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Library Buildings around the World

Library Buildings around the World

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quickly replaced by an Institute for Minerology and Geology. Only <strong>the</strong> library and <strong>the</strong> HIKO were actually built on <strong>the</strong><br />

Blandijnberg – <strong>the</strong> highest point in <strong>the</strong> city – on <strong>the</strong> location of <strong>the</strong> De Vreesebeluik, once a model neighbourhood for workers. Van<br />

de Velde’s design for <strong>the</strong> Faculty of Letters and Philosophy was also never realised. Henry van de Velde designed a high-rise<br />

functioning as a book depot, 64 meters high, his ‘fourth’ tower of Ghent, and a symbol of knowledge. The concrete construction was<br />

developed toge<strong>the</strong>r with his colleagues Gustave Magnel and Jean-Norbert Cloquet. Van de Velde took great care with <strong>the</strong> belvedere,<br />

<strong>the</strong> highest storey, which was first conceived as a museum of books, but later became a sober reception room for important guests.<br />

He himself selected several large interior-decorating firms to carry out <strong>the</strong> work. Malcorps from Brussels did <strong>the</strong> interior: <strong>the</strong><br />

finishing with black marble, ceruse oak and wenge, a plastered ceiling, a parquet floor, <strong>the</strong> metal radiator covers painted black. At<br />

<strong>the</strong> end of 1939, <strong>the</strong> interior was almost complete. During <strong>the</strong> Second <strong>World</strong> War, <strong>the</strong> tower was occupied by <strong>the</strong> German soldiers.<br />

They built a look-out at <strong>the</strong> top of <strong>the</strong> water reservoir. Later came an anti-aircraft post, which was blown up on <strong>the</strong> Germans’<br />

retreat, resulting in damage to <strong>the</strong> reservoir. The belvedère, only completed in 1950, gradually deteriorated because of <strong>the</strong> damage.<br />

The construction of <strong>the</strong> engine room for <strong>the</strong> new lift in 1967 destroyed <strong>the</strong> harmony of <strong>the</strong> space. In 1971, <strong>the</strong> belvedere underwent<br />

not a restoration but a ‘renovation’, during which Henry Van de Velde’s designs for <strong>the</strong> ceiling and <strong>the</strong> floor were not respected.<br />

This unfortunate intervention suffered rapid deterioration due to poor maintenance. O<strong>the</strong>r parts of <strong>the</strong> complex were also poorly<br />

maintained, adapted and ‘renovated’. In 2003, under <strong>the</strong> impulse of PROJECT2, <strong>the</strong> urgent need for a complete restoration of <strong>the</strong><br />

whole building complex was recognised. On 16 September 2005, <strong>the</strong> board of <strong>the</strong> university took <strong>the</strong> crucial decision to borrow 30<br />

million euros for <strong>the</strong> restoration and renovation. Within a few years, <strong>the</strong> Boekentoren can once again become a symbol of <strong>the</strong> Ghent<br />

University. ( http://en.scientificcommons.org/41677436)<br />

The Central <strong>Library</strong> of Ghent University, designed by Henry van de Velde in <strong>the</strong> 1930s, is being restored and geared to <strong>the</strong> current<br />

requirements of libry use and conservation. To this end, an entrance will be built next to <strong>the</strong> HIKO, which is part of <strong>the</strong> original<br />

complex, that will generate a new sequence of spaces <strong>around</strong> <strong>the</strong> inner garden. This includes among o<strong>the</strong>r things a café/reading<br />

room, a canopied terrace (which Van de Velde had actually designed) and workspaces for handling digital data individually or in<br />

groups. Toge<strong>the</strong>r with <strong>the</strong> necessary technical modifications, and making <strong>the</strong> observation room at <strong>the</strong> top of <strong>the</strong> tower fully<br />

accessible, this clear-up will restore <strong>the</strong> building´s dignity as a place for study and reading. (Robbrecht)<br />

Boijmans van Beuningen, Rotterdam – The Ne<strong>the</strong>rlands 1999 – 2003<br />

Die Anlage des Kunstmuseums Boijmans Van Beuningen am Rotterdamer Museumspark wurde nach den Plänen des<br />

belgischen Architektenduos Paul Robbrecht und Hilde Daem (Gent) umfassend umgestaltet, renoviert und erweitert. Neuer<br />

Blickfang der Anlage ist ein schmaler 124 m langer Neubau, in dem sich eine Reihe von Ausstellungssälen, eine neue<br />

Biblio<strong>the</strong>k, Arbeitsplätze und ein digitales Depot befinden. Der Neubau verbindet nicht nur die angrenzende Westersingel<br />

mit dem Museumspark, er fasst mit einer großen Geste auch die zu verschiedenen Zeiten gebauten Teile des Museums<br />

zusammen: das Hauptgebäude von Van der Steur (1935), den de Bodon-Flügel (1972) und den Van-Beuningen-de-Vriese-<br />

Pavillon (1991). Über einen Innenhof, in dem unter freiem Himmel Plastiken zu sehen sind, gelangen die Besucher in einen<br />

neuen Eingangsbereich, von dem aus die Rundreise durch die Kunstgeschichte vom Mittelalter bis heute beginnen kann.<br />

Neben dem Neubau wurde das Kuperstichkabinett renoviert und wesentliche Teile des Van-der-Steur-Gebäudes wieder in<br />

den Originalzustand gebracht. Das vormalige Restaurant mit Museumsladen und die Notbüros am alten Eingang wurden<br />

abgerissen. Glas: Die Front des Neubaus ist mit Feldern aus Ka<strong>the</strong>dralglas, einer Art Gussglas, vor der Fassade aus<br />

Betonplatten gestaltet. Dieses Material lässt Licht hindurch, verringert jedoch die Einblicke auf die dahinter ausgestellten<br />

Kunstwerke. Zum Teil sind die Tafeln auch als Schutz der unterschiedlich großen und mit unregelmäßigen Abständen<br />

angeordneten Fensterpartien montiert. Eine leichte und filigrane Stahlkonstruktion nimmt die Glastafeln über<br />

Punkthalterungen auf. Entstanden ist somit ein Gebäude mit Einsichten und Tranparenz ohne den erforderlichen Schutz<br />

der gezeigten Werke zu verhindern. Bautafel: Architekten: Robbrecht & Daem Architecten, Gent/B, Projektbeteiligte:<br />

Kristoffel Boghaert, Sofie Delaere, Brigitte D'hoore, Chaterine Fierens, Gilberte Claes, Francesca da Fonseca, Shin<br />

Hagiwara, Hugo Vanneste (Mitarbeiter), Bauherr: Museum Boijmans van Beuningen und die Gemeinde Rotterdam,<br />

Fertigstellung: Mai 2003<br />

( http://www.baunetzwissen.de )<br />

S.A.R multiprofessionele architectenvennootschap, Gent – Belgium<br />

http://www.sararchitecten.be<br />

Libraries:<br />

De Brug, Schoolgebouw en Biblio<strong>the</strong>ek, Mariakerka, Gent – Belgium 1997 – 2004<br />

Bouheer: Stad Gent, Department Onderweijs, Technische Dienst Schoolgebouw, € 3.750.000<br />

Phase 1: 1997 – 2002, Phase 2. 1997 – 2004<br />

Het project omvat de renovatie en de uitbreiding van het oude gemeenteschooltje van Mariakerke tot een gebouwencomplex met<br />

basisschool, dagverblijf en biblio<strong>the</strong>ek. De nieuwbouw bestaat onder meer uit twee geschrankte bouwvolumes en een brug die leidt<br />

naar de klassen. Een heldere glasstructuur overdekt dit deel van de circulatie-as. (S.A.R.)<br />

Universitaire Biblio<strong>the</strong>ek, Universiteit Antwerpen – RUCA – Belgium 1997<br />

Bouwheer: Universiteit Antperpen, € 5.849.000<br />

Drie grote geledingen, een auditorium voor 450 personen, een biblio<strong>the</strong>ek, seminarieruimten en kantoren omsluiten de<br />

agora.(S.A.R.)<br />

Stramien cvba Structuur & Architectuur, Antwerpen – Belgium<br />

http://www.stramien.be<br />

Libraries:<br />

Dorpshuis, ´s-Gravenwezel – Belgium 2008 – 2011<br />

700 m², € 750.000<br />

VILLAGE CENTRE. OLENFurnishing public spaces and buildings Olen Centre, Location: Village, City / Town: Olen<br />

Client: Olen Municipality, Production: 2005 to 2009. Planning Study, Design: Pattern cvba<br />

This layout is designed to streng<strong>the</strong>n <strong>the</strong> historic heart of Olen. On <strong>the</strong> large square, with its beautiful historic green dries, through<br />

traffic and parking will be banned. The removal of a cross road makes room for a square switch "that binds toge<strong>the</strong>r <strong>the</strong> whole to<br />

more space for various events. A simple and uniform construction of public space, <strong>the</strong> preservation of au<strong>the</strong>ntic buildings and <strong>the</strong><br />

planting of more trees, <strong>the</strong> character of this innovation. (Stramien)<br />

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