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Library Buildings around the World

Library Buildings around the World

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The architectural character of this building, which mixes clear, box-like, Beaux-Arts massing with complex Gothic decorative detail,<br />

provides <strong>the</strong> dominant formal <strong>the</strong>me for <strong>the</strong> west side of <strong>the</strong> campus. Thus each of <strong>the</strong> linked additions (<strong>the</strong> Frances Lehman Loeb<br />

Art Center to <strong>the</strong> south and <strong>the</strong> Ingram wing to <strong>the</strong> north) relate to this original structure. Generations of students, under <strong>the</strong><br />

training of <strong>the</strong> history department most notably, used <strong>the</strong> library and its epistemological frame for <strong>the</strong>ir own study. Thus <strong>the</strong><br />

building not only housed books, but was, in its form, a lesson for generations of students.<br />

(http://hcap.artstor.org/cgi-bin/library?a=d&d=p1824)<br />

Bull Street Branch, Live Oak Public Libraries, Savanna, GA – USA 2000<br />

Located in Savannah´s Victorian district, <strong>the</strong> Bull Street <strong>Library</strong> is <strong>the</strong> largest facility of <strong>the</strong> three-county library region. Prior to<br />

1998, <strong>the</strong> Bull Street branch consisted of three distinctly different buildings: <strong>the</strong> original neo-classical Carnegie structure built in<br />

1916; a 1936 stack addition; and a 1966 concrete-block addition that doubled its size to 32.500 sqft.<br />

The <strong>Library</strong> needed capital improvements including new and expanded services, space for growing collections, incorporation of new<br />

technologies and building systems upgrades. Our design more than doubled <strong>the</strong> existing <strong>the</strong> library and reconfigured space.<br />

Patrons now enter through <strong>the</strong> fully accessible original Carnegie entrance. Its interior has been reorganized to house services<br />

appropriate to <strong>the</strong> classically styled spaces. At ground level, <strong>the</strong> former check-out area has been returned to a sky-lit grand foyer<br />

with public meeting spaces and a newly expanded Georgia history department. The second floor contains <strong>the</strong> boardroom and<br />

administrative offices. New check-out, reference services, expanded pblic facilities and vertical circulation were added, while all<br />

historic spaces were enhanced with new architectural finishes appropriate to <strong>the</strong> period in which <strong>the</strong> library was built.<br />

The new, two-story addition is attached to <strong>the</strong> north façade of <strong>the</strong> existing library. This wing houses a new children´s reading room<br />

on <strong>the</strong> lower level, adult services on <strong>the</strong> upper level, and a mezzanine for newspapers and magazines. New landscaping and public<br />

spaces integrate <strong>the</strong> two environments. To be compatible with <strong>the</strong> Carnegie structure, new construction is clad in cubic blocks of<br />

Georgia marble. Extensive fenestration and clerestory windows maximize <strong>the</strong> use of natural light and provide views of <strong>the</strong> park and<br />

<strong>the</strong> city. (H3)<br />

Hafer Associates, Evansville, IN – USA<br />

http://www.haferassociates.com<br />

Libraries:<br />

Rice <strong>Library</strong>, University of Sou<strong>the</strong>rn Indiana, Evansville IN – USA 2006<br />

Association with: Woollen Molzan<br />

155.000 sqf., $ 26.300.000<br />

afer Associates designed this 155,000 s.f. university library in collaboration with Woollen Molzan Partners. This is <strong>the</strong> tallest<br />

building on campus, visible from all directions. As <strong>the</strong> most widely used facility and <strong>the</strong> academic center of <strong>the</strong> university, it was<br />

important to design <strong>the</strong> facility to incorporate <strong>the</strong> latest educational technologies and also to provide <strong>the</strong> infrastructure to<br />

accommodate future technologies as <strong>the</strong>y emerge. Most importantly, this is a building <strong>the</strong> students use often, so it was essential that<br />

<strong>the</strong> facility catered to this social need, and offered meeting places and a variety of group study areas. (Hafer)<br />

Hammond Beeby Rubert Ainge Architects, Chicago, IL – USA<br />

(see also: Long & Kentish)<br />

http://www.hbra-arch.com<br />

Libraries:<br />

Sterling Memorial <strong>Library</strong>, Bass <strong>Library</strong>, Yale University, New Haven, CT – USA 2007<br />

Awards:<br />

Golden Trowel Award, New England Masonry Council, Regional Level 2008<br />

Located in <strong>the</strong> shadow of Yale´s Sterling Memorial <strong>Library</strong> [1930] , Bass <strong>Library</strong> accomodates a 150,000 volume core collection and<br />

a variety of study areas in a two-story, 60,000 sf underground structure. Connection to Sterling is via an underground tunnel. Our<br />

solution creates a new above-ground entrance to Bass <strong>Library</strong>. A new day-lit lounge near <strong>the</strong> entry creates a focal point for both<br />

libraries and encourages student movement from Sterling through Bass <strong>Library</strong>. New classrooms and group study areas in <strong>the</strong><br />

remodeled portion of Sterling draw patrons from <strong>the</strong> connecting tunnel at Bass to Sterling <strong>Library</strong>. (HBRA)<br />

Kansas State University, Hale/Farrell <strong>Library</strong>, Manhattan, KS – USA 2007<br />

The design solution resolved disparities in floor levels, uncohesive circulation patterns, and <strong>the</strong> formal discontinuity generated by an<br />

episodic history of expansion, while doubling <strong>the</strong> library´s holding capacity. Two new entrances to <strong>the</strong> library are extensions of<br />

existing campus walkways, and <strong>the</strong> character of <strong>the</strong> exterior combines both <strong>the</strong> Gothic and Romanesque expression of surrounding<br />

buildings. The entire building is now pulled into a composition That suggests that ist was built over time in a way that was 1927<br />

Collegiate Gothic Revival building. (HBRA)<br />

Newport Public <strong>Library</strong>, Newport RI – USA 2001<br />

This project involved an addition and renovation to an existing library constructed in 1967. The existing building was considered an<br />

eyesore by most residents, and required extensive upgrades not only to library stack space, but to its mechanical and electrical<br />

infrastructure as well. The majority of <strong>the</strong> existing construction materials contained hazardous materials and required abatement.<br />

Aes<strong>the</strong>tically, <strong>the</strong> library needed to obtain a cohesive appearance inside and out, but without closing operations to <strong>the</strong> public. An<br />

addition extends <strong>the</strong> building to <strong>the</strong> north, expanding and relocating children´s stack areas, children´s activities, periodicals, and<br />

circulation on <strong>the</strong> upper level, and administrative and lecture hall space on <strong>the</strong> lower level. Both levels are connected to <strong>the</strong> existing<br />

building by means of new lobby spaces and new entrances from <strong>the</strong> axterior. (HBRA)<br />

(see also Conrad Sulzer <strong>Library</strong>, Chicago, 1985)<br />

Harold Washington <strong>Library</strong> Center, Chicago, IL – USA 1991<br />

At approximately 756,640 square feet (70,294 m2), it <strong>the</strong> largest public library building in <strong>the</strong> world.<br />

The building has taken much flak for ist unabashed post-modern behemothness; but Chicago loves its public library system; its big<br />

and loves big things; and takes great pride in its historic architecture. Now it has a great big historic–looking library. Ask and ye<br />

shall receive. Or in words of eminent architectural historian Vincent Scully, “This is a classicism that, in a sense, its all Chicago: big<br />

and brutal like <strong>the</strong> city itself, but spefifically metallic and fluid like <strong>the</strong> interlocking iron work of Louis Sullivan´s Carson Pirie Scott<br />

store...one powerful mass, built of <strong>the</strong> very bones and blood of Chicago, of <strong>the</strong> tough body of <strong>the</strong> Loop, and <strong>the</strong> ancient urban gesture<br />

80

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