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Library Buildings around the World

Library Buildings around the World

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Moreover, <strong>the</strong> art park and <strong>the</strong> <strong>Library</strong> are <strong>the</strong> front yard and <strong>the</strong> living room for <strong>the</strong> City — places where residents and visitors can<br />

ga<strong>the</strong>r to give and share <strong>the</strong> special pleasure of <strong>the</strong> place and its culture. (Stern)<br />

Clearwater Public <strong>Library</strong>, Clearwater, FL – USA 2004<br />

The Clearwater Public <strong>Library</strong> had a special responsibility to become a locally recognizable landmark, a source of civic pride, and a<br />

community-wide learning resource. It also represents an anchor in <strong>the</strong> redevelopment of downtown Clearwater. The design takes<br />

full advantage of <strong>the</strong> unique site, on a bluff overlooking Coachman Park and Clearwater Harbor, to create a building that looks<br />

optimistically to <strong>the</strong> future while respecting <strong>the</strong> building traditions of Clearwater and <strong>the</strong> region. The principal street facade, along<br />

North Osceola Avenue, presents an urbane and dignified civic building, using traditional local materials like cream-colored local<br />

stone and stucco, bracketed projecting roofs, and a civic-scaled, deeply shaded entry porch. The garden facade, which opens onto<br />

Coachman Park and <strong>the</strong> waterfront, has large windows to capitalize on <strong>the</strong> magnificent views, and a broad canopy to screen out<br />

excessive sunlight. A terrace with a trellis and plantings is at <strong>the</strong> top of <strong>the</strong> building for civic social events. The gently undulating roof<br />

creates a memorable profile for <strong>the</strong> building appropriate to its location near <strong>the</strong> Gulf of Mexico. The interior of <strong>the</strong> 90,000-squarefoot<br />

building provides for greatly expanded and enhanced services: a children’s library nearly four times <strong>the</strong> size of <strong>the</strong> one in <strong>the</strong><br />

existing building; state-of-<strong>the</strong>-art audiovisual and conference room facilities; greatly expanded internet and o<strong>the</strong>r computer services,<br />

to augment <strong>the</strong> enhanced collections of paper materials; and a specially-designed Clearwater Room, which will showcase a city-wide<br />

resource for local history and genealogy. The new building offers a much more efficient and user-friendly layout, replacing <strong>the</strong><br />

confusion of <strong>the</strong> previous library, which was made up of four separate buildings and additions that have been cobbled toge<strong>the</strong>r over<br />

a period of 90 years. Great care was taken to use durable materials to create a library that is efficient to maintain and to operate.<br />

Controlled natural daylighting supplements and reduces artificial lighting requirements, and rainwater is captured and reused for<br />

irrigation, reducing overall water use. Building materials were selected for <strong>the</strong>ir appropriateness to local conditions and<br />

sustainability, as well as <strong>the</strong>ir beauty and utility (Stern)<br />

Morningside Heights Branch, New York Public <strong>Library</strong>, New York, NY - USA 2001<br />

Located at <strong>the</strong> nor<strong>the</strong>ast corner of 113th Street and Broadway, on <strong>the</strong> edge of Columbia's historic McKim, Mead & White campus,<br />

<strong>the</strong> 14-story, 371-bed undergraduate Broadway Residence Hall largely faces away from <strong>the</strong> campus to engage <strong>the</strong> Morningside<br />

Heights neighborhood to <strong>the</strong> south and west. The building is clad in cast-stone-trimmed tawny-colored brick selected after extensive<br />

discussions with both <strong>the</strong> University and members of <strong>the</strong> surrounding community, which preferred a design in <strong>the</strong> spirit of <strong>the</strong><br />

residential apartment buildings which line Broadway to one that matched <strong>the</strong> red brick and limestone of <strong>the</strong> Columbia campus.<br />

The two lower floors of <strong>the</strong> building are largely devoted to retail and to <strong>the</strong> 17,000 square foot Morningside Heights branch of <strong>the</strong><br />

New York Public <strong>Library</strong>. The interior of <strong>the</strong> library was inspired by <strong>the</strong> restrained Classicism of early 20th century Carnegie<br />

branches, with paneled columns and ceiling beams, decorative metal railings, built-in wood bookshelves, and a slate floor in <strong>the</strong><br />

entrance lobby. RAMSA Partner Alexander Lamis served as Project Partner. (Stern)<br />

Manzanita Hall, College of Arts, Media, and Communication, California State University, Northridge, CA<br />

– USA 2001<br />

Manzanita Hall on <strong>the</strong> California State University campus at Northridge houses <strong>the</strong> College of Arts, Media and Communication,<br />

including departmental and faculty offices, classrooms, television studios, and editing suites for three departments: Journalism;<br />

Communication Studies; and Radio, Television, and Film. It also contains two galleries, a 120-seat screening room, and a 120-seat<br />

lecture hall. Part of a larger effort to rebuild <strong>the</strong> California State University campus after <strong>the</strong> 1997 Northridge earthquake, <strong>the</strong> AMC<br />

Building addresses <strong>the</strong> structural and technical demands of a state of <strong>the</strong> art teaching facility and complements <strong>the</strong> modern<br />

traditions of <strong>the</strong> 43-year-old Northridge campus with a 98,000 square foot building that defines <strong>the</strong> southwest corner of Sierra Quad.<br />

Facing <strong>the</strong> quad, <strong>the</strong> building's galleries look to <strong>the</strong> north through a two storey high glass and metal curtain wall raised on a single<br />

story buff colored brick base and capped with an upward curving metal roof carried by a double-height colonnade of tripartite<br />

metal column bundles, echoing <strong>the</strong> design and <strong>the</strong> scale of <strong>the</strong> Oviatt <strong>Library</strong>, toward which it opens across Sierra Quad. At <strong>the</strong><br />

nor<strong>the</strong>ast corner of <strong>the</strong> building, <strong>the</strong> last bay of <strong>the</strong> colonnade is open to shelter a triple-height roofed entrance plaza, bounded to <strong>the</strong><br />

south by a smooth-finished concrete wall which encloses <strong>the</strong> screening room. Inside <strong>the</strong> north wing, in addition to <strong>the</strong> galleries,<br />

screening room, and lecture hall, <strong>the</strong>re are nine multimedia classrooms and offices for <strong>the</strong> student newspaper, The Sundial. On <strong>the</strong><br />

second floor, behind <strong>the</strong> double-height gallery and lounge overlooking views of Oviatt and Sierra Quad, are seminar rooms and<br />

specialized spaces for <strong>the</strong> Journalism and Communication Studies departments. Faculty offices and computer labs are located on <strong>the</strong><br />

third floor. Stretching to <strong>the</strong> west and south behind <strong>the</strong> glass and brick facade, <strong>the</strong> majority of <strong>the</strong> building is a stucco-clad L-shaped<br />

mass, <strong>the</strong> wings of which form two sides of a landscaped green. The south wing houses <strong>the</strong> Radio, Television and Film department<br />

offices, television and film studios, editing suites, and computer labs. The main hallway of <strong>the</strong> south wing runs along its east edge,<br />

with views to <strong>the</strong> green. Bounded to <strong>the</strong> north and west by <strong>the</strong> AMC building, <strong>the</strong> outer edges of courtyard green are marked by<br />

allees of eucalyptus trees, creating a grassy plaza that will serve as a focal point for <strong>the</strong> School of Arts, Media, and Communication.<br />

(Stern)<br />

Nashville Public <strong>Library</strong>, Nashville, TN – USA 2001<br />

83.000.000 $<br />

ENashville is "Music City USA"; it is also, and has been for much longer, <strong>the</strong> "A<strong>the</strong>ns of <strong>the</strong> South," with a strong, distinct classical<br />

tradition that permeates its architecture, from William Strickland's Tennessee State Capitol to modest houses. Our library design,<br />

which won a national design competition, recognizes that tradition, not only in its exterior massing and formal language, but in <strong>the</strong><br />

clear, axial organization of its most symbolically significant public areas – <strong>the</strong> Main Entry Lobby; <strong>the</strong> Nashville Room, housing <strong>the</strong><br />

local history collection; <strong>the</strong> Gallery; <strong>the</strong> Grand Reading Room; <strong>the</strong> skylit Grand Stair; and <strong>the</strong> Courtyard – all of which are located<br />

on <strong>the</strong> axis of <strong>the</strong> Capitol, helping to streng<strong>the</strong>n <strong>the</strong> dangerously frayed fabric of <strong>the</strong> civic center complex as a whole. The library is<br />

fitted into a steeply sloping site, with portions of <strong>the</strong> upper two floors built atop an existing parking structure. The building is<br />

complex but designed to make way-finding intuitive. The main spaces are uniquely suited for social interaction, from <strong>the</strong> grand<br />

figural spaces of reading and circulation to <strong>the</strong> quiet eddies of informal seating that are distributed throughout <strong>the</strong> open stack areas,<br />

especially <strong>around</strong> <strong>the</strong> courtyard. Our building is both functional and grand; it is definitely not a shopping mall for books. The three<br />

story height along Church Street was derived from a practical desire to retain <strong>the</strong> existing parking structure and take advantage of<br />

its structural capacity to locate above it two large floors that look outwards to <strong>the</strong> surrounding townscape and inwards to a<br />

landscaped courtyard, which, with its central fountain, pool, and covered arcade, will provide an oasis and a setting for special<br />

readings and events. As <strong>the</strong> <strong>Library</strong> is <strong>the</strong> flagship of a public library system which serves <strong>the</strong> diverse Nashville population, <strong>the</strong><br />

project involved an extraordinary amount of community input. The most visible benefit of this involvement is <strong>the</strong> Public Art<br />

Program, which brought in local graphic artists, authors, photographers, painters, sculptors, and metalworkers to enrich <strong>the</strong><br />

building with artwork. The building also incorporates <strong>the</strong> work of nationally known artists including Richard Haas and Kent<br />

Bloomer. (Stern)<br />

Bangor Public <strong>Library</strong>, Bangor, ME – USA 1998<br />

This project includes a 27,000 square foot addition to and 40,000 square foot renovation of <strong>the</strong> 500,000 volume Bangor Public<br />

<strong>Library</strong>, a brick and stone neoclassical building by <strong>the</strong> architectural firm of Peabody and Stearns and completed in 1913. The<br />

building is set in a downtown public park adjacent to City Hall and <strong>the</strong> main shopping district. The addition nearly doubles <strong>the</strong><br />

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