23.06.2013 Views

Library Buildings around the World

Library Buildings around the World

Library Buildings around the World

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

concrete frame. The reception and reading area is covered by a curved steel roof structure, fully glazed at each end and with a 40m<br />

long window opening extending <strong>the</strong> length of <strong>the</strong> reading room and providing views of a new external pond. Solar control is provided<br />

by internal motorised fabric blinds. Ventilation is primarily non-mechanical. The tough finishes and strong colours of this striking<br />

building, which cost just £3.6 million including new landscaping, recalls Rogers' work of <strong>the</strong> Sixties and early Seventies, not least in<br />

its references to <strong>the</strong> metallic aes<strong>the</strong>tic of <strong>the</strong> Case Study houses programme. (Rogers)<br />

Law Court, Antwerp – Belgium 2006<br />

Antwerp’s New Law Courts will be a catalyst for RRP’s long-term masterplan for <strong>the</strong> new ‘Zuid’.<br />

The site for <strong>the</strong> Law Courts is <strong>the</strong> Bolivarplaats, on <strong>the</strong> sou<strong>the</strong>rn edge of Antwerp’s central area, where <strong>the</strong> urban fabric is<br />

broken by a massive motorway interchange, cutting off <strong>the</strong> boulevard that leads into <strong>the</strong> city. The building, designed in<br />

conjunction with VK Studios, was conceived both as a gateway to <strong>the</strong> city and as a link across <strong>the</strong> motorway between <strong>the</strong><br />

city centre and <strong>the</strong> Schelde River. It houses eight distinct civil and criminal courts and includes 36 courtrooms plus offices,<br />

chambers for judges and lawyers, library and cafeteria, with a great public hall (<strong>the</strong> space traditionally known as <strong>the</strong> “Salle<br />

des Pas Perdus”) linking six radiating wings of accommodation. This space is capped by a striking roof structure, crystalline<br />

in form, linking <strong>the</strong> paraboloid roofs that cover <strong>the</strong> courtrooms.<br />

Unlike traditional Law Courts, <strong>the</strong> new scheme creates courts, hearing rooms and public space, all filled with natural light,<br />

as well as providing spectacular views across <strong>the</strong> city. Highly transparent clear-glazed atria, lifts and stairwells provide<br />

instant legibility and respond to <strong>the</strong> initial brief to make <strong>the</strong> workings of justice more transparent.<br />

Coloured steel work also acts as an orientating device that is legible both in <strong>the</strong> broader context of <strong>the</strong> city and from within<br />

<strong>the</strong> building. The building, straddling a major highway, looks out to a large area of open land. The design creates ‘fingers’ of<br />

landscaped parkland which extend right into <strong>the</strong> heart of <strong>the</strong> building.<br />

When designing <strong>the</strong> new Law Courts building, RRP also focused a great deal of attention on <strong>the</strong> environmental aspects of<br />

this project and on <strong>the</strong> effective use of energy. Natural light is used to optimum effect, natural ventilation is supplemented by<br />

low-velocity ventilation for <strong>the</strong> hearing rooms and rainwater is recycled. The environmental strategy is based on utilising <strong>the</strong><br />

<strong>the</strong>rmal mass of <strong>the</strong> pre-cast concrete frame, <strong>the</strong> reduction of solar gain by high performance glazing and <strong>the</strong> use of external<br />

glazed louvres. The new Law Courts for <strong>the</strong> City of Antwerp were formally opened on 28 March 2006 by King Albert II of<br />

Belgium. (Rogers)<br />

Ryder Architecture Ltd., Newcastle upon Tyne – UK<br />

http://www.ryderarchitecture.com<br />

Libraries:<br />

Manchester Town Hall (City Council) Redevelopment + Central <strong>Library</strong>, Manchester – UK 2013/14<br />

collaboration with Jan Simpson Architects, Manchester http://www.jansimpsonarchitects.com<br />

David Green, project architect at Ian Simpson Architects:<br />

A key idea has been opening up <strong>the</strong> courtyard to create connections between different levels and taking natural light through <strong>the</strong><br />

building. We are also bringing back some spectacular internal spaces, including <strong>the</strong> grand, curved, stone-lined Payments (Rates)<br />

Hall. The main challenge has been balancing this transformation vision against <strong>the</strong> historic fabric. However, in many ways, E<br />

Vincent Harris’ neo-Gothic design for <strong>the</strong> Town Hall Extension helps <strong>the</strong> low-carbon strategy – <strong>the</strong> high ceilings, large windows,<br />

narrow floorplates and heavy masonry and exposed concrete soffits all support natural ventilation. The extension and central library<br />

projects have progressed simultaneously, to similar deadlines, and we have enjoyed <strong>the</strong> collaborative approach to <strong>the</strong> project and <strong>the</strong><br />

opportunity to work closely with ano<strong>the</strong>r architect. It has been interesting, and often enlightening, to see how ano<strong>the</strong>r designer<br />

approaches a similar problem.<br />

Lee Taylor, project architect at Ryder Architecture:<br />

The main project drivers are to provide an environment in which visitor numbers can be increased from one to two million per<br />

annum and allow greater public access to historic and archive material. We want <strong>the</strong> refurbished central library to be a place where<br />

people want to be. It will appeal to new and existing users alike and provide increased access to a wider range of material and<br />

activities. It will support transformation in <strong>the</strong> delivery of library and archive services. Through a new, linked, city lending library<br />

located within town hall extension and containing modern content and a children’s library, central library will have clarity of<br />

purpose as <strong>the</strong> regional hub for historic and archive material The building is an intriguing hybrid of 1930s technology and classical<br />

architecture, a hallmark of E Vincent Harris’ work. Nothing is quite as it appears; a concealed steel frame is clad internally in Manu<br />

marble tile and render giving <strong>the</strong> appearance of stone, and apparently solid perimeter walls contain air plenums and routing for<br />

integrated services distribution. (http://www.architectsjournal.co.uk)<br />

The Central <strong>Library</strong> is a part of <strong>the</strong> wide refurbishment of Manchester´s Town Hall complex. The magnicent Grade II* listed<br />

library was built in 1934 (1930-1934: Emanuel Vincent Harris 1876 (Devenport, Devon – 1971 Bath). It occupies a stunning location<br />

in St. Peter´s Square at <strong>the</strong> head <strong>the</strong> civic complex and Oxford Road Knowledge Corrido. The vision for <strong>the</strong> redelvelopment is that<br />

knowledge and learning will br shared amongst customers through a new use od space. The client brief is to create:<br />

a place of unique and memorable experiences<br />

a place that stimulates individuale creativity and thinking<br />

an environment that induces relaxation and new thinking<br />

a place of openess, warmth and life<br />

a space that entices and inspires<br />

a place that pulls you back<br />

a place that refelcts <strong>the</strong> role of Manchester as <strong>the</strong> original modern city<br />

(Ryder)<br />

Manchester Central <strong>Library</strong> is part of <strong>the</strong> wider refurbishment of Manchester’s town hall complex. The grade II* listed library,<br />

built in 1934, occupies a stunning location in St Peter’s Square at <strong>the</strong> head of <strong>the</strong> civic complex and Oxford Road Knowledge<br />

Corridor. The ultra modern flagship library in its day had become tired, cluttered and no longer viable for <strong>the</strong> current role and<br />

content of libraries. The existing symmetrical circular structure was disorientating with too few points of reference as <strong>the</strong> visitor<br />

moves round its circumference. Stairs were enclosed and uninviting. It was designed as a civic statement and not as a visitor<br />

experience. The main driver was to increase visitor numbers from one to two million per annum, to create a regional hub for film,<br />

photographic and paper based archive with repository storage, to allow greater public access to archive and historic material and to<br />

bring back <strong>the</strong> original clarity and architectural intent of key heritage spaces.<br />

Ryder has transformed <strong>the</strong> previously ra<strong>the</strong>r forbidding and confusing building into a welcoming series of interconnected spaces.<br />

The existing book stacks were removed, which in turn meant taking out all <strong>the</strong> floors, and <strong>the</strong> insertion of new vertical circulation<br />

linking all levels. Clear, contemporary staircases and scenic lifts span <strong>the</strong> newly created floor apertures at each level. The generous<br />

new sweeping stair and glazed lifts take <strong>the</strong> visitor on a journey through <strong>the</strong> building. (Ryder)<br />

55

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!