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WE WILL SHOW YOU THAT YOU ARE A WOMAN: REMINISCENCE OF<br />

WOMANHOOD IN RAHAMA ABDULMAJID’S MACE MUTUM (THE<br />

WOMAN TOO IS HUMAN<br />

Asabe KABIR USMAN *<br />

Introduction:<br />

Hausa Literature like other forms of African literature has to be understood as a literature by men.<br />

The women writers are the other voices, the unheard voices, rarely discussed and hardly recognized<br />

in the literary circle. Hausa women's writing arose out of the desire to introduce a female angle to<br />

discourse on women. When Hausa women started writing in the Hausa Language in the 1980’s they<br />

addressed themes like, the issues of forced marriage, polygamy, childbearing, motherhood, other<br />

domestic issues etc. some of such issues which continue to bedevil Hausa women even in<br />

contemporary era are, submission to the tradition, the culture and the dominant religion which<br />

established and respected by not only the writers of fictional works but also by the society.<br />

Abdulmajid uses her true life novel to give an insight into a life of exploitation, abuse, mistreatment<br />

and unease of women who find themselves at a crossroad of change; therefore Mace Mutum is our<br />

main source of data.<br />

Theoretical framework<br />

Abdulmajid’s “reminiscence of womanhood in Mace Mutum in this paper is viewed using the<br />

“new historicist approach” to literary studies which believes that the characters, events and language<br />

in a piece of literary work must be tied, examined and interpreted in the context of the events and<br />

period in which it is written or produced. 1> Similarly, from another angle, Mace Mutum, 2> is viewed<br />

through the lens of African feminism, the womanist theory which is grounded in African culture and<br />

seeks to empower women in such a way that they can break away from the traditional designation of<br />

womanhood 3> . Mace Mutum 4> is used as data on the premise that both these theories will exemplify<br />

and hypothesize women’s efforts towards self‐identity, selfhood, self‐definition, emancipation,<br />

transformation and growth from the ideology that men form the genesis of women’s problems in<br />

African and by extension Hausa society.<br />

Methodology<br />

After reading the novel in the Hausa language, it was translated into English language using the<br />

literal translations. The literal translation usually retains most of the features of the original text and<br />

at the same time, accepts the “use of words in their usual sense or commonly accepted meaning” 5> ;<br />

this way, the translator retains most of the original words while at the same time make sense to the<br />

reader. All references will be to Mace Mutum.<br />

Synopsis of the novel Mace Mutum<br />

Abdulmajid uses sporadic episodes with flashbacks of happenings which address different issues<br />

different issues on womanhood in her community. She reveals through Fatima the heroine and her<br />

daughter Amina everything she sees as stumbling block to women; from forced marriage,<br />

subjugation, maternal mortality, polygamy health hazards, diseases, poverty, inheritance etc as they<br />

affect women in rural and traditional Hausa society in a village in Niger republic. She demonstrates<br />

how the culture and tradition of the community turns women into things rather than human beings.<br />

She depicts a set up where western education and civilization is frowned at. In fact the scenario<br />

painted is that of a community bedeviled with ignorance, illiteracy and poverty. Fatima’s father gave<br />

out his fourteen year old daughter Lami in marriage to a visiting Islamic scholar from neighboring<br />

Nigeria whom he hardly knows without remorse. The difficulties, hardship, rivalry among co‐wives, ill<br />

health etc which Lami experienced in her matrimonial home made her convince her sister Fatima not<br />

*<br />

Department of Modern European Languages and Linguistics, Usmanu Danfodiyo University,

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