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Library Buildings around the World

Library Buildings around the World

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Farrells (Terry Farrell), London, Edinburgh – UK<br />

http://www.terryfarrell.co.uk<br />

Libraries:<br />

British <strong>Library</strong> Strategic Vision Masterplan – UK 2009<br />

Following a rigorous selection process, <strong>the</strong> British <strong>Library</strong> has appointed Farrells to lead a strategic master planning team for its 9<br />

acre site at St Pancras, London. Consultant teams were asked to submit proposals to work with <strong>the</strong> <strong>Library</strong> on a Master Plan for <strong>the</strong><br />

future development of <strong>the</strong> entire site to support <strong>the</strong> <strong>Library</strong>’s future strategy and plans in a changing, and increasingly digital,<br />

world.<br />

Farrells commenced working on <strong>the</strong> Master Plan in April 2009 and with a framework vision for <strong>the</strong> site presented to <strong>the</strong> British<br />

<strong>Library</strong> Board in October 2009.<br />

Sir Terry Farrell said: “It is a privilege to have been appointed as strategic master planner to <strong>the</strong> British <strong>Library</strong>. The British<br />

<strong>Library</strong> is one of this country’s greatest institutions and I am delighted to work with <strong>the</strong> <strong>Library</strong> to ensure it makes <strong>the</strong> most of <strong>the</strong><br />

changing cultural and academic environment.” (Farrells)<br />

FAT Fashion Architecture Taste, London – UK<br />

http://fashionarchitecture.com<br />

Libraries:<br />

Bentley <strong>Library</strong>, Walsall – UK in design<br />

FAT beat off competition from over 70 submissions to win this RIBA competition in March 2008. We are now working closely with<br />

Walsall Council, <strong>the</strong> stakeholders and user groups to develop our proposals for <strong>the</strong> new community library and nursery in Bentley.<br />

Hopefully <strong>the</strong> planning application will be submitted in <strong>the</strong> summer of this year. The 630sqm single storey building sits on a brown<br />

field site, <strong>the</strong> site of <strong>the</strong> former library, in <strong>the</strong> heart of suburban Bentley. There are two vertical elements that express <strong>the</strong> dual<br />

functions of <strong>the</strong> building. These also relate to <strong>the</strong> tower of <strong>the</strong> nearby community Church and frame views of <strong>the</strong> local landmark, <strong>the</strong><br />

Cairn, which sits atop <strong>the</strong> adjacent hillock. The library and proposed study centre are arranged <strong>around</strong> a plinth accessible from <strong>the</strong><br />

main street. The idea is that <strong>the</strong> combination of <strong>the</strong> area? principle community buildings will provide a new civic focus for Bentley.<br />

The masterplan for <strong>the</strong> site also includes: car parking, <strong>the</strong> nursery? outside play area and a new playground.<br />

Thornton Heath <strong>Library</strong>, Borough of Croydon, London – UK 2009<br />

Gross external floor area 875m2, Total cost £1.5 million, Cost per m2 £1,714, Client London Borough of Croydon<br />

Architects Journal, 16 September, 2010 | By Rory Olcayto :<br />

‘Thornton Heath has a desperate kind of mid-19th-century artisan character,’ states Pevsner’s <strong>Buildings</strong> of England series, adding<br />

that <strong>the</strong>re is little to enjoy in this ‘relentless suburban sprawl’. Walking along <strong>the</strong> shambolic, piecemeal Brigstock Road, past <strong>the</strong><br />

‘Best Hand Car Wash in <strong>the</strong> UK’, <strong>the</strong> Cheap and Cheerful furniture store and <strong>the</strong> Braids ‘R’ Us beauty salon, you can see why<br />

Pevsner finds this Croydon suburb so hard to like. Despite a solid Victorian and 1920s townscape, which mixes terraces with<br />

commercial yards and semi-detached villas, it’s a crazy jumble: road signs, shopfronts, street lamps and cars - hundreds and<br />

hundreds of cars. A few minutes’ walk westwards from <strong>the</strong> railway station, <strong>the</strong> road widens, and <strong>the</strong>re is a clear view of something at<br />

odds with Pevsner’s observations: a striking, graphic, gleaming white pavilion, fixed to <strong>the</strong> front of a Edwardian block and set<br />

alongside a very busy bus stop. Its function is spelled out in large freestanding three-dimensional letters, in case you’re not sure what<br />

lies inside. Welcome to FAT’s £1.5 million revamp of <strong>the</strong> local Carnegie library. London-based practice FAT makes provocative<br />

architecture that invites you to think about what you’re looking at. Its buildings have a dreamy, prosaic quality that offends or<br />

delights depending on your taste. In <strong>the</strong> 2002 book Fame and Architecture, founding director Sean Griffiths says FAT’s work<br />

‘makes references to “high” architecture but it also has readings accessible to o<strong>the</strong>rs’. That might explain why director and cofounder<br />

Sam Jacob described <strong>the</strong> practice’s magnificent Heerlijkheid Hoogvliet community building in <strong>the</strong> Ne<strong>the</strong>rlands (AJ<br />

06.11.08) as ‘not Arcadia, but an imaginary Arcadia’, when much of it resembles <strong>the</strong> landscape of a Nintendo videogame.<br />

Thornton Heath <strong>Library</strong>, too, has two (and perhaps more) personalities. The cast concrete letters have a cartoonish feel, as if <strong>the</strong><br />

whole building is a blown-up board-game piece, but, explains Charles Holland, <strong>the</strong> director who led <strong>the</strong> project, <strong>the</strong>y also reference<br />

<strong>the</strong> sculptural grandeur of neo-classical civic facades. FAT’s intervention here is really quite rude: it nearly swallows <strong>the</strong> Edwardian<br />

facade, including <strong>the</strong> heraldic stone frieze <strong>around</strong> an old doorway it’s supposed to be nodding and winking at. It’s odd, <strong>the</strong>n, that <strong>the</strong><br />

result is a massive improvement, although <strong>the</strong> confident proportions and materiality of FAT’s new-build are very clear to see.<br />

Given <strong>the</strong> complexity and craft FAT invests in its projects, Croydon Council should be applauded for granting <strong>the</strong> firm, funded by a<br />

£1.37 million Big Lottery grant, its first civic project in Britain. The brief was to expand <strong>the</strong> existing facility to offer a lending<br />

library, a reading area and café, a homework space, computers, a children’s library and community meeting rooms. A three-month<br />

public consultation ga<strong>the</strong>red over 1,000 local comments, and included a display in a nearby Tesco, drop-in sessions, talks and school<br />

visits. This led to fur<strong>the</strong>r demands: better usability, a wider community role, access to <strong>the</strong> garden and a contemporary entrance<br />

pavilion of ‘outstanding architectural quality’. In October 2007, <strong>the</strong> Big Lottery grant was awarded. Construction began in June last<br />

year and <strong>the</strong> building was completed this July. Much of <strong>the</strong> refurbished library’s success is due to how it works with <strong>the</strong><br />

neighbourhood. The street pattern in <strong>the</strong> immediate vicinity is weak. The building is located on a section of Brigstock Road that is<br />

largely lined with low-rise residential properties, many of which, like <strong>the</strong> library, are set back from <strong>the</strong> pavement, with some behind<br />

planted lawns. FAT’s solution comes courtesy of CABE: imagine <strong>the</strong> library as <strong>the</strong> ‘living room of <strong>the</strong> city’. The entrance pavilion,<br />

with its stepped foundation, café and pushed-forward footprint, is a clear embodiment of this idea. It looks especially good when a<br />

double-decker bus pulls up alongside it, something FAT clearly thought about (its design and access statement includes a render of<br />

this very scene). But <strong>the</strong>re is considerably more to this project than <strong>the</strong> pavilion’s imaginative urbanism. The library is now fully<br />

accessible and a number of fine original architectural features, including timber mouldings <strong>around</strong> <strong>the</strong> octagon at <strong>the</strong> plan’s centre,<br />

have been rescued from burial under previous alterations. All furniture is designed by FAT and a pair of additional two-storey wings<br />

increase floor space and improve circulation. A stair tower and lift in <strong>the</strong> north-east corner of <strong>the</strong> plan provide public access to a<br />

back garden. New doors, fitted in extended window openings, lead out to a terrace adjoining <strong>the</strong> refurbished children’s library. To<br />

<strong>the</strong> front of <strong>the</strong> lower-ground floor, uninhabitable storage space has been remodelled to create meeting and activity rooms, and staff<br />

accommodation with an IT area above occupies <strong>the</strong> south-east extension. These towers have a utilitarian aes<strong>the</strong>tic. They are clad in<br />

cement fibre panels - a surprise given <strong>the</strong> luxurious frontage of polished white concrete and its mix of dolomite fines. Never<strong>the</strong>less,<br />

<strong>the</strong> right choices have been made about where to spend money. Outside, <strong>the</strong> access ramp, like all access ramps, is <strong>the</strong> one sore point.<br />

FAT was right to spend money here, making it both sculptural and integral, but <strong>the</strong> polished concrete deck and toughened glass<br />

balustrade has a commercial aes<strong>the</strong>tic that feels misplaced. This is one architectural element that is crying out for a fresh<br />

perspective. And yet, standing beneath <strong>the</strong> octagon and looking south-west into <strong>the</strong> pavilion café, you sense that one room is part<br />

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