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… imaginative writers who, by choice or by life circumstances, experience cultural dislocation, live transnational experiences, cultivate bilingual/plurilingual proficiency, physically immerse themselves in multiple cultures/geographies/territories, expose themselves to diversity and nurture plural, flexible identities. 6 Now, speaking from the position of literary practice, I recognise myself in this description and cannot object to my work being considered in this way. What I’ve been talking about is how, whether a woman is writing of her own life or of the lives of other women, and no matter to what extent those written lives are intended to be or are considered “fictional”, the writings take place in a context of discourses about identity. Writing women’s lives, whether such writing is primarily memoir or fiction, is to write in peril. The perils are in the positions assumed, positions assigned. The value of transculturalism for women writing women’s lives, their own or others, in fiction, non‐fiction and hybrid forms is this: to set aside the given barriers of cultural, national, ethnic, and other assigned identities, is to enter a territory of women’s experience. I do not for a moment make this claim for all women; class is probably the greatest marker and source of one’s experience of the world and one’s relation to it. However women writers and women subjects whose life experience and literary experience is transcultural have more likelihood of understanding each other and are more likely to enter a territory of shared assumptions about how the world works, how to live one’s lives, how to understand others. Keywords: Lifewriting, Transcultural, Memoir, Novel, Reception Inez Baranay Çanakkale Onsekizmart University inezbaranay@gmail.com, www.inezbaranay.com Notes 1 Baranay, Inez. Neem Dreams (Delhi: Rupa&Co, 2003), 56. 2 Ibid., 124 3 Sedgwick, Eve Kosofsky, “Axiomatic”. (In Simon During (ed.) The Cultural Studies Reader London and New York: Routledge, 1993), 243‐268. 4 Saghal, Nayantara, Prison and Chocolate Cake. (New York: Alfred A Knopf, 1954), n.p. 5 McDonell, Jennifer. “Transgression, diplomacy and the art of Writing Fiction: an interview with Frank Moorhouse”. Meanjin 57, 4, 1998), 712‐727 6 Dagnino, Arianna. “Transcultural Writers and Transcultural Literature in the Age of Global Modernity” Transnational Literature Volume 4, no. 2 May 2012 Bibliography Baranay, Inez. The Edge of Bali. Sydney: HarperCollins, 1992. Rascal Rain. Sydney: HarperCollins, 1994 Neem Dreams. Delhi: Rupa&Co, 2003 “Multiculturalism, Globalisation and Worldliness: Origin and Destination of the Text”. Journal of the Association for the Study of Australian Literature, (2004) Volume 3: 117‐132 sun square moon: writings on yoga and writing. Kolkota: Writers Workshop Kolkata, 2007. With The Tiger. Delhi: HarperCollins India, 2008. Bartlett, A. “Critics, Crucibles, and A Literary Career: Inez Baranay and Her Indian Novel, Neem Dreams”. In Australian Made: A Multicultural Reader. Sydney: Sydney University Press, 2010 Dagnino, Arianna. “Transcultural Writers and Transcultural Literature in the Age of Global Modernity” Transnational Literature Volume 4, no. 2 May 2012 http://dspace.flinders.edu.au/jspui/ bitstream/2328/25881/3/Transcultural_Writers.pdf
McDonell, Jennifer. “Transgression, diplomacy and the art of Writing Fiction: an interview with Frank Moorhouse”. Meanjin 57, 4 (1998): 712‐727. Saghal, Nayantara Prison and Chocolate Cake. New York: Alfred A Knopf, 1954. Sedgwick, Eve Kosofsky. . “Axiomatic” Simon During (ed.) In The Cultural Studies Reader London and New York: Routledge, 1993: 243‐268. Sharrad, P. 2010, “Reconfiguring ‘Asian Australian’ writing: Australia, India and Inez Baranay”, In Southerly: a review of Australian literature, vol. 70, no. 3, 11‐29.
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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FOLLOWING THE TRACES OF THE UNION O
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Union of Turkish Women at the 1931
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could glean about Piraye Sadullah T
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E‐Mail Correspondence Binnur Fenm
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tatilinden sonra Haven House’a, o
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incelendiğinde Plath’ın yaşam
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Sonuç Bu çalışmada Sylvia Plath
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SÖZLÜ TARİH VE TANIKLIKLAR ORAL
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olduğu için “doğal” olarak e
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Burda arkadaşlık falan yok hepsi
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Cezaevinde, koğuş içinde sürekl
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Organization” Academy of Manageme
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karşılaştığı yetişkin Bulgar
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akrabalarına geleceklerini bildire
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Kültürü, dili, cinsiyeti, köken
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KADIN HAYATLARINA YANSIYAN ULUSAL T
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Salih Bey kızlarının eğitimine
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üniversiteye devam etmek istiyordu
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Zühre öyküsünün Farsçasını
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Sonuç Olarak 1939’da üniversite
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din adamları ile temas ve bu konul
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Fransızlardan devir alan heyette y
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‐Tek emelimiz hava ordumuzu en ku
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POLITICAL VOICES IN AUTOBIOGRAPHIES
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these women displayed different inc
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There is another side to the issue,
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POLITICAL VOICE OF MAYA ANGELOU IN
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the conditions of Blacks after the
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for the job, Angelou is initially a
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USING AUTOBIOGRAPHICAL NARRATIVE TO
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continent, is painted as intolerant
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am with will tell me ‘Your eyes a
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Bibliography Bhabha, Homi K. "Signs
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fool.” 3 At that time it was very
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justifying her decision to defy the
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CROSS‐CULTURAL ENCOUNTERS
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capital gain. Anne introduced Linke
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and two‐thousand newspaper articl
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Turkey.” Which reminded me of the
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
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Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
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I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
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Professor Małgorzata Radkiewicz, P
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KASHMIRI WOMEN’S TESTIMONIOS: LIV
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the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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ve dedesini kaybetmiştir; cumhuriy
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Sahnelerde, özellikle gazinolarda
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kocam çok memnun oldu” der Emine
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
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yazarlığı, ebelik ve bazı nezar
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şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
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Notlar 1 Simone de Beauvoir, Sade
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The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
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görünürde olduğu ama mümkün o
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felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
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woman from Punjab who played a fund
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procession with hundreds of other g
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9 FGM 2002, F/501, PMWT, Lahore. 10
Page 223 and 224: AUTO/BIOGRAPHY, HISTORY AND HERSTOR
Page 225 and 226: She also experienced the difference
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Page 237 and 238: Anderson, Linda. Autobiography. Lon
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Page 245 and 246: Some critics supposed that I meant
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Page 251 and 252: Her two portraits in 1884 : full fa
Page 253 and 254: Joy is an exception. The Flute Play
Page 255 and 256: abortion. The suffering is so unbea
Page 257 and 258: 7.2.2. A drama of Ibsen, “When we
Page 259 and 260: THEORY AND CRITICAL READING OF AUTO
Page 261 and 262: insights provided by feminist theor
Page 263 and 264: As for writing, most people secretl
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Page 267 and 268: Bahçeşehir University, Department
Page 269 and 270: WRITING THE OTHER AND TRANSNATIONAL
Page 271 and 272: Writing the Papua New Guinea memoir
Page 273: are very different. Meenakshi is a
Page 277 and 278: definitions of “woman’s place
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Page 281 and 282: Although Friedan had a later evolut
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Page 287 and 288: Agustina’s biographies of Paula R
Page 289 and 290: SINIF, TOPLUMSAL CİNSİYET VE SOSY
Page 291 and 292: eylik zihniyeti) diye nitelediği c
Page 293 and 294: sanki sessiz bir anlaşmayla başka
Page 295 and 296: Lülü Konağında toplam on beş h
Page 297 and 298: itirdikten sonra okumamış, ailesi
Page 299 and 300: 18 F. Özbay, Türkiye’de evlatl
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Page 303 and 304: women’s accomplishments since the
Page 305 and 306: “truly belongs” to a district o
Page 307 and 308: KADININ HAFIZASI: ÇAYKARALI RUMCA
Page 309 and 310: oluşturulduğunu yani hafızanın,
Page 311 and 312: Geleneksel olarak da yılbaşını
Page 313 and 314: Research Assistant , Gülmelek DOĞ
Page 315 and 316: BODRUMLU KADINLARDAN YAŞAM ANLATIL
Page 317 and 318: Ya bu elindeki örgü diye soruyoru
Page 319 and 320: Kaptan - ŞÜKRİYE ER Şükriye Er
Page 321 and 322: Notlar 1 Bodrum Belediyesi ve Anıl
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oturursunuz”. Ben yani şok oldum
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getirilmesi; bu arada erkeklerin de
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EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
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Filmde ayrıca kalp atışını and
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vermekten vazgeçtiklerini söyledi
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GAMZE FİDAN’LA KOP‐ART YOLCULU
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Fluxus dâhisi Nam JunPaik, kurgula
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aşlıklı bir sergi açtık mesela
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Melodram. Hem çok sıradan, hem ç
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ismimi yok etmek, başka sanatçıl
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scenes intentionally. Barry also dr
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and pessimism, she decides to overc
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two brothers grow in this liminal,
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HOME IS AN/OTHER? QUEER TRANSNATION
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These dynamics, in turn, speak to t
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Israel as a gay haven in darker ton
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queerness‐and‐homonationalism/.
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In works such as Spaces of the Past
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Voicing the everyday - Maternal bei
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1 The representation of the life ph
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always regarded her as a pianist, t
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Liszt lived, and be his student. An
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not put out for sale. 4 The article
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ARŞİVLER, HATIRATLAR VE KADIN TAR
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Yeni Asır, in which she reveals me
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Greene (1923-25 and 1945-48), a Wel
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2 Ayfer Karakaya‐Stump. “Debati
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ROMALI BİR KADININ HAYATINI MİMAR
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İmparatorluk Kültü baş rahibeli
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çalışmalar ile ilgili bkz.: Halu
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Tarih Kurumu, 1973. Pomeroy, Sarah.
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WRITING THE LIFE OF A LIFE WRITER:
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The inclusion of the entirety of Li
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closely intertwined. Ellen regularl
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QIYĀN AND SEXUALITY: THE SINGING
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elations with Ibrāhīm al‐Mawṣ
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qiyān’s lives, and that is the r
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RE‐CRAFTING THE PAST: LYDIE ROSTO
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Rostopchina mère’s observations
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his letters to family. Quoting Hans
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(1965): 144‐156; Alexander Nikite
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
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Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
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modified the job descriptions and t
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Notes 1 Thomas, L Lindlof, Qualitat
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impossible within, the impossible c
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5 Dylan Evans further explains, “
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THE WAY SHE MOVES, THE WAY SHE TALK
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achievements that are threatened by
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initiative, since oral history sour
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Haagen, Yvonne. Oral history en arc
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femicide in the world (Jewkes and a
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treated and to thank the private co
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argued (Perrot, 1990‐1991), by co
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NARRATIVES OF BREAST CANCER IN THE
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marvelous, and believe most what th
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unavoidable surgery they became sto
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12 Maria Edgeworth,”Belinda,” i
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TEMSİL VE GÖRÜNÜRLÜK REPRESENT
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Basında Pippa Bacca cinayeti Sanat
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ailesinin ve İtalyan kamuoyunun du
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Kaynakça Alankuş, Sevda. “Neden
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içerisinde hangi bakımdan dışar
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Bugün ilkel olarak nitelendirilen
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Sonuç Bütün toplumlar topluluğu
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MEMOIRS AND BIOGRAPHIES OF WOMEN IN
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Contribution of women: Autobiograph
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showed the way. Thus the small maga
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DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
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2. Conceptualizing a biographical b
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7.1. To be visible or invisible - T
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Hallebone, E. and Priest, J. Busine
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as governmental foreign policy, emp
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famous, published works, and indivi
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Correspondence, Mary Ritter Beard a
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status in society by circumscribing
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Rome to help her mother through the
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Primary Sources ITTCR008, Folder of
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especially during the reign of Sül
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10 From the title of the Robert Wit
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TÜRK RESİM SANATINDA EREN EYÜBO
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folklorik motiflerin özelliklerine
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“Biz Batı’dan geleli epeyce za
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Notes 1 http://www.britannica.com/E
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örneklerinden biri olduğu edebiya
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arasındaki en büyük tartışma k
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4 Banıçiçek Kırzıoğlu, “Sam
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Kendisiyle yapılan söyleşilerde
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Kamusal anlatının kırılma anı
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ARI’NIN YOLCULUĞU Bahar YAZGAN G
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1993 yıllarında açılan Milli E
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Prof. Dr. Pınar Bayhan Prof. Dr. R
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BİR CUMHURİYET AYDINI: CUMHURİYE
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Atatürk için “tarih araştırma
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Şimdi öncelikle hak verilmez alı
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Yayınları, s. 164. 5 Sayın Çı
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If you are going to ask women to ha
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Dunlop’s speech focused on the re
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Faison, Seth. “Women’s Meeting
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SEVGULİ’NİN HİKÂYESİNİ DİN
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olduğunu bize asla belirtmedi. Sad
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Sevguli’ye kumasıyla ilişkisini
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yapayacağını bilmiyor olmak” f
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tartışmalı bir durumdur. Bizler
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Verdiği örnek başarılıdır: He
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şekilde marjinalize gruplardan ö
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Kaynakça Akis, Yasemin. 2009. “P
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BİREYSEL GÖRÜŞMELER VE GRUP GÖ
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yansıtsa bile, analizi izleyen tek
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(Öyle bir şey yok. Peki, ortam ko
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ve Belkıs Kümbetoğlu, İnci User
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de bulundu. Bülent Ecevit’in var
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Sen erkek olduğun için senin içi
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HİKÂYELERİMİZİN PEŞİNDEN Fer
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Feminist bakış açısı kuramına
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2008), 361. 2 Sandra Harding, “Fe
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THE CRITICISM OF MAN‐DOMINATED SO
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It should be noted that Forough doe
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appointment as President. From that
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the poet, which he expresses himsel
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—— Φως τη σκoτία. Ath
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Christian spiritual life. It was in
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Na soberana luz da Mãi tão pura,
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the genders has consisted in the di
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IN HER DAY SHE BROKE THE MOLD: DISC
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camera, suggesting the spirited wom
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conception. Rather, her Shakti, “
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Bailey, Alison and Chris Cuomo. The
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“A MARTYR OF ART”: ‘STAGING
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Maria abandons her husband and his
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For Galanaki, Eleni’s disguise an
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THE FEMININE UNIVERSE OF THE 19 TH
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significant dimension. They are ind
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Izabel MARGATO Associated Professor
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gentlewomen for her reputation as a
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As discussed above, Chen Yulian’s
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When all was lost, she painted hers
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KADIN DENEYİMLERİ VE SOSYAL TARİ
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olarak görüldü (Kollontai, 2000:
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olarak yaşlı kuşak kadınlardan
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Ataerkil kültürde genelevler ayn
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eşitsizlik alanının yanı sıra
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etkilenerek yeniden kurgulanması,
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Dolayısıyla anlatıcı kadın, di
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Kıbrıs Türk edebiyatına baktı
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R. B.: kadın, 1946 doğumlu, ilkok
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KADIN FOLKLORU VE SÖZLÜ GELENEKLE
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yola çıkarak, kilamın, stran ve
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demek yetmemektedir ve “kadın de
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dinletilerinin olması da bu durumu
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GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
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Tablo 1. Tanrıçadan bugüne gül
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(Ö 2 ) bütünleştiği (Ö 2 V N
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Notlar 1 Kayıtların geçmişi Mez
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EVLENME VE DÜĞÜN ERTESİ TÖRENL
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durumu anlatmaktadır. 90'lı yıll
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Eski ve orta kuşaklarca gelenek fa
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AGATHA CHRISTIE VE KERİME NADİR
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metni bitirir. 5 Özel hayatına ay
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edilseler de bunlar mutlu sonla bit
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Dergisi, Sayı 292. Kış 2007‐20
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telakki eden, özellikle kadın oku
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1 Kerime Nadir, Romancının Dünya
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Lüsyen’in ailesiyle çatışmas
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şehre gidiyordu. Hâmid’in kimya
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WOMEN'S EXPERIENCE
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their fathers. Siham’s father was
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My father passed away while I was i
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the one hand, Najat expressed repea
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Women’s petitions and telegrams t
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do agriculture and they worked nigh
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Aşk ağlatır dert söyletir elbet
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WE WILL SHOW YOU THAT YOU ARE A WOM
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You have to accept what is happenin
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subjugation in most African societi
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MODERNIZATION AND WOMEN EDUCATION I
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He told Kemal Efendi, ‐‐ I give
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teachers for Rüshdiye schools. All
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READING HABITS AMONG WOMEN IN THE D
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From libraries to bookshops Althoug
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19 Iorga, Femeile în viața neamul
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ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
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Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
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yapılanışı içerisinde kadınla
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siyasette yer almalarını etkileye
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Beşpınar, seçmen kadınların de
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İKİNCİ DÜNYA SAVAŞI SONUNDA SA
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Sertel’e göre faşizm geri bir i
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September 27, 2013. http://global.b
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Toplumun dinamikliğini gösteren
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hemcinsi ile kurduğu duygusal bağ
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Bütün bunların ‘kurgu’lanara
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1924 yılına ait Fransızca bir be
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10 Çalışlar, Biyografisine Sığ
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sonrası bütün Batılı değerler
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onun kurumlarına da yönelik olmas
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6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
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Janis içkiye ve uyuşturucuya on a
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Acı çeker çünkü geleneksel gü
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21 S.Reynolds and J. Press, Seks İ
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olay olarak ele alınacak üç vaka
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tarihlerine ışık tutmayı amaçl
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Sexuality and Museums: A Routledge
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KADINLARIN ANLATILARINDA SAĞLIK VE
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ir toplam gibi birikmiş benliğimi
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Saygınlık uyandıracak bir zarafe
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ahlaki ve estetik yargılardan bağ
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WOMEN'S VOICES IN RELIGIOUS DISCOUR
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the dominant ideology of local soci
Page 757 and 758:
from worldly degradation” and all
Page 759 and 760:
Some readers may consider such narr
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Sakkoudion, in Bithynia, Plato beca
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Ester Kreitman was productive as a
Page 765 and 766:
The Orthodox discourse is grounded
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PLACING A FEMALE PERSON AT THE CENT
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(1888‐1954). This kind of idylliz
Page 771 and 772:
(1) polemics and apologetics betwee
Page 773 and 774:
edited by Maria Heidegger, Nina Kog
Page 775 and 776:
This novel is a hybrid with boundar
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proclaims her miraculous pregnancy.
Page 779 and 780:
of a she‐god. Yahweh, you should
Page 781 and 782:
36 Ibid., 83. 37 Virginia Woolf, Th
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CONVERSATIONS BETWEEN US: A VISUAL
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1. The participants represent their
Page 787 and 788:
young Muslim women living in large
Page 789 and 790:
WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792:
well as from ideas of women as a mo
Page 793 and 794:
In response to the screams of Hamid
Page 795 and 796:
Concluding remarks Having read and
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The Dynamics of Change in Conflict
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DANCING WOMEN'S LIVES, WOMEN LIVING
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Rather than only recounting history
Page 803 and 804:
A similar process is at work in Nef
Page 805 and 806:
agency moving beyond polarization,
Page 807 and 808:
postmodern art trend in the USA. 36
Page 809 and 810:
OBITUARIES INTO LIFE HISTORIES: WOM
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mercantile ethos (liberal and ratio
Page 813 and 814:
adds that she managed the money so
Page 815 and 816:
Haddad, Yvonne and Jane Smith, “W
Page 817 and 818:
distinctions between the person wri
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[…] and slowly everything changed
Page 821 and 822:
Chapel Hill: The University of Nort
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HALİÇLİ KÖPRÜ ROMANINDA ETNİK
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karşılaşabilecek ya da bakışı
Page 827 and 828:
Hepimiz bir yıllığına gelmişti
Page 829 and 830:
Bedenleri” çev. Tansel Güney, d
Page 831 and 832:
Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834:
Dış dünyanın insan hayatında b
Page 835 and 836:
EDEBİYAT VE OTO/BİYOGRAFİK KURMA
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Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840:
Kısa bir süre sonra kocasının e
Page 841 and 842:
GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844:
Emine Semiye Emine Semiye Hanım d
Page 845 and 846:
ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
Page 849 and 850:
WRITING (OF) THE SELF IN JANE EYRE:
Page 851 and 852:
mediation by the screen as a functi
Page 853 and 854:
though the narrator is true to the
Page 855 and 856:
esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
Page 871 and 872:
toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886:
6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888:
EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890:
I said to myself it cannot be ‐my
Page 891 and 892:
It is obvious from the examples I h
Page 893 and 894:
GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896:
The burst of laughter her story may
Page 897 and 898:
us that there were people who were
Page 899 and 900:
Kling, Vincent. “Translator’s A
Page 902:
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