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Library Buildings around the World

Library Buildings around the World

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Joel Sanders Architect, New York, NY – USA<br />

http://www.joelsandersarchitect.com<br />

Libraries:<br />

Education Commons, University of Pennsylvania, Philadelphia, PA – USA 2012<br />

Managed by Penn Libraries, it is a 168-seat, 6,400-square-foot, state-of-<strong>the</strong>-art study and information facility designed to support<br />

teaching and collaborative learning.<br />

“A student who joined me for a tour of <strong>the</strong> Commons,” said Carton Rogers, vice provost and director of libraries, “was so excited<br />

about <strong>the</strong> new space, we half expected her to request seasons tickets to <strong>the</strong> collaborative study rooms.<br />

“We’ll stop short of that,” Rogers said, “but students and faculty are certain to find this an inspiring place to work.”<br />

Inspired by Weigle Information Commons in Van Pelt-Dietrich <strong>Library</strong> (see: Ann Beha), <strong>the</strong> facility features flexible, technologyrich<br />

work environments. A series of curved planes envelop <strong>the</strong> ceiling, and <strong>the</strong> monumental arched windows of Franklin Field<br />

visually join <strong>the</strong> interior space with <strong>the</strong> expanse of lawns and tree-lined walkways that will make up Shoemaker Green, now under<br />

construction.<br />

The Commons offers a variety of visual design, publishing, math, geographic, math and statistics, Web development and digital<br />

management software as well as a multitude of media players, all supported with full wireless networking and color and black-andwhite<br />

printing stations.<br />

Within <strong>the</strong> Commons, students and faculty will have access by reservation to an 18-seat, glass-enclosed seminar room, equipped with<br />

a computer and an 80-inch video display. Four small and four large study rooms -- each with a computer and large flat panel LCD<br />

screen -- can accommodate groups of as many as 10 and are also reservable. Open seating for as many as 90 is offered in banquettes<br />

and in soft furniture, providing flexibility for individual or group use.<br />

Librarians will be on hand to help students with technology and to work with faculty and University staff on program development.<br />

Also, <strong>the</strong> libraries are collaborating with academic-support services across campus to develop workshops and discipline-based<br />

programming geared to undergraduate students.<br />

(http://www.upenn.edu/pennnews/news/penn-education-commons-weiss-pavilion-host-open-house-march-28)<br />

NYU Bobst <strong>Library</strong>, New York, NY – USA 2012<br />

As reported by David W Dunlap for <strong>the</strong> NYTimes, <strong>the</strong> safety-restoration applied to Philip Johnson and Richard Foster’s Elmer<br />

Holmes Bobst <strong>Library</strong> on <strong>the</strong> NYU campus near Washington Square is close to completion. While <strong>the</strong> library, which was<br />

constructed in <strong>the</strong> early 1970s, remains intact, <strong>the</strong> tremendous atrium space – a soaring 150 ft void – is proving to be more of a safety<br />

hazard than <strong>the</strong> magnificent architectural experience <strong>the</strong> architects intended. Since 2003, <strong>the</strong> library has been marred by claiming<br />

<strong>the</strong> lives of three students who leaped to <strong>the</strong>ir deaths (even after <strong>the</strong> university installed 8ft polycarbonate barriers). Charged with<br />

<strong>the</strong> task of eliminating <strong>the</strong> possibility for such a future occurrence, Joel Sanders Architect responded with a perforated alumium<br />

screen that completely walls off <strong>the</strong> atrium from <strong>the</strong> library’s levels.<br />

Conceptualized as a random pixel design to compliment <strong>the</strong> building’s minimalistic aes<strong>the</strong>tic, <strong>the</strong> matte bronze 20-ft tall panels<br />

eliminate <strong>the</strong> vast panoramic views across <strong>the</strong> library and instead compartmentalize views into “scattered fragments“. The screen,<br />

in no way an “inconspicuous barrier”, completely alters <strong>the</strong> sense of space within <strong>the</strong> library. Dunlap explained, “They can — in <strong>the</strong><br />

right light — look as gauzy as <strong>the</strong>atrical scrims.”<br />

Yet, nothing can take from <strong>the</strong> initial effect of walking into Bobst at <strong>the</strong> ground level, ““You really don’t lose <strong>the</strong> visual qualities of<br />

<strong>the</strong> original atrium. This is almost like a beautiful piece of lace that’s been stretched taut against <strong>the</strong> balcony slabs,” explained<br />

Andrew T. Repoli, a director of construction management at NYU.<br />

The new intervention adheres to NYU requests of transparency and permeability, and, according to spokesman John Beckman, <strong>the</strong><br />

panels “Present an opportunity to enhance <strong>the</strong> quality, character and identity of this important NYU institution.”<br />

Working with SHoP Construction Services, <strong>the</strong> 280+ panels were digitally fabricated from 39 different patterns modeled in Catia.<br />

Currently, <strong>the</strong> renovation is still underway, but as NYU students return for <strong>the</strong> semester in a few weeks, <strong>the</strong> library will be sure to<br />

play host to an entirety of critics. It will be interesting to see <strong>the</strong> opinions unfold, especially since <strong>the</strong> screens are purely intended to<br />

save lives. Based upon such a sensitive issue, will <strong>the</strong> screens still warrant <strong>the</strong> same kind of architectural criticism? Karen Cilento<br />

24.0812 Archdaily (http://www.archdaily.com)<br />

The Bobst Pixel Veil addresses dual design challenges: <strong>the</strong> creation of a secure yet visually porous membrane that is aes<strong>the</strong>tically<br />

compatible with <strong>the</strong> atrium designed by Philip Johnson in 1968. The Pixel Veil consists of laser-cut aluminum panels and vertical<br />

supports painted to match <strong>the</strong> existing bronze handrail. Each laser-cut panel is inscribed with a perforated pattern - <strong>the</strong> Pixel Matrix<br />

– composed using an underlying 4” grid whose spacing aligns with <strong>the</strong> vertical stanchions of <strong>the</strong> original railings while also<br />

complying with ADA building codes. Responding to <strong>the</strong> surrounding context, modular perforations gradually dissolve along <strong>the</strong><br />

atrium perimeter from south to north, becoming visually more open towards <strong>the</strong> stacks and park. At <strong>the</strong> top level, <strong>the</strong> perforated veil<br />

terminates in a glass clerestory. The Pixel Matrix builds on <strong>the</strong> affinity between <strong>the</strong> original building and <strong>the</strong> language of digital<br />

information - both rely on <strong>the</strong> logic of <strong>the</strong> square matrix. Pixel Matrix references <strong>the</strong> building’s underlying square grid that Johnson<br />

expressed in <strong>the</strong> square coffered ceiling and concentric square reading lights, as well as <strong>the</strong> language of digital information that<br />

encrypts data through bar codes composed of square modules. (Sanders)<br />

Princeton University Julian Street <strong>Library</strong>, Princeton, NJ – 2011<br />

Awards:<br />

ALA IIDA <strong>Library</strong> Interior Design Award for Princeton Julian Street, 2012<br />

Interior Design Best of Year Institutional: <strong>Library</strong> Honoree for Princeton Julian Street, 2012<br />

The Julian Street <strong>Library</strong>, a newly renovated library in a 1960s modernist building at Princeton University, transforms a 3,100 SF<br />

reading room into a state-of-<strong>the</strong> art multimedia learning environment. Situated between a residential college and <strong>the</strong> main campus<br />

center, <strong>the</strong> library acts as a hub for undergraduate students on <strong>the</strong>ir way to <strong>the</strong> central campus. Recognizing that with <strong>the</strong> advent of<br />

digital technologies libraries are multipurpose spaces that sponsor study and social interaction, our design reconceives <strong>the</strong><br />

refurbished library as a wired environment where students can work, lounge, and socialize day and night.<br />

SASAKI Architects, Boston, San Francisco – USA<br />

http://www.sasaki.com<br />

Libraries:<br />

Sacred Heart University <strong>Library</strong> and Humanities Center, Fairfield, CT – USA on design<br />

The new building, which will house both of <strong>the</strong> John F. Welch College of Business (COB) and <strong>the</strong> Isabelle Farrington College of<br />

Education (FCE) programs, will be a dynamic, iconic gateway building that signals <strong>the</strong> entrance to <strong>the</strong> university campus for<br />

students, alumni, visitors, and <strong>the</strong> Fairfield community. Toge<strong>the</strong>r, <strong>the</strong> building and landscape achieve a synergy of design and<br />

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