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Library Buildings around the World

Library Buildings around the World

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Architectuurstudio HH (Herman Hertzberger) Architects and Urban Disigners,<br />

Amsterdam – The Ne<strong>the</strong>rlands<br />

http://www.ahh.nl<br />

Libraries:<br />

Utrecht University, New Building Faculty of Science ( <strong>Library</strong>), Utrecht – The Ne<strong>the</strong>rlands 2006 – 2011<br />

The new Faculty of Science is located as a freestanding building on a prominent site of <strong>the</strong> University Utrecht campus.<br />

Approximately half of <strong>the</strong> building contains laboratories and <strong>the</strong> rest provides education and work space on various and open floors,<br />

grouped <strong>around</strong> <strong>the</strong> central hall. This atrium-like space is directed to <strong>the</strong> outside in a coverd outdoor area with an open classroom,<br />

where <strong>the</strong>re is an opportunity of open classroom, where <strong>the</strong>re is an opportunity of open air events. The “oval” freestanding building,<br />

is an island on this area, is on <strong>the</strong> boder between <strong>the</strong> inside and outside and provides all opportunities for meetings, which all<br />

contribute to social cohesion. (HH)<br />

http://youtu.be/wQ4xUSWa7NI (Flashmob tijdens opening)<br />

Utrecht University Faculty of Science late for her to realize a new building at <strong>the</strong> Uithof. The new building replaces <strong>the</strong> FAFC<br />

Wentgebouw among o<strong>the</strong>rs, also known as <strong>the</strong> "punch card". The new building comes at a prominent place on campus, at <strong>the</strong> corner<br />

of <strong>the</strong> Leuvenlaan and Universiteitsweg. HH Architecture Studio is responsible for <strong>the</strong> design, construction technology for <strong>the</strong><br />

construction Pieters. The building contains classrooms, laboratories and flexible work spaces and <strong>the</strong> shape of a horseshoe enclosing<br />

a central hall. This hall is covered, so a five-story atrium is created. In <strong>the</strong> hall as a separate element of a meeting designed building,<br />

where central facilities are.<br />

Floor Flooring<br />

The office and laboratory areas in <strong>the</strong> building have a traditional building constructive. The wings consist of a column grid of 7.20 m<br />

by 7.20 m with a flat slab floor. The columns are against <strong>the</strong> walls to put in which a relatively slender structural floor possible. This<br />

guarantees a great flexibility. The floors in <strong>the</strong> atrium and stabbing fields with flexible workplaces. These islands provide great sight<br />

lines.<br />

Cantilever<br />

On <strong>the</strong> entrance side of <strong>the</strong> building is an area of 30 by 60m as many column kept. This zone is supported by two concrete cores<br />

within <strong>the</strong> perimeter of <strong>the</strong> building standing. The construction of <strong>the</strong> five floors above <strong>the</strong> entrance kraagt lying all <strong>around</strong> on <strong>the</strong><br />

ground. The ceiling goes up slowly. On one side of <strong>the</strong> core is one storey high, wide concrete wall designed as a bar works. On <strong>the</strong><br />

o<strong>the</strong>r hand, a height of only 2m available. Four of <strong>the</strong> five floors are suspended from a high floor truss on <strong>the</strong> top floor. This is <strong>the</strong><br />

technical layer where <strong>the</strong> diagonals of <strong>the</strong> truss is less disturbing.<br />

Facade Construction<br />

The facade of <strong>the</strong> Universiteitsweg is designed as a two-story steel frame. The facade design is cantilevered steel beams back to <strong>the</strong><br />

nuclei. The cantilever trusses with steel tie rods for biasing <strong>the</strong> fixed nuclei. The tie rods are <strong>the</strong> core walls <strong>around</strong> at <strong>the</strong> back of <strong>the</strong><br />

nucleus where to draw <strong>the</strong> balance to make <strong>the</strong> weight of <strong>the</strong> 4m high concrete beam. To <strong>the</strong> deflections of <strong>the</strong> cantilevers to reduce<br />

tension on <strong>the</strong> rods are placed. (http://www.dearchitect.nl)<br />

Noordelijke Hogeschool Leeuwarden, Leeuwarden – The Ne<strong>the</strong>rlands 2010<br />

The existing building Bonnema is a late example of structuralism . Hertzberger, one of <strong>the</strong> most prominent architects in this<br />

movement, chose to leave <strong>the</strong> building intact. Instead of blocks to add, was a 30,000 square meter ring placed <strong>around</strong> it. Seen from<br />

above is <strong>the</strong> two-story building a frame <strong>around</strong> <strong>the</strong> existing building. In places where an entrance "underneath" to <strong>the</strong> courtyard is<br />

created, <strong>the</strong> existing section also visible from <strong>the</strong> side. The expansion is flexibly designed, focusing on new and freer forms of<br />

education. Because <strong>the</strong> support structure is inserted into <strong>the</strong> walls, column-free space could be left. This creates opportunities for a<br />

freer arrangement of facilities. These include everything from flexible work places, landscapes and study lounges. The old building is<br />

not completely unaffected. In <strong>the</strong> labyrinthine corridors is more order made by two mutually perpendicular axes to turn it into main<br />

streets. These streets are also connected to <strong>the</strong> building. In <strong>the</strong> old building cross each o<strong>the</strong>r in <strong>the</strong> central area, which has a skylight.<br />

With <strong>the</strong> renovation and expansion facilities are also added as a <strong>the</strong>ater and a new library and bicycle. The construction has lasted<br />

three years and 89 million euros. (http://www.architectenweb.nl)<br />

...Although <strong>the</strong> initial intention was that <strong>the</strong> old Bonnema part would only be affected to a minimum extent, this inviolability<br />

gradually turned out to be illusionary. It was clear right from <strong>the</strong> outset that <strong>the</strong> central space in <strong>the</strong> Bonnema building would have<br />

to form <strong>the</strong> heart of <strong>the</strong> now double-sized complex, purely due to its position near <strong>the</strong> large lecture hall, <strong>the</strong> library and <strong>the</strong> kitchen.<br />

A mixture of old and new became essential, if only to facilitate <strong>the</strong> amenities for <strong>the</strong> greatly increased number of users. Moreover,<br />

<strong>the</strong> intimacy of Bonnema threatened to become almost stifling as a result of <strong>the</strong> contrast with <strong>the</strong> new building with its walls<br />

completely of glass. Thus arose <strong>the</strong> need for more openness, and all resources were deployed to give <strong>the</strong> limited available space as<br />

much light and air as possible. A considerable hole in <strong>the</strong> roof with a simple glass covering brought great relief. The aim was to<br />

adapt <strong>the</strong> existing building to new insights, yet to alter it as little as possible. It is startling to experience <strong>the</strong> amount of concessions<br />

you have to make to respond to <strong>the</strong> changes of insight that have arisen within <strong>the</strong> short space of twenty-five years and have now<br />

made <strong>the</strong> building, which undoubtedly satisfied all <strong>the</strong> scrupulous requirements <strong>the</strong>n, entirely obsolete. The conclusion must be that<br />

in our day and age, in which insights change so rapidly and radically, <strong>the</strong>re is no future for buildings that borrow <strong>the</strong>ir architectonic<br />

form from <strong>the</strong> expression of different functions or <strong>the</strong> programme of requirements. (Hermann Hertzberger, Transformation and<br />

Extension, in: Hogeschool Leeuwarden, 010: Rotterdam 2011)<br />

CODA (Cultuur Onder Dak Apeldoorn) – museum, municipal archives and library, Appeldoorn –<br />

The Ne<strong>the</strong>rlands 2000 – 2004<br />

The periphery of Apart was defined by <strong>the</strong> bilding lines of <strong>the</strong> city block in <strong>the</strong> making, so that <strong>the</strong> existing “House of Fine Arts” is<br />

enclosed in something resembling a courtyard. The stairs fronting this fine-arts house were drawn into an undulating indoor<br />

landscape covering <strong>the</strong> museum space below, half of which is tucked underground. Programm-wise <strong>the</strong> building is in fact a multipleoccupancy<br />

building which besides museum accomodation includes an extension to <strong>the</strong> adjoining public library plus <strong>the</strong> municipal<br />

archives, with a reading room, offices, study spaces and a restaurant. All <strong>the</strong>se components face outwards through an all-glass skin<br />

which stresses <strong>the</strong>ir accessibility as well as giving a view through to <strong>the</strong> courtyard. This transparent basement cum display case is<br />

topped off with a hermetically sealed box housing <strong>the</strong> municipal archives. Entirely without fixed walls, <strong>the</strong> large museum space is for<br />

<strong>the</strong> most part sunk beneath <strong>the</strong> courtyard where is curved roof makes for a rippling street surface. (HH)<br />

<strong>Library</strong> Breda and Centre for Art and Music De Nieuwe Veste, Breda – The Ne<strong>the</strong>rlands 1991 – 1993<br />

The comlex sits for <strong>the</strong> most part on a large inner courtyard, with a small garden crafted round a protected group of rare<br />

mulberries. It is an amorphous space left between <strong>the</strong> surrounding existing developments and oversailed by a large roof which, on<br />

<strong>the</strong> side to <strong>the</strong> street and following <strong>the</strong> original curving building line, reinstates this characteristic curve ifonlyin <strong>the</strong> roofline. Set<br />

beneath this large roof on <strong>the</strong> upper level is <strong>the</strong> Center for Art and Music, a sort of elangated box suspended above <strong>the</strong> undivided<br />

library space covering <strong>the</strong> entire surface of <strong>the</strong> available site. The unique value of <strong>the</strong>se trees informed <strong>the</strong> spatial configuration of<br />

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