23.06.2013 Views

Library Buildings around the World

Library Buildings around the World

Library Buildings around the World

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

uilding contractors, property developers, household appliance manufacturers, government bodies and academic institutions. It<br />

represents Taiwan on <strong>the</strong> <strong>World</strong> Green Building Council (WGBC). According to Chiu, by <strong>the</strong> end of July 2007 <strong>the</strong> total number of<br />

completed and EEWH certified green buildings in Taiwan was 195. This number may seem small, but by international standards<br />

Taiwan is making excellent progress. According to <strong>the</strong> WGBC's website, only 25 projects in Australia have been certified under that<br />

country's Green Star evaluation system. In Japan, just 16 buildings had satisfied CASBEE requirements by <strong>the</strong> end of 2006. Alex<br />

Hsu (徐鼎皓), one of Kuo's co-workers, says green buildings are typically 10 to 30 percent more costly than standard designs.<br />

Despite this, Taiwan's sustainable construction industry is growing. A total of 1,216 projects were being considered for EEWH<br />

certification at <strong>the</strong> end of July 2007, says Chiu. And as of August 2007, Bio Architecture Formosana was working on three more<br />

"green" projects—a hillside temple and nunnery on <strong>the</strong> outskirts of Taipei, a bank building in Yilan County (宜蘭縣) on <strong>the</strong> east<br />

coast, and a dormitory for <strong>the</strong> employees of a research institute in Tainan County (台南縣) in <strong>the</strong> south of Taiwan.<br />

Written by Steven Crook for culture.tw, ( http://www.culture.tw)<br />

MAYU Architects, Kaohsiung City – Taiwan<br />

MAYU architects+, founded in 1999 as Malone Chang Architects, later as Malone Chang and Yu-lin Chen Architects, is an<br />

interdisciplinary practice based in Kaohsiung, Taiwan.<br />

http://www.malonearch.com.tw<br />

Libraries:<br />

Tainan Yu-Wen <strong>Library</strong>, Tainan City – Taiwan 2012<br />

Yuwen <strong>Library</strong> is a critical part of an ongoing municipal projects to expand <strong>the</strong> reading environment for <strong>the</strong> communities<br />

throughout Tainan City. The key design goals are to pull toge<strong>the</strong>r surrounding public facilities by its unique facades, and expose its<br />

inner activities to <strong>the</strong> city by locating large concrete “windows” at building corners. We see this library as generator of civic<br />

programs, and <strong>the</strong> children’s library, facing an elementary school across <strong>the</strong> street, plays an important role.<br />

The <strong>Library</strong> is located in <strong>the</strong> East District, Tainan City. The site is bounded by streets ranging from 12m to 20m widthwise and also<br />

surrounded by public facilities: elementary school to <strong>the</strong> north, community center to <strong>the</strong> east, and <strong>the</strong> park to <strong>the</strong> south. The Yu-sin<br />

Boulevard to <strong>the</strong> west is <strong>the</strong> main south-north corridor in <strong>the</strong> area. The library is a 4-story concrete construction on a 2965 m2 site<br />

with 3144 m2 total floor area. The projected collection capacity is 110,000 books. The construction budget is <strong>around</strong><br />

NY$122,000,000. <strong>Library</strong> is a place of reading. However, in this information age, digital media and visual-audio resources have<br />

formed significant parts of any library collections. Therefore, in contemporary library, <strong>the</strong> visual acts of reading, browsing, and<br />

gazing create a web of inter-reference, resulting a fluid relationship of subjects and objects. In order to capture such contemporary<br />

phenomenon, <strong>the</strong> architectural interpretation of gaze and looking becomes guiding concepts of this project.<br />

Gaze and looking: Concrete volume as visual vehicle<br />

The site is adjacent to several urban programs with high public value; <strong>the</strong>refore, a concrete lower volume is proposed to negotiate<br />

those urban events on <strong>the</strong> one hand, and organize internal functions on <strong>the</strong> o<strong>the</strong>r. Large fenestrations articulated with concrete<br />

panels and canopies are located at dramatic moments: street corner facing elementary school (children’s library), frontal view<br />

toward community center (young-adult area), gaze window viewable from <strong>the</strong> park (reading room), and finally <strong>the</strong> horizontal<br />

glazing along <strong>the</strong> boulevard (lobby and new arrival). These symbolic openings convey <strong>the</strong> public character of <strong>the</strong> library, allowing<br />

citizens’ gaze penetrates <strong>the</strong> library boundaries from all angles. The coexistence of <strong>the</strong> expansive concrete walls and openings<br />

suggests enough aura that lures citizens to explore <strong>the</strong> knowledge inside.<br />

Simultaneously Iconographic and transparent: Wood volume as symbol of books<br />

The significant position of <strong>Library</strong> in <strong>the</strong> historical and social-cultural context always calls for symbolic formal language. A wood<br />

volume is half-lodged on top of <strong>the</strong> lower concrete volume: this volume contains collective human knowledge and clad in vertical<br />

wood louvers. It is <strong>the</strong> metaphor and representation of books. Characterized by four carved in curves, <strong>the</strong> form of <strong>the</strong> wood volume<br />

is distinct and iconographic. Internally, <strong>the</strong> combination of louvers and expansive glazing generates a transparent and universal<br />

space full of diffused sunlight. Here, <strong>the</strong> desire of gaze and looking is minimized; what is left is <strong>the</strong> very original act of reading.<br />

(MAYU Architects)<br />

J.J. Pan Partners, Taipei – Taiwan<br />

http://www.jjpan.com<br />

Libraries:<br />

National <strong>Library</strong> of Public Information, Taichung –Taiwan 2007 - 2012<br />

Situated in <strong>the</strong> middle of <strong>the</strong> island of Taiwan, <strong>the</strong> National <strong>Library</strong> of Public Information occupies a site that is both geographically<br />

and metaphorically <strong>the</strong> confluence of information exploration and urban evolution. The striking form of <strong>the</strong> building features a<br />

"horizontal flow" <strong>the</strong>me recalling <strong>the</strong> early irrigation canals in <strong>the</strong> city's settlement since <strong>the</strong> 18th century, as well as symbolizing <strong>the</strong><br />

fluid data interface in <strong>the</strong> internet age. Architecturally, <strong>the</strong> project is strongly rooted in <strong>the</strong> canons of modern architecture such as<br />

Le Corbusier’s Five Points of Modern Architecture; but also addresses conceptual questions such as how <strong>the</strong> library is to survive or<br />

even thrive in <strong>the</strong> digital age. In fact, <strong>the</strong> genesis of <strong>the</strong> design is <strong>the</strong> decision to directly confront <strong>the</strong> challenges and opportunities<br />

presented by <strong>the</strong> dynamic nature of digital media. The resulting fluid building form and ever-changing spatial movement are<br />

manifested in <strong>the</strong> protruding volume of <strong>the</strong> conference center, <strong>the</strong> grand steps connecting <strong>the</strong> plaza and <strong>the</strong> L shaped buildings<br />

embracing a landscaped court. Akin to how <strong>the</strong> Five Points challenged <strong>the</strong> conventional design and construction practices of <strong>the</strong><br />

time, <strong>the</strong> library tested <strong>the</strong> limits of design and construction in Taiwan. To achieve <strong>the</strong> building’s free-formed skin with its curved<br />

planes and organic tree trunk-shaped columns, <strong>the</strong> latest 3D design software and quite a few on-site mock-ups were utilized. In <strong>the</strong><br />

end, a composite wall system with integrated insulation molds <strong>the</strong> folding surfaces, which are cladded with pearl-white round mosaic<br />

tiles of eight different sizes enabling <strong>the</strong> skin to achieve a monocoque appearance. In <strong>the</strong> interior, each floor from level one for five,<br />

takes its visual design cue from <strong>the</strong> corresponding outside view - people, trunk, canopy, <strong>the</strong> city skyline, and clouds respectively. The<br />

landscape design features a moon-gazing berm with a multitude of native plants and low-maintenance wind resistant shrubs.<br />

Founded on <strong>the</strong> balance between cultural, technical and indigenous uniqueness, <strong>the</strong> design of <strong>the</strong> National <strong>Library</strong> of Public<br />

Information has established a new model for future civic projects in Taiwan. (http://www.e-architect.co.uk)<br />

Taichung Digital <strong>Library</strong>, Taichung – Taiwan 2011<br />

The challenge faces <strong>the</strong> design team is about “re-inventing” <strong>the</strong> library space and image to suit <strong>the</strong> changing ways people use <strong>the</strong><br />

library in <strong>the</strong> contemporary digital age. The site of this new library lies on <strong>the</strong> strategic location of a park connected to one of <strong>the</strong><br />

city’s important linear green belt system. At <strong>the</strong> entrance plaza, <strong>the</strong> building recesses to form one gentle green curve on <strong>the</strong> lawn to<br />

express a welcoming gesture to <strong>the</strong> visitors. The volume of ground floor is “streamlined” to allow maximum transparency at <strong>the</strong><br />

base. This fluent pattern also helps create a movement of people through <strong>the</strong> ground level of <strong>the</strong> library. With its linear window and<br />

curved exterior wall between floors, <strong>the</strong> facade of National Taichung <strong>Library</strong> is meant to echo <strong>the</strong> vibrant context. Visitors inside <strong>the</strong><br />

2

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!