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Library Buildings around the World

Library Buildings around the World

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In 1948, an issue of Princeton Alumni Weekly showcased <strong>the</strong> newly constructed Harvey S. Firestone Memorial <strong>Library</strong>. The article<br />

featured photographs, interviews and historical facts about <strong>the</strong> opening of <strong>the</strong> library, telling “<strong>the</strong> story of <strong>the</strong> new library and how it<br />

came to be.” Within <strong>the</strong> article, <strong>the</strong> University Librarian described <strong>the</strong> essence of what makes <strong>the</strong> library a successful study<br />

environment:<br />

The outstanding characteristic of Princeton’s Firestone <strong>Library</strong> is its openness, its ease of access to books and to <strong>the</strong> library<br />

services….It is a building dedicated to <strong>the</strong> dignity and value of knowledge and of wisdom. It exists for <strong>the</strong>se purposes alone. If <strong>the</strong><br />

architectural ornaments are beautiful or if <strong>the</strong> technical paraphernalia of librarianship intrude <strong>the</strong>mselves upon you, remember that<br />

<strong>the</strong>y are present incidentally or through necessity. Their purpose is to house books and to make <strong>the</strong>m conveniently accessible for<br />

your study and for <strong>the</strong> enlargement of <strong>the</strong> horizons of your mind. This, in effect, is what <strong>the</strong> new Princeton <strong>Library</strong> seeks to proclaim<br />

to every student who enters it.<br />

—Julian P. Boyd, University Librarian<br />

This is <strong>the</strong> legacy on which <strong>the</strong> renovation will build.<br />

Embracing Our Future<br />

Among <strong>the</strong> most important goals of <strong>the</strong> renovation project are improving reader and study spaces, upgrading Rare Books & Special<br />

Collections areas, introducing sustainable building features, updating life-safety systems, and renovating graduate study rooms,<br />

exhibit spaces, and shelving areas in <strong>the</strong> library.<br />

This renovation work is being done so that, in <strong>the</strong> words of former President Harold W. Dodds, <strong>the</strong> miracle contained within this<br />

library can continue—“<strong>the</strong> miracle of imagination kindled, prejudice thrown overboard, dogma rejected, conviction streng<strong>the</strong>ned,<br />

perspective leng<strong>the</strong>ned.” (http://libblogs.princeton.edu/renovations/<strong>the</strong>-vision/)<br />

Free Public <strong>Library</strong>, Morristown, NY – USA 2006<br />

Through continued successful development of new services, this <strong>Library</strong> had again outgrown its existing building. HMR’s design<br />

responds to those changing needs and continued growth by providing enhanced public library spaces and a new Children’s <strong>Library</strong><br />

through expansion of <strong>the</strong> existing Collegiate Gothic building. Future anticipated growth is accommodated through <strong>the</strong> relocation of<br />

<strong>the</strong> Local History collection to an adjacent historic structure and a new underground research reading room that serves as a<br />

connector to <strong>the</strong> <strong>Library</strong> building. (HMR)<br />

HO+K, St. Louis – USA + LEGAT architects, Chicago – USA<br />

http://www.hok.com + http://www.legat.com<br />

Libraries:<br />

College of Lake County University Center, Grayslake IL – USA 2005<br />

Awards:<br />

Madigan Outstanding Project Award 2005<br />

Hodgetts + Fung, Design and Architecture, Culver City – USA<br />

http://www.hplusf.com<br />

Libraries:<br />

Hyde Park – Miriam Mat<strong>the</strong>ws Branch <strong>Library</strong> (Los Angeles Public <strong>Library</strong>), Los Angeles CA– USA<br />

2004<br />

Built at <strong>the</strong> epicenter of <strong>the</strong> 1992 Los Angeles riots, <strong>the</strong> Hyde Park Miriam Mat<strong>the</strong>ws Branch <strong>Library</strong> stands as a testament to civic<br />

renewal and <strong>the</strong> healing power of architecture. More than just a place to read or ga<strong>the</strong>r, <strong>the</strong> library reaffirms <strong>the</strong> city’s faith in<br />

South Los Angeles as a vibrant neighborhood and a generator of hope.Part of an ambitious program to build 36 libraries in<br />

communities <strong>around</strong> Los Angeles, <strong>the</strong> Hyde Park branch needed to make a statement that reinvestment in small-scale civic<br />

structures could make people’s lives better. Although just 10,500 square feet, <strong>the</strong> new library offers almost twice <strong>the</strong> number of<br />

volumes as <strong>the</strong> neighborhood’s old facility (40,000 books, compared with 25,000). And it nearly triples <strong>the</strong> number of computer<br />

terminals to 28, up from 10.Hodgetts + Fung originally envisioned <strong>the</strong> Hyde Park library as an exercise in glass and colored light.<br />

But <strong>the</strong> client wanted something bolder, so principals Craig Hodgetts, AIA, and Hsin-Ming Fung, AIA, decided to give <strong>the</strong> building a<br />

more sculptural presence. “We looked at Brancusi’s work because it has such great energy,” says Hodgetts.Eventually, <strong>the</strong> architects<br />

designed <strong>the</strong> building with angled glue-laminated-wood columns and beams on <strong>the</strong> inside and moss-colored cement-board walls on<br />

<strong>the</strong> outside. “We wanted it to be muscular, to have an animal-like quality to it,” explains Fung. Sitting on a corner site, <strong>the</strong> building<br />

offers four different faces to its surroundings. While all elevations emphasize masonry at street level and glazing above (for security<br />

reasons), each has its own personality. The south-facing street front expresses a sense of motion with its long, linear composition of<br />

glass and cement board topped by a copper-tinted-steel sawtooth roof. On <strong>the</strong> north, where patrons enter from <strong>the</strong> parking lot, <strong>the</strong><br />

architects greet <strong>the</strong>m with a jazzy series of angled wood-frame brise-soleils projecting from <strong>the</strong> facade. The shorter side elevations<br />

speak in quieter tones.In plan, <strong>the</strong> library is essentially a simple rectangle, but Hodgetts + Fung embued <strong>the</strong> interiors with a visual<br />

richness by layering materials and angled forms in a syncopated rhythm. “We wanted it to feel like jazz,” says Fung.<br />

( http://www.archrecord.construction.com )<br />

Standing at <strong>the</strong> crossroads of where <strong>the</strong> 1992 Los Angeles riots burned is <strong>the</strong> new Hyde Park Miriam Mat<strong>the</strong>ws Branch <strong>Library</strong>,<br />

named for <strong>the</strong> first African-American librarian in California. As designed by Hodgetts + Fung Design and Architecture, <strong>the</strong> library<br />

is helping to revitalize and unite <strong>the</strong> community, offering residents educational, social, and professional services. The 10,500-squarefoot<br />

library – which replaces <strong>the</strong> former, smaller Hyde Park branch – draws on a rich palette of materials, colors, and forms. The<br />

culture and history of South Los Angeles informed much of <strong>the</strong> building’s design, which is marked by a layering of materials and<br />

angled forms. “We wanted Hyde Park residents to interact and respond to <strong>the</strong> library,” says Craig Hodgetts, AIA. “Instead of<br />

designing space sympa<strong>the</strong>tic to Euro-American culture, we developed a fresh palette of materials and textures that residents would<br />

identify with. Aes<strong>the</strong>tically, <strong>the</strong> library is in complete response to <strong>the</strong> people who occupy it.” The library’s street-front façade is clad<br />

in crisp, pleated layers of moss-colored cement board and copper-tinted steel, and a hand-painted tile mosaic designed by artist<br />

Robin Strayhorn. The brightly-colored mosaic – inspired by local students – portrays <strong>the</strong> leadership and dreams that have helped<br />

bridge <strong>the</strong> Hyde Park community. At one end of <strong>the</strong> building is a courtyard garden designed by landscape architect Ka<strong>the</strong>rine Spitz<br />

Associates. The nor<strong>the</strong>rn façade is marked by sculptural elements of glass, metal grating, cement board, and copper-tinted steel<br />

woven into horizontal panes provocatively angled and set above a slanted cement-board structural base. A jauntily-angled coppercolored<br />

flagpole provides structural support at one corner of <strong>the</strong> building. Inside, to break <strong>the</strong> scale of <strong>the</strong> 22-foot-high ceiling,<br />

exposed structural and mechanical elements diverge in various directions and orientations. Suspended horizontally overhead,<br />

copper-tinted air-conditioning ducts are angled as jagged, sculptural tubes. Support beams, constructed of recycled lumber chips,<br />

stretch vertically, adding to <strong>the</strong> thicket of elements and colors that inhabit <strong>the</strong> space. Over <strong>the</strong> book aisles, rows of elongated<br />

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