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Library Buildings around the World

Library Buildings around the World

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The revitalized Fondren <strong>Library</strong> fulfills a vision set forth in <strong>the</strong> University's <strong>Library</strong> Master Plan, integrating emerging technologies<br />

and supporting new patterns of activity and scholarship. Located in <strong>the</strong> center of campus, Fondren is at <strong>the</strong> crossroads of <strong>the</strong> historic<br />

quadrangle and new campus development, creating <strong>the</strong> opportunity for it to be not only an intellectual focal point, but also a link<br />

between <strong>the</strong> two zones. Visitors now arrive in a double-height entry area flanked by technology services, a cafe, and an information<br />

commons. The library provides a GIS laboratory and enhanced special collections area, while a penthouse reading room offers views<br />

of <strong>the</strong> campus. Completed as a phased renovation, <strong>the</strong> library remained open throughout construction. Shepley Bulfinch designed<br />

<strong>the</strong> project in association with Bailey Architects. (Shepley)<br />

Cornell University, African Studies and Research Center, Ithaca, NY – USA 2005<br />

6.000 sqf., $ 2.600.000<br />

Awards:<br />

Citation, 2007 Awards for Excellence in Architecture, National Organization of Minority Architects (NOMA)<br />

2006 Gold Award, Brick in Architecture Awards<br />

The award-winning Africana Studies and Research Center gives Cornell a highly visible emblem of <strong>the</strong> history, values, and culture<br />

of African peoples. Two pavilions, totaling 6,000 s.f., were added to a 11,600 s.f 1950s building to create a village complex with a<br />

shared exterior courtyard. The exterior brick patterns were inspired by <strong>the</strong> earth tone palette and rich textures of traditional<br />

African textiles. Large windows provide abundant natural light and views, creating a sense of openness and invitation. Circulation<br />

paths connect individual program spaces, each of which represents a core value of <strong>the</strong> Center: scholarship (<strong>the</strong> library pavilion);<br />

community (<strong>the</strong> multipurpose pavilion); and leadership (<strong>the</strong> faculty office and classroom pavilion). This integrated learning<br />

community reflects <strong>the</strong> Center's commitment to support collaborative education techniques as well as focused, individual research.<br />

(Shepley)<br />

Duke University, Perkins <strong>Library</strong> Complex, Bostock <strong>Library</strong> and von der Heyden Pavilion, Durham, NC<br />

– USA 2005<br />

133.000 sqf., $ 34.200.000<br />

Working with Duke University over <strong>the</strong> last eight years, Shepley Bulfinch has completed <strong>the</strong> program, planning, design, and<br />

construction for a multiphased designed an expansion and renovation, of <strong>the</strong> Perkins <strong>Library</strong>. The original library was designed in<br />

1928, with successive expansions in 1948 and 1968, all reflecting <strong>the</strong> Gothic tradition of Duke. This design repositions <strong>the</strong> <strong>Library</strong> as<br />

<strong>the</strong> centerpiece of a dynamic learning and research community, creating a balance of spatial types and environments that will<br />

support <strong>the</strong> University's evolving needs and uses. It redefines <strong>the</strong> research and learning environment by integrating library<br />

resources, services, and users in spaces commensurate with <strong>the</strong> expectation and quality of intellectual work at Duke. As <strong>the</strong> central<br />

library for <strong>the</strong> University, Perkins <strong>Library</strong> commands a place of prominence on <strong>the</strong> West Campus quad beside <strong>the</strong> Chapel. The<br />

<strong>Library</strong> addition responds positively to this historic context and contributes to <strong>the</strong> campus's unique sense of place. (Shepley)<br />

The Perkins <strong>Library</strong> complex was built in three stages-in 1928, 1948, and 1968. By <strong>the</strong> late 1990s it was clear that it was time for <strong>the</strong><br />

library to renew and grow again. A master plan for Perkins <strong>Library</strong> included a goal of redefining <strong>the</strong> research and learning<br />

environment of <strong>the</strong> University libraries by integrating library resources, services, and users in spaces commensurate with <strong>the</strong> nature<br />

and quality of <strong>the</strong> intellectual endeavors at <strong>the</strong> University. Sheply Bulfinch Architects out of Boston was hired for <strong>the</strong> master plan as<br />

well as interior renovations to <strong>the</strong> existing library, and <strong>the</strong> design of two new buildings: Bostock <strong>Library</strong> and <strong>the</strong> von der Heyden<br />

Pavilion, which were completed and opened to <strong>the</strong> public in 2005. Bostock added 125,000 square feet of library expansion, and <strong>the</strong><br />

von der Heyden Pavilion provided a popular coffee house and social space for Perkins. The site design for <strong>the</strong> project included <strong>the</strong><br />

West Campus Pedestrianway, which was coordinated with <strong>the</strong> design for Fitzpatrick Center.<br />

(http://www.architect.duke.edu/projects/completed/bostock.html)<br />

Boston Public <strong>Library</strong>. Renovation and Restauration, Boston, MA – USA 2005<br />

236.00 sqf., $ 50.000.000<br />

Awards:<br />

Harleston Parker Medal 2001, Boston Society of Architects<br />

Preservation Award 2000, Massachusetts Historical Commission<br />

Modernization Award 1999, <strong>Buildings</strong> Magazine<br />

Architectural Design Honor Award 1995, Boston Society of Architects/AIA<br />

Design Excellence Award 1995, ASID and Boston Magazine<br />

Preservation Award 1994, Victorian Society of America<br />

The project presented <strong>the</strong> formidable task of determining <strong>the</strong> appropriate treatments for <strong>the</strong>se historically significant architectural<br />

spaces with <strong>the</strong>ir rich adornment of murals and sculptures. At <strong>the</strong> same time, all building spaces required extensive reorganization<br />

and upgrades for contemporary use. This included replacing all major M/E/P systems and enabling <strong>the</strong> installation of technology<br />

systems and infrastructure while preserving <strong>the</strong> historic interior. The design team collaborated with hundreds of consultants<br />

specializing in fine art conservation; historic finishes, lighting and stone work and o<strong>the</strong>r restoration expertise. The project included<br />

restoring <strong>the</strong> original McKim Main Entry Lobby and Grand Stair to <strong>the</strong>ir original grandeur, reopening architecturally significant<br />

spaces for public use, and reclaiming <strong>the</strong> Lower Level, previously used for storage. The library remained fully operational<br />

throughout <strong>the</strong> renovation. In 2001 it received <strong>the</strong> Harleston Parker Medal, <strong>the</strong> Boston Society of Architects' highest honor and <strong>the</strong><br />

first ever awarded for a renovation project. (Shepley)<br />

The Boston Public <strong>Library</strong> McKim Building (built 1895) in Copley Square contains <strong>the</strong> library's research collection, exhibition<br />

rooms and administrative offices. When it opened in 1895, <strong>the</strong> new Boston Public <strong>Library</strong> was proclaimed a "palace for <strong>the</strong> people."<br />

The building includes lavish decorations, a children's room (<strong>the</strong> first in <strong>the</strong> nation), and a central courtyard surrounded by an<br />

arcaded gallery in <strong>the</strong> manner of a Renaissance cloister. The library regularly displays its rare works, often in exhibits that will<br />

combine works on paper, rare books, and works of art. Several galleries in <strong>the</strong> third floor of <strong>the</strong> McKim building are maintained for<br />

exhibits.<br />

Bates Hall has a coffered ceiling in a wide catena-arched barrel vault. Internet and power connections are discreetly beneath <strong>the</strong><br />

large wooden research tables.<br />

Charles Follen McKim's design shows influence from a number of architectural precedents. (Charles Follen McKim (August 24,<br />

1847, Chester County, PA – September 14, 1909 St.James, NY) was an American Beaux-Arts architect of <strong>the</strong> late 19th century.<br />

Along with Stanford White, he provided <strong>the</strong> architectural expertise as a member of <strong>the</strong> partnership McKim, Mead & White.)<br />

McKim drew explicitly on <strong>the</strong> Bibliothèque Sainte-Geneviève in Paris (designed by Henri Labrouste, built 1845 to 1851) for <strong>the</strong><br />

general arrangement of <strong>the</strong> facade that fronts on Copley Square, but his detailing of that facade's arcaded windows owes a clear debt<br />

to <strong>the</strong> side elevations of Leon Battista Alberti's Tempio Malatestiano in Rimini. The open-air courtyard at <strong>the</strong> center of <strong>the</strong> building<br />

is based closely on that of <strong>the</strong> sixteenth-century Palazzo della Cancelleria in Rome. McKim also exploited up-to-date building<br />

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