<br />

http://www.o-drie.nl<br />

Libraries:<br />

Cultur – een Uitgaanscentrum De Graaf Wichmann, Huizen – The Ne<strong>the</strong>rlands 2001<br />

In a building housing, work, restaurants, a cinema <strong>the</strong>ater complex, snooker, pool, bowling and <strong>the</strong> municipal library combined. The<br />

shape of <strong>the</strong> building, located next to <strong>the</strong> town, is partly motivated by <strong>the</strong> desire to streng<strong>the</strong>n coherence of <strong>the</strong> environment and <strong>the</strong><br />

center of <strong>the</strong> church more meaningful. The horizontal curved wall on <strong>the</strong> north side borders <strong>the</strong> area. On <strong>the</strong> west side responding to<br />

<strong>the</strong> small scale of <strong>the</strong> historic village. The complex consists of two main volumes. The commuter volume appears under <strong>the</strong> curved<br />

roof to continue and <strong>the</strong>n culminates in <strong>the</strong> Grand Café. Cultural and entertainment center is conceived as a spatially continuous<br />

container with a peak of activity in front of <strong>the</strong> bus. This fluid space form is both complex program of activities planned and<br />

organized response to <strong>the</strong> large differences in scale and function of <strong>the</strong> surrounding area. (OIII)<br />

TU Delft TPM (Faculty Technology, Policy, Management) <strong>Library</strong>, Delft – The Ne<strong>the</strong>rlands 2000<br />

The merging of two faculties (philosophy and administration) is a new department formed large 12,400 m2. The design includes <strong>the</strong><br />

construction of a simple U-shaped building volume that is a sunny courtyard. This is mainly offices and project rooms situated. The<br />

restaurant on <strong>the</strong> ground floor facade is transparent and offers views of <strong>the</strong> beautiful chestnut trees to <strong>the</strong> Jaffalaan. In <strong>the</strong> Garden<br />

41

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