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Library Buildings around the World

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(http://www.aallnet.org/main-menu/Publications/spectrum/Archives/Vol-5/pub_sp0105/pub-sp0105-cali.pdf)<br />

Bull Street Branch of <strong>the</strong> Live Oak Public Libraries, Savannah, GA – USA 2000<br />

Multnomah County Central <strong>Library</strong>, Portland, OR – USA 1997<br />

Fletcher Farr Ayotte – exec. Architect, Hardy Holzman Pfeiffer Associates – assoc. architect, McMath Dortignac – preservation<br />

consultant Hoffman Construction Co. – general contractor<br />

One of Portland’s best-loved historic landmarks, <strong>the</strong> Central <strong>Library</strong> was designed by renowned architect A.E. Doyle and<br />

constructed in 1913. Its innovative design was heralded for its functionality as well as its beauty. Over <strong>the</strong> years, <strong>the</strong> library suffered<br />

under heavy use and ill-conceived remodeling in <strong>the</strong> 1950’s. By <strong>the</strong> 1990’s it was overcrowded and inefficient, and 70% of its<br />

collection was inaccessible to <strong>the</strong> public.<br />

Starting in 1993 <strong>the</strong> needs of <strong>the</strong> <strong>Library</strong> were assessed and a plan developed for a seismic and safety upgrade, incorporation of new<br />

systems, and also a re-organization of spaces. Working with George McMath, Doyle’s grandson, and drawing upon historic<br />

photographs to serve a guides, lobby spaces and reading rooms were brought back to <strong>the</strong>ir original grandeur.<br />

Exterior masonry was repaired. Wood windows were refurbished. Mid-century remodeling was reversed. Additional space was<br />

added in <strong>the</strong> basement and under <strong>the</strong> roof. Structural reinforcements and system upgrades were accomplished with little<br />

compromise of historic integrity.<br />

Completed in 1997, this community landmark will inspire and educate many more generations of Portlanders. What a treasure we<br />

continue to have in <strong>the</strong> Central <strong>Library</strong>! (http://www.visitahc.org/content/multnomah-county-central-library-case-study)<br />

Cleveland Public <strong>Library</strong>, Cleveland, OH – USA 1996/1997<br />

Discussions regarding urbanism often center <strong>around</strong> one discourse - what is a proper response to an historic urban master plan?<br />

Should something new reflect <strong>the</strong> old or interject a spirit of <strong>the</strong> new. Some believe responsive design is sensitive to <strong>the</strong> surroundings,<br />

incorporating previous established patterns and precedents. O<strong>the</strong>rs argue only something new is appropriate and forward-thinking.<br />

The Cleveland Public <strong>Library</strong> demonstrates what Holzman Moss Architecture considers a more sophisticated and ultimately<br />

challenging approach - merging old and new in a thoughtful fashion. The library, one of <strong>the</strong> largest circulating libraries in <strong>the</strong><br />

country, responds to an historic urban plan with four marble-clad towers that compliment <strong>the</strong> adjacent Beaux Arts buildings and yet<br />

offset <strong>the</strong> 10-story glass oval that provides a freshness and openness to <strong>the</strong> upper reading and stack areas. The design also integrates<br />

<strong>the</strong> beloved Eastman Reading Garden illustrating that effective urbanism is responding to <strong>the</strong> public by designing a building truly<br />

for <strong>the</strong> public, a place that becomes an integral part of <strong>the</strong> city by becoming an integral part of <strong>the</strong> lives of its citizens. (Holzmann)<br />

The construction of <strong>the</strong> new building made news on March 11, 1995, when <strong>the</strong> laying of its foundation became <strong>the</strong> largest continuous<br />

concrete pour in <strong>the</strong> city's history: 7,000 cubic yards of concrete were poured to complete <strong>the</strong> four-foot-thick foundation. The new<br />

$65 million building was dedicated on April 12, 1997. With eleven floors, including <strong>the</strong> lower level, <strong>the</strong> new 267,000-square-foot<br />

building has more than thirty miles of book shelves--enough for 1.3 million books and is equipped with <strong>the</strong> latest electronic<br />

resources. The new building is named for Cleveland native Louis Stokes, who, in 1968, became <strong>the</strong> first African-American elected to<br />

<strong>the</strong> U.S. Congress from Ohio. During his illustrious career, Representative Stokes helped found <strong>the</strong> Congressional Black Caucus, and<br />

he became <strong>the</strong> first black member of <strong>the</strong> powerful House Appropriations Committee. He was re-elected fourteen times before<br />

retiring in 1998. The Louis Stokes Wing is one of many important buildings erected in Cleveland since <strong>the</strong> 1980s that have<br />

transformed <strong>the</strong> city's skyline while providing tangible proof of its remarkable renaissance. These include <strong>the</strong> BP America Building<br />

by H.O.K. (1985), Key Tower by Cesar Pelli & Associates (1991), Jacobs Field by H.O.K. Sports Group (1994), and I.M. Pei's Rock<br />

and Roll Hall of Fame and Museum (1995). Of all <strong>the</strong>se, <strong>the</strong> Louis Stokes Wing is perhaps <strong>the</strong> most daring in its combination of<br />

traditional elements (<strong>the</strong> use of masonry, uniform cornice lines, and corner pavilions) and innovative architecture, through <strong>the</strong> use of<br />

an oval glass tower--a first for Cleveland. The $24 million renovation of <strong>the</strong> landmark Main Building, directed by Robert P. Madison<br />

International, called for a sensitivity to <strong>the</strong> building's architectural integrity while incorporating new technologies. To <strong>the</strong> casual<br />

observer, <strong>the</strong> changes to <strong>the</strong> Main Building may not be apparent, but this serves to underscore <strong>the</strong> success of <strong>the</strong> architects in <strong>the</strong>ir<br />

delicate task. Electrical, plumbing, and ventilation systems were replaced. Modern fire safety systems, including sprinklers, were<br />

installed, and trenches were cut into <strong>the</strong> cement floors to accommodate wiring for new computer and electrical equipment. New<br />

mechanical machinery was placed out of sight in <strong>the</strong> basement, returning <strong>the</strong> light court to an uncluttered and light-filled state.<br />

As part of <strong>the</strong> architects' goal of returning <strong>the</strong> building to its original luster, historic ceiling finishes were restored, <strong>the</strong> exterior<br />

marble was cleaned with a gentle water spray process, historical light fixtures were restored and rewired, decorative metalwork was<br />

repaired and polished, and <strong>the</strong> original lea<strong>the</strong>r doors were rejuvenated. For <strong>the</strong> first time in decades, <strong>the</strong> Main Building?s historic<br />

spaces and architectural details can be fully appreciated, while featuring many technological advances and conveniences.<br />

Demonstrating <strong>the</strong> <strong>Library</strong>'s continuing support for <strong>the</strong> visual arts, <strong>the</strong> <strong>Library</strong> Board commissioned a substantial collection of<br />

permanent art to be included in <strong>the</strong> buildings and garden. Thirteen artists of local and national reputation created original art for<br />

<strong>the</strong> Main <strong>Library</strong>, <strong>the</strong> Louis Stokes Wing, and <strong>the</strong> Eastman Reading Garden. Selected by a jury coordinated with <strong>the</strong> Committee for<br />

Public Art, <strong>the</strong> art works are significant additions to <strong>the</strong> <strong>Library</strong>'s and <strong>the</strong> city's artistic heritage. The new art at <strong>the</strong> Main <strong>Library</strong><br />

was made possible largely by generous grants from Cleveland foundations, corporations, and nonprofit groups.<br />

( http:///www.cpl.org )<br />

Middle Country Public <strong>Library</strong>, Centereach Selden, New York – USA 2003<br />

Los Angeles Public <strong>Library</strong>, Central <strong>Library</strong>, Los Angeles, CA – USA 1993<br />

The Los Angeles Central <strong>Library</strong>, <strong>the</strong> largest public library in <strong>the</strong> western United States, is <strong>the</strong> centerpiece of a multi-block<br />

development, providing both a cultural facility and related landscaping for public use in <strong>the</strong> midst of a high-rise commercial district.<br />

Its expansion and rehabilitation incorporates Bertram Goodhue's (* 28.04.1869 Pomfret CT - + 23.04.1924 New York NY) original<br />

1926 landmark building with significant new construction. The 550,000-square-foot facility functions as a research center and<br />

headquarters for 66 branches. In addition to 90 linear miles of shelving and seating for 1,500 patrons, <strong>the</strong> library features a board<br />

room, meeting rooms, a conference center, a 235-seat multimedia auditorium, a cafe, a bookstore, offices, and more than 1.3 acres of<br />

public space. Pfeiffer Partners’ 10-year effort began with master planning and program confirmation, and included historic<br />

preservation and adaptive reuse and full interior design services, in addition to designing. (Holzmann/Pfeiffer)<br />

The last work of <strong>the</strong> major American architect Bertram G. Goodhue, <strong>the</strong> Central <strong>Library</strong> blends <strong>the</strong> past with <strong>the</strong> modern age. Its<br />

simple massed expanses of unadorned concrete and skyscraper-like profile herald modern architecture. At <strong>the</strong> same time, it alludes<br />

to ancient cultures including Egypt, Rome, Byzantium and various Islamic civilizations, as well as to Spanish Colonial and o<strong>the</strong>r<br />

revival styles.<br />

Ornamental and symbolic artworks are integral to <strong>the</strong> library's design. The limestone sculptures on <strong>the</strong> building's exterior are by<br />

artist Lee Lawrie, and represent various disciplines and literary figures. The brilliantly colored tile pyramid at <strong>the</strong> building's summit<br />

features a sunburst and is topped by a hand-held torch symbolizing <strong>the</strong> light of knowledge.<br />

The second floor of <strong>the</strong> <strong>Library</strong> includes a high-domed rotunda exploding with light and color. At <strong>the</strong> center of <strong>the</strong> dome is a stylized<br />

sunburst and an illuminated globe chandelier with <strong>the</strong> signs of <strong>the</strong> zodiac. On <strong>the</strong> surrounding walls, twelve murals painted by Dean<br />

Cornwall in 1933 depict <strong>the</strong> history of California.<br />

94

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