23.06.2013 Views

Library Buildings around the World

Library Buildings around the World

Library Buildings around the World

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

available where people want to use <strong>the</strong>m. They address <strong>the</strong> needs of diverse community groups, widening participation in lifelong<br />

learning and helping to streng<strong>the</strong>n community cohesion. Each one offers a convenient and accessible one-stop location for library,<br />

learning and information services.<br />

Tower Hamlets had set out to double <strong>the</strong> use of library and adult education facilities across <strong>the</strong> borough within five years – and<br />

managed to exceed its own ambitious targets. Funding for <strong>the</strong> Idea Stores came from <strong>the</strong> London Borough of Tower Hamlets and a<br />

range of public and private sector organisations. The five-storey flagship Idea Store in Whitechapel was built by Verry Construction<br />

and designed by architects Adjaye Associates. (http://www.homesandcommunities.co.uk)<br />

Idea Store Chrisp Street, London – UK 2004<br />

(restyling , see AEQUO)<br />

Chrisp Street is one in a series of Idea Stores that a are intendend to encourage local people to make <strong>the</strong> widest possible<br />

use of <strong>the</strong> facilities provided; a person who starts off by browsing in <strong>the</strong> audio-visual section might decide to accompany<br />

<strong>the</strong>ir child to <strong>the</strong> teen library or perhaps sign up for a life-long learning class. The site for this Idea Store consisted of an<br />

existing retail unit, part of a 1950s shopping centre, and <strong>the</strong> larger deck which previously formed this roof (Adjaye)<br />

Museum of African American History and Culture, Washington, DC – USA 2009<br />

Competition – 2015<br />

(with Davis Brody Bond, SmithGroup, Freelon Group)<br />

The museum is expected to open in 2015 and cost approximently $500 million. Lead Designer: David Adjaye, Design Team:<br />

Freelon Adjaye Bond/Smith Group, Client: Smithsonian Institution, Structural Engineer: Guy Nordenson and Associates,<br />

Robert Silman Associates, Mechanical Engineer: WSP Flack + Kurtz<br />

We have been covering <strong>the</strong> progress of <strong>the</strong> Smithsonian National Museum of African American History and Culture over <strong>the</strong><br />

last several months, our most recent being President Obama’s speech at <strong>the</strong> ceremony for <strong>the</strong> official ground breaking.<br />

Adjaye Associates recently shared with us some insight into <strong>the</strong> inspiration for <strong>the</strong> design and its grounding principles. We<br />

also have several new perspective renders illustrating <strong>the</strong> internal experience. More details after <strong>the</strong> break.<br />

Lead designer David Adjaye set out to establish a unique connection with both <strong>the</strong> site and its natural surroundings as well<br />

as create a compelling conceptual resonance within America’s deep and longstanding African heritage. The basis of <strong>the</strong><br />

design is firmly rooted in a trifecta that binds and informs <strong>the</strong> overall design; a “corona” shape that forms <strong>the</strong> solid portion<br />

of <strong>the</strong> building, a “porch” extension of <strong>the</strong> building that merges into <strong>the</strong> surrounding landscape, and a bronze filigree that<br />

wraps <strong>around</strong> <strong>the</strong> structure.<br />

Adjaye Associates describes in detail <strong>the</strong> location and elements that begin to inform <strong>the</strong> overall experience; “Situated on <strong>the</strong><br />

Washington Monument grounds <strong>the</strong> museum maintains a subtle profile in <strong>the</strong> landscape – more than half is below ground –<br />

with five stories above. The corona is based on elements of <strong>the</strong> Washington Monument, closely matching <strong>the</strong> 17-degree angle<br />

of <strong>the</strong> capstone and <strong>the</strong> panel size and pattern has been developed using <strong>the</strong> Monument stones as a reference. The entire<br />

building is wrapped in an ornamental bronze lattice that is a historical reference to African American craftsmanship. The<br />

density of <strong>the</strong> pattern can be modulated to control <strong>the</strong> amount of sunlight and transparency into <strong>the</strong> interior. The south<br />

entry is composed of <strong>the</strong> Porch and a central water feature. An extension of <strong>the</strong> building out into <strong>the</strong> landscape, <strong>the</strong> porch<br />

creates an outdoor room that bridges <strong>the</strong> gap between <strong>the</strong> interior and exterior.”<br />

“At 50m (49’-2”) deep, <strong>the</strong> setback is similar to o<strong>the</strong>r buildings on <strong>the</strong> north side of <strong>the</strong> Mall. The underside of <strong>the</strong> porch roof<br />

is tilted upward allowing reflection of <strong>the</strong> moving water below. This covered area creates a microclimate where breezes<br />

combine with <strong>the</strong> cooling waters to generate a place of refuge from <strong>the</strong> hot summer sun. There is also an outdoor patio on<br />

<strong>the</strong> porch rooftop that is accessed from a mezzanine level within <strong>the</strong> building.”<br />

“Inside <strong>the</strong> building, visitors will be guided on a historical and emotional journey, characterized by vast, column free spaces,<br />

a dramatic infusion of natural light and a diverse material palette comprising pre-cast concrete, timber and a glazed skin<br />

that sits within <strong>the</strong> bronze lattice. Below ground, <strong>the</strong> ambience is contemplative and monumental, achieved by <strong>the</strong> triple<br />

height history gallery and symbolized by <strong>the</strong> memorial space – <strong>the</strong> “oculus” – that brings light diffused by a cascade of water<br />

into <strong>the</strong> contemplative space from <strong>the</strong> Monument grounds. Moving upwards, <strong>the</strong> views become pivotal, as one circulates<br />

along <strong>the</strong> corona with unrivalled panoramas of <strong>the</strong> Mall, Federal Triangle buildings and Monument Grounds.”<br />

(http://www.archdaily.com) 21.03.2012<br />

Washington Libraries, Washington, DC – USA 2008 – 2012<br />

Adjaye Associates is designing for new public libraries to replace <strong>the</strong> existing Francis Gregory and Washington Highlands<br />

Facilities (Adjaye)<br />

Francis Gregory Neighborhood <strong>Library</strong>, Washington, DC – USA 2012<br />

client: capital projects, total area: 22,500 sqf, contract value: 13 m USD<br />

see also: Wiencek + Associates, Washington DC (USA)<br />

William O. Lockridge/Bellevue <strong>Library</strong>, Washington, DC – USA 2012<br />

client: district of columbia public libraries, total area: 22,500 sqf, contract value: 13 m USD<br />

see also: Wiencek + Associates, Washington DC (USA)<br />

Both <strong>the</strong> 'francis gregory neighborhood library' and <strong>the</strong> 'william o. lockridge/bellevue library' by london-based adjaye<br />

associates have opened to <strong>the</strong> public in washington DC. <strong>the</strong> buildings open <strong>the</strong>mselves to <strong>the</strong>ir residential contexts,<br />

generating welcoming centers which merge socially focused aspects with an urban and cultural program. within <strong>the</strong> wooded<br />

setting of fort davis park, <strong>the</strong> 'francis gregory neighborhood library' takes on <strong>the</strong> atmosphere of a pavilion. capped with a<br />

flat plane roof with deep eaves, <strong>the</strong> two-storey building is defined by an elevational composition of diamond panels. <strong>the</strong> motif<br />

is continued within <strong>the</strong> canopy, shading <strong>the</strong> interior from direct sunlight while introducing solar gain during winter.<br />

an external glass enclosure of alternating transparent and opaque panes reflect <strong>the</strong> greenery within <strong>the</strong> facade. openings<br />

between <strong>the</strong> diagonal structural framework allow outward views into <strong>the</strong> trees.<br />

<strong>the</strong> interior hosts programmatic areas for adults, teens and children along with public meeting and conference rooms.<br />

<strong>the</strong> perimeter's windows integrate seating to encourage visitors to enjoy <strong>the</strong> landscape. a material palette of timber brings<br />

<strong>the</strong> outdoor environment inside. 'our mission, with <strong>the</strong> francis gregory library, has been to offer a new way to experience<br />

books, reading and story-telling. ra<strong>the</strong>r than a traditional closed building, this library is porous and open, with <strong>the</strong> canopy<br />

providing a welcoming entrance that invites people inside. conceived as an extension to <strong>the</strong> park, it is not only a place to<br />

ga<strong>the</strong>r, but also a place of contemplation and learning.' - david adjaye<br />

integrating into <strong>the</strong> site's steep terrain, <strong>the</strong> 'william o. lockridge/bellevue library' is expressed with a cluster of volumes<br />

2

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!