23.06.2013 Views

Library Buildings around the World

Library Buildings around the World

Library Buildings around the World

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

to satisfy <strong>the</strong> different demands from 'administration itself. Selecting a few key points of entry can be made completely or only<br />

partially permeable space of <strong>the</strong> library at different levels, "<strong>the</strong> designers explain. Particular attention has been given by designers<br />

compared to <strong>the</strong> modulation of natural lighting during daylight hours of <strong>the</strong> day. "Direct sunlight is <strong>the</strong> enemy of <strong>the</strong> book, it must<br />

be controlled and manipulated to avoid <strong>the</strong> deterioration of paper and at <strong>the</strong> same time must meet <strong>the</strong> very essence of architecture.<br />

The design choices that effect have been identified in only one direction to fulfill different purposes. The south wall of <strong>the</strong> building<br />

with no interesting sights is rendered completely blind to prevent <strong>the</strong> entry of direct sunlight on <strong>the</strong> inside and equipped with a<br />

"wall-library" that occupies <strong>the</strong> full height of <strong>the</strong> building, a sort of curtain wall that becomes manifest in <strong>the</strong> library as a repository<br />

of knowledge. Priority is given to large holes in places where it is interesting to frame elements of <strong>the</strong> urban landscape as <strong>the</strong> bell<br />

tower and roof of <strong>the</strong> Ca<strong>the</strong>dral on one side and <strong>the</strong> diocesan museum <strong>the</strong> o<strong>the</strong>r two erker of giant order that <strong>the</strong> extension of <strong>the</strong><br />

external massing of <strong>the</strong> building and all 'manifest <strong>the</strong> internal spatial characteristics typical of Nordic culture, are to comply with <strong>the</strong><br />

alcove where you can stand to read or admire <strong>the</strong> scenery. The placement of large windows, which define <strong>the</strong> limits of space and<br />

climate between <strong>the</strong> interior and exterior, is known from direct indirect, consisting of a widespread and intense beam of light at<br />

points where <strong>the</strong>re is greater influx of people and stay within <strong>the</strong> new library. Ano<strong>the</strong>r device designed to capture <strong>the</strong> light, and<br />

provide perceptive suggestions o<strong>the</strong>rwise denied, selecting intensity and direction, is to install two large skylights on top of <strong>the</strong> pitch<br />

covering complex. The light passes through <strong>the</strong> entire building height, reaching <strong>the</strong> ground floor through a system of retreat of <strong>the</strong><br />

floors, playing a key role in <strong>the</strong> system of insights between <strong>the</strong> different floors of <strong>the</strong> library, "reads <strong>the</strong> draft report provided by <strong>the</strong><br />

trio winner. Ano<strong>the</strong>r feature of <strong>the</strong> project is <strong>the</strong> organization of <strong>the</strong> sections of <strong>the</strong> library. The proposal calls for <strong>the</strong> creation of a<br />

double shell perimeter sandwiched between <strong>the</strong> exterior walls of concrete and wood lea<strong>the</strong>r interior, "a kind of bark that surrounds<br />

<strong>the</strong> internal space freeing fully functional from any obligation. It is thus possible to accommodate those who have <strong>the</strong> need for<br />

growth and change over time, typical features of a modern library, complete <strong>the</strong> projects. (http://ww.archiportale.com)<br />

Pica Ciamarra (Massimo Pica Ciamarra) Associati, Napoli – Italy<br />

http://pca-int.com/italiano/works/home-works_01.htm<br />

http://pcaint.eu<br />

Libraries:<br />

Biblioteca Forteguerriana, Pistoia – Italy 2000 – 2007<br />

8.000 m²<br />

Cliostraat. art architecture design, Torino – Italy<br />

http://www.cliostraat.com<br />

Libraries:<br />

Quarrata Public <strong>Library</strong>, Quarrata- Italy 2001<br />

DAP Studio, Milano – Italy<br />

http://www.dapstudio.com<br />

Libraries:<br />

Civic Centre with Public <strong>Library</strong>, Auditorium, Offices and Child Care, Ranica (Bg) – Italy 2006 - 2010<br />

The civic centre rests in a strategic position half way between <strong>the</strong> historical heart of <strong>the</strong> city and <strong>the</strong> new expansion areas.<br />

It will house a civic library, a kindergarten, office spaces and a conference hall. Aim of <strong>the</strong> project is to set rational connections<br />

between <strong>the</strong> new cultural nucleus, <strong>the</strong> city centre and <strong>the</strong> traffic system. The open and public areas become key aspects in <strong>the</strong><br />

project: an investigation on <strong>the</strong> meanings of 'piazza' (square) and of 'crossing' has generated <strong>the</strong> concept of 'ground'. Traditionally,<br />

in Italy, <strong>the</strong> 'piazza' is defined by physical and visual elements that limit its space but it is also characterized by an institutional<br />

presence (a city council, a market, etc…), that defines its meaning. his project aims at generating a new form of 'piazza' where <strong>the</strong><br />

physical boundaries blur into <strong>the</strong> open space, creating new public spaces that welcome pedestrians, allowing <strong>the</strong>m to penetrate <strong>the</strong><br />

constructed mass, which is raised above <strong>the</strong> ground. The centre is organized onto two levels, <strong>the</strong> perimeter of <strong>the</strong> first floor juts<br />

out by 2 mt. The idea is that of a massive volume, raised above <strong>the</strong> square level. Underneath <strong>the</strong> volume <strong>the</strong> system of connections<br />

and public spaces mixes with <strong>the</strong> system of accesses and internal areas. The lower ground is characterized by a strong permeability<br />

<strong>the</strong>refore <strong>the</strong> buffer spaces between inside and outside gain strength and importance. Inside, at ground floor, two open air patii cut<br />

through <strong>the</strong> first floor mass to bring light and air to <strong>the</strong> lower level. The two volumes differ in mass as well as in material: <strong>the</strong><br />

rendered ground floor is juxtaposed to <strong>the</strong> lightness of <strong>the</strong> polycarbonate sheets that define <strong>the</strong> first floor. The simplicity and<br />

integrity of <strong>the</strong> external volume is subverted in <strong>the</strong> internal spaces, which become complex in a three dimensional space<br />

creating a 'urban scenario', but maintain an explicit and clear internal distribution. The main areas within <strong>the</strong> public library are<br />

defined by volumes that organize <strong>the</strong> space creating flows and allowing people to orient within <strong>the</strong> building, just like one orients<br />

oneself within a city. In <strong>the</strong> main hall, balconies, volumes, connecting bridges, all contribute to set an harmonic relation with <strong>the</strong><br />

inner patio. (DAP)<br />

The recently completed Cultural and Community Center of <strong>the</strong> North Italian town Ranica, near Bergamo, is a "new piazza" of <strong>the</strong><br />

town developed. Here are all <strong>the</strong> functions that need a little community, concentrated in one place: a public library, community hall,<br />

a kindergarten and a small dance and <strong>the</strong>ater center. The architects studio DAP + Giaconia Paola (Milan) describe <strong>the</strong>ir design -<br />

2005 emerged as <strong>the</strong> winner of a competition project - said: "The Piazza has always been a place, physically and visually, is limited<br />

by <strong>the</strong> surrounding buildings. With our project we want to blur <strong>the</strong>se sharp boundary between solid and void. "<br />

The new building is located at <strong>the</strong> interface between <strong>the</strong> center of <strong>the</strong> village and a new housing development here and will act as a<br />

threshold between old and new. The rectangular building consists of a recessed floor and a far-protruding above floor. Also as<br />

regards <strong>the</strong> materiality of both floors are very different. While <strong>the</strong> glass floor and <strong>the</strong>refore is transparent, which consist of colored<br />

facades of <strong>the</strong> upper storey, semi-opaque polycarbonate panels. Inside, <strong>the</strong> individual functions in different cubes are stored. Several<br />

interior patios also divided <strong>the</strong> floor plan. Also <strong>the</strong> access corridors and stairways were designed as places that required as a meeting<br />

and meeting points of a high quality stay. (http://www.baunetz.de)<br />

Elsa Morante Civic <strong>Library</strong>, Lonate Ceppino (Va) – Italy 2006 – 2008<br />

The restoration and extension of this historical building revolved <strong>around</strong> <strong>the</strong> creation of a new building, narrow and long, that runs<br />

parallel to <strong>the</strong> existing one. The complex contains <strong>the</strong> community public library and some office space. The new building house all<br />

service and distribution spaces (vertical connection), this to minimize <strong>the</strong> demolishing intervention within <strong>the</strong> historical building.<br />

This new volume, also defines a buffer zone between <strong>the</strong> old and <strong>the</strong> new, between <strong>the</strong> historical building and <strong>the</strong> city: it is a public<br />

accessible space, container of information for <strong>the</strong> community. The dialectic between old and new is <strong>the</strong> driver of <strong>the</strong> whole design,<br />

and it has oriented all design issues. The dialogue between <strong>the</strong> two volumes has between reinforced through <strong>the</strong> juxtaposition of<br />

8

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!