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eality; and the mutual bond between her inner and outer reality is the essential aspect of her<br />

writing. Lastly, antedating post‐structuralism, her ideas on textuality are impressive and innovating.<br />

In her Everybody’s Autobiography, Stein highlights the distinction between selfhood and textuality.<br />

Again she underlines that it is all the question of identity. Being a bestseller author with The<br />

Autobiography of Alice B. Toklas, Stein admits that something has changed inside her. Now what she<br />

wrote had a value because people wanted to pay for it. She asserts that since people wanted to pay<br />

for her writing, her writing became a commodity and was now detached from her selfhood. Unlike<br />

traditional realists and autobiographers she rejected the assumption that the writer and his / her text<br />

could be identified. In order to transcend such conventions she invented her peculiar style in her<br />

written language. Unless a writer invented a language of his / her own, an authentic portrait could<br />

not be possible. So far as it is observed, Gertrude Stein’s fictions of selves can be read as inspirational<br />

sources for today’s women’s life writing, which is also in search for alternative modes of<br />

representation and textuality.<br />

Keywords: Fragmentation, Textuality, Life writing, Womanhood, Selfhood<br />

Zeynep Asya ALTUĞ<br />

Ege University,<br />

American Culture and Literature Department<br />

Yonca DENİZARSLANI<br />

Ege University,<br />

American Culture and Literature Department<br />

Notes<br />

1<br />

Gertrude Stein, Everybody’s Autobiography (Cambridge: Random House, Inc. Print, 1993), 28.<br />

2<br />

Gertrude Stein, “The Autobiography of Alice B. Toklas.” Selected Writings of Gertrude Stein<br />

(NY:Vintage Book Series,1962), 38.<br />

3 Gertrude Stein, Everybody’s Autobiography (Cambridge: Random House, Inc. Print, 1993), 12.<br />

4<br />

Carl Van Vechten, “Introduction.” “The Autobiography of Alice B. Toklas.” Gertrude Stein.<br />

Selected Writings of Gertrude Stein (NY:Vintage Book Series,1962), xii.<br />

5<br />

Ibid, xii.<br />

6<br />

Gertrude Stein, Everybody’s Autobiography (Cambridge: Random House, Inc. Print, 1993), 41.<br />

7<br />

Ibid, 45‐6.<br />

8<br />

Gertrude Stein, “The Autobiography of Alice B. Toklas.” Selected Writings of Gertrude Stein<br />

(NY:Vintage Book Series,1962), 30.<br />

Bibliography<br />

Anderson, Linda. Autobiography. NY:Routledge. Print.<br />

Barthes, Roland. “The Death of the Author” ed. Vincent B. Leitch, The Norton Anthology of Theory and<br />

Criticism. (NY:W.W. Norton & Company Press, 2001). Print.<br />

Bradbury, Malcolm. The Modern American Novel. NY:Viking,1993. Print.<br />

Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body.<br />

Berkeley: University of California Press,1993. Print.<br />

Burke, Sean. Authorship from Plato to Postmodern. Edinburgh: Edinburgh University Press,1992. Print.<br />

Cixous, Hélen. “The Laugh of Medusa.” Feminisms: An Anthology of Literary Theory and Criticism. ed.<br />

Robyn R. Warhol & Diane Price Herndl. (Rutgers University Press, 1997) Print.<br />

Eakin, Paul John. Ficitons in Autobiography. Studies in the Art of Self‐Invention. NY:Princeton University<br />

Press, 1985. Print.<br />

Egan, SusannaMirror Talk. Genres in Crisis in Contemporary Autobiography.

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