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NOTE FROM THE EDITORS<br />

Women must write herself: must write about women and bring women to writing, from which<br />

they have been driven away as violently as from their bodies—for the same reasons, by the<br />

same law, with the same fatal goal. Women must put herself into the text—as into the world<br />

and into history—by her own movement.<br />

Hélène Cixious, “The Laugh of the Medusa”, 1975.<br />

In April 19‐20, 2014, the Women’s Library and Information Centre Foundation organized the<br />

international symposium “Writing Women's Lives: Auto/Biography, Life Narratives, Myths and<br />

Historiography” in order to contribute to women’s memory and the writing of women’s history, both<br />

in Turkey and internationally. Participants came to Istanbul –Yeditepe University from five continents<br />

and different parts of Turkey to share their research and questions about women’s history and lifenarration.<br />

The symposium hosted more than 200 contributors from Australia, Austria, Azerbaijan, Brazil,<br />

Cameroon, Canada, the Czech Republic, France, Georgia, Germany, Ghana, Greece, Holland, Hungary,<br />

Iceland, India, Iran, Ireland, Israel, Italy, Jordan, Lithuania, Morocco, Niger, Pakistan, Poland,<br />

Portugal, Romania, Scotland, Singapore, South Africa, Spain, Sweden, Tunisia, Turkey, the UK,<br />

Ukraine, the USA, Uzbekistan and Yemen. No conference held in Turkey on this theme has ever<br />

drawn contributions from so many countries. This collection is prepared to record contributions from<br />

a variety of different disciplines and standpoints, and is composed of 125 papers presented during<br />

the symposium and confirmed for publication by the academic review board.<br />

The symposium allowed interdisciplinary encounters on a wide range of topics including<br />

feminist/women’s auto/biographical literature, especially the narratives of feminist pioneers and<br />

women’s rights activists; female figures in literary, artistic and scientific texts; regional, national and<br />

global women‐centred myths; the intersection of historical characters with fictive elements; the<br />

representation of feminist/women’s lives in media and textbooks; men in feminist/women’s<br />

memoirs; and social memory, theory, methodology, ethical and moral issues in the historiography of<br />

women.<br />

Writing and recording the experience in historical documentation has dominantly been a male<br />

occupation. This inevitably provided privilege to male experiences and strengthened the patriarchal<br />

postulate regarding man as the essential component of humankind. For women, accessing the means<br />

for literacy and engagement in public affairs has always been more challenging and even almost<br />

impossible. Limited access to literacy and domestic roles, in which women have been entrapped,<br />

were the major obstacles that hinder women’s engagement with public life and macro socio‐political<br />

issues in outer world, and in turn discourage them to record their experiences or remarks.<br />

Women lacked the basic requirements to write, because as Virginia Woolf claimed they did not<br />

have a stable income and a room of their own, both literally and figuratively. Even if some women<br />

could in time have the means for writing, it seems that they lacked courage to write under<br />

patriarchal precepts which insistently claim that women’s experiences, engagements, ideas or<br />

pursuits have not been essential. Canonical accounts of history and social sciences ignored women’s

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