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Library Buildings around the World

Library Buildings around the World

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Hungary<br />

Török és Balázs Építészeti Kft., Budapest – Hungary<br />

Libraries:<br />

Regional <strong>Library</strong> and Knowledge Center, Pécs – Hungary 2010<br />

Project Area: 13,180 sqm<br />

Pécs, a multicultural city with a rich history, was <strong>the</strong> European Capital of Culture in 2010. For <strong>the</strong> location of <strong>the</strong> new library a<br />

remote, run down, undeveloped plot was chosen. This meant <strong>the</strong> new building did not have <strong>the</strong> constraint or possibility to directly<br />

match o<strong>the</strong>r buildings. During <strong>the</strong> design process, I aimed to dynamically syn<strong>the</strong>size <strong>the</strong> dualities which appear in many ways. In <strong>the</strong><br />

building a “beehive” represents <strong>the</strong> ideological center and refers to permanence. This is a place of abstract thinking: a metaphor for<br />

<strong>the</strong> freedom of knowledge and also, in reverse, for <strong>the</strong> knowledge of freedom.<br />

I see beauty in <strong>the</strong> idea that my response for a knowledge center is a building where <strong>the</strong> focus is not on concrete, permanently<br />

changing knowledge but on <strong>the</strong> possibility of thinking: in-o<strong>the</strong>r-words, an empty space which can be filled with <strong>the</strong> thoughts of <strong>the</strong><br />

people in it. The ground floor reception room is horizontally open, and <strong>the</strong> upper floors are, in accordance with <strong>the</strong>ir activities,<br />

ra<strong>the</strong>r introverted. The extensive “beehive”, un-functional in any common sense, connects <strong>the</strong>se differently characterized spaces. In<br />

terms of forms, <strong>the</strong> inner, abstract space is analogous, archaic and organic.<br />

Section<br />

The spaces surrounding <strong>the</strong> “beehive” are <strong>the</strong> result of rational planning; with <strong>the</strong>ir flexibility <strong>the</strong>y express <strong>the</strong> possibility of change.<br />

The facades are defined by <strong>the</strong> airy, white ceramic-coated glass, which represents <strong>the</strong> latest technology. The inner surface of <strong>the</strong><br />

“beehive” is an independent work of art: The Zsolnay ceramic tiles, with <strong>the</strong>ir world-famous eosin coating, refer to <strong>the</strong> use of local<br />

historical characteristics. The dual-use of material is intentional. It is important that an architectural work can be read in different<br />

ways: it should be local and international, stylish and traditional, historical and contemporary, but first of all have self-identity.<br />

Török 06.09.2011 (http://www.archdaily.com/166359)

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