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Library Buildings around the World

Library Buildings around the World

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AIA Washington Council Civic Design Award 2003<br />

The Spellman <strong>Library</strong> at Grays Harbor College was a 1960s concrete and brick structure with multiple inaccessible levels that was<br />

inwardly-focused and separated from <strong>the</strong> campus quadrangle by a moat of inaccessible open space. Schacht Aslani designed an Lshaped<br />

addition that wraps <strong>around</strong> <strong>the</strong> original building, opening up <strong>the</strong> interior space of <strong>the</strong> library and connecting it to a<br />

reconfigured central quadrangle. The building's multiple levels were reduced to two major levels with an intermediate lobby at <strong>the</strong><br />

level of <strong>the</strong> quadrangle. The lobby provides space for <strong>the</strong> campus art gallery and access to an elevator that connects <strong>the</strong> two major<br />

reconfigured levels of <strong>the</strong> building. The addition integrates <strong>the</strong> library with <strong>the</strong> campus and provides needed additional space for<br />

library functions and flexible spaces for both individual and group learning. (Schacht)<br />

Squaxin Island Tribe <strong>Library</strong> & Museum, Shelton, WA – USA 2002<br />

Predesign, site, architectural & interior design for 13,000 sf building providing integrated library & exhibit space, classrooms, offices<br />

& gift shop.<br />

The MLRC brings toge<strong>the</strong>r <strong>the</strong> best features of libraries and museums as places for culture and community. In a contemporary<br />

interpretation of <strong>the</strong> plankhouse archetype, <strong>the</strong> museum and library are located toge<strong>the</strong>r in a single, great hall that integrates <strong>the</strong><br />

two functions. The design marries <strong>the</strong> visual, experiential qualities of an exhibit gallery with <strong>the</strong> accessible, educational<br />

characteristics of a reading room. The individual components of <strong>the</strong> museum and <strong>the</strong> library - displays, bookshelves, reading areas,<br />

computer stations and information center - are woven into an integrated whole. Book collections are organized in relation to subject<br />

matter so that a display of baskets, for example, is accompanied by related reading materials. Supporting <strong>the</strong>se activities are<br />

adjacent classrooms, which provide space for crafts and language classes, seminars and lectures. The librarian's desk is next to <strong>the</strong><br />

front door and serves as a central point of orientation for <strong>the</strong> entire facility - providing a place where visitors can go for information<br />

and resource materials or just to talk about Squaxin Island culture. (http://www.squaxinislandmuseum.org)<br />

Schwartz / Silver Architects, Inc., Boston,MA – USA<br />

http://www.schwartzsilver.com<br />

Libraries:<br />

Billings <strong>Library</strong>, University of Vermont, Burlington, VT – USA on design (2016)<br />

Billings was designed by Henry Hobson Richardson (*29.09.1838 Priestly Plantation, Louisiana - + 27.04.1886 Brookline, MA) as <strong>the</strong><br />

university´s library and was expanded in similar style by Richardson´s partners <strong>the</strong> year after his death in 1886 (Like <strong>the</strong> Crane<br />

<strong>Library</strong> in Quincy Massachusetts, designed a few years earlier, this library is Romanesque in style. Unlike some of Richardson's<br />

works, however, this is reddish brown sandstone, without contrasting trim. See also: Childs, Bertman, Tseckares) (H.H.Richardson:<br />

Winn Memorial <strong>Library</strong>, Woburn, MA 1876-79, Ames Memorial <strong>Library</strong>, North Easton, MA 1877, Crane <strong>Library</strong> Quincy, Quincy,<br />

MA 1881, Converse Memorial <strong>Library</strong>, Malden, MA 1885 – AJW). Following <strong>the</strong> construction of a new library building in 1961,<br />

Billings was renovsted as a student center, with a major addition in 1984. Schwartz/Silver is now returning <strong>the</strong> building to something<br />

claose to its original function, as <strong>the</strong> University´s Special Collections <strong>Library</strong>. (Schwartz/Silver)<br />

Main Historical Society <strong>Library</strong>, Portland, Maine – USA 2009<br />

The expansion of <strong>the</strong> Alida Carroll and John Marshall Brown <strong>Library</strong>, <strong>the</strong> research library of <strong>the</strong> Maine Historical Society, is <strong>the</strong><br />

first phase of Schwartz/Silver´s master plan for <strong>the</strong> institution. The 1907 library has been restored and linked to a future museum by<br />

a corridor under <strong>the</strong> garden. At <strong>the</strong> rear of <strong>the</strong> old building, a 1960’s addition has been removed, and a new three-story wing takes<br />

its place. The new wing houses rare books in compact storage and a temperature and humidity controlled conservation<br />

environment. Behind <strong>the</strong> glassy west façade, offices and meeting rooms overlook <strong>the</strong> restored garden.<br />

Program: Reading rooms, open stack areas, collection storage in conservation environment, offices, meeting rooms, staff work<br />

spaces, and administrative offices. (Schwartz)<br />

Burke High School and Combined Public <strong>Library</strong>, Boston, MA – USA 2006<br />

The Jeremiah E. Burke High School is located in Dorchester, Boston´s largest and most diverse neighborhood. The renovation and<br />

addition to <strong>the</strong> school includes a combined public and school library, a community center, and a gymnasium. The Boston Public<br />

<strong>Library</strong>´s branch library stretches along <strong>the</strong> street with a two-story-high glass façade. An open stair connects to <strong>the</strong> high school<br />

library above. And at <strong>the</strong> top of <strong>the</strong> new wing is a competition-sized school gymnasium, with special floor construction to isolate<br />

naoise. (Schwartz)<br />

Milton Central <strong>Library</strong>, Milton, MA – USA 2006<br />

Like many towns in New England, Milton has a main public library built at <strong>the</strong> turn of <strong>the</strong> 19 th Century und der <strong>the</strong> influence of <strong>the</strong><br />

reformers of <strong>the</strong> “City Beautiful Movment””. The Schwartz/Silver expansion is behind <strong>the</strong> original structure. The entrance to <strong>the</strong><br />

historic library is maintained, but <strong>the</strong> new construction provides an opportunity to offer a more permeable, “friendly” library<br />

experience. (Schwartz)<br />

Andlinger Center for <strong>the</strong> Humanities, Princeton University, Princeton University, Princeton, NJ – USA<br />

2004<br />

Awards:<br />

Preservation Honor Award of <strong>the</strong> Historical Society of Princeton<br />

Schwartz/Silver was engaged to develop an integrated Humanities Center at Princeton, in two of <strong>the</strong> university´s earliest examples of<br />

gothic revival architecture: Chancellor Green and East Pyne. The two buildings, campletet in 1873 and 1897 by <strong>the</strong> architect<br />

William Appleton Potter (*08.12.1842 Schenectady,NY - + 19.02.1909 Rome, Italy), has served as Princeton´s library for 50 years.<br />

After ano<strong>the</strong>r 50 years, <strong>the</strong> decision was made to convert <strong>the</strong> buildings into <strong>the</strong> Humanities Center, comprising departments in<br />

cultural and language studies, comparative literature and linguistics. The architectural challenge was to significantly enlarge <strong>the</strong><br />

buildings, and create important new entrances to <strong>the</strong> Center from <strong>the</strong> surrounding campus, while preserving <strong>the</strong>ir landmark historic<br />

character. Like many nine<strong>the</strong>enth century libraries, East Pyne was built without integrated strctural floors. Walkways for librarians<br />

were installed as part of <strong>the</strong> library stacks, which rose <strong>the</strong> full height of <strong>the</strong> building. In 1948, when <strong>the</strong> building was converted for<br />

office uses, steel floor framing was added, but in <strong>the</strong> north wing of <strong>the</strong> building <strong>the</strong> floor elevations did not align with neighboring<br />

floors in order to accomodate a cafeteria above <strong>the</strong> unexecaved basement level. To eliminate this misalignment, <strong>the</strong> 1948 structure<br />

was removed and replaced with new steel to create consistent floor levels throughout <strong>the</strong> building. Once that was accomplished, <strong>the</strong><br />

lower level was dug out. A major feature of <strong>the</strong> original gothic revival structures was <strong>the</strong>ir leaded glass windows. After a century of<br />

exposure, many windows were leaking or damaged. The original lead “cames”, which held <strong>the</strong> individual panes of glass in place,<br />

were sagging. Lead has little strength and is very soft and malleable, so a continuing stress of even relatively small proportions will<br />

give rise to continuing creep. All of <strong>the</strong> building windows were removed for restoration. Within <strong>the</strong> shop, each piece of glass was<br />

dismantled and cleaned, broken pieces replaced with similarly colored and textured hand-made glass, and new lead cames soldered<br />

into place. The restored windows were <strong>the</strong>n reinstalled. (Schwartz)<br />

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