sempozyum_bildiri_kitabi

Keywords: Women, Jewish , Kreytman, Tradition, Modernity
Agnieszka ILWICKA‐SHEPPARD
Universtiy of Wrocław, Poland
agailwicka@interia.pl
Notes
1
Hyman, Paula E. “Feminist Studies and Mondern Jewish History” (Feminist Perspectives on
Jewish Studies, ed. by Davidman Lynn and Tenenbaum Shelly). Yale: Yale University, 1994, 120‐
140
2
Frymek‐Kensky, Tikva. ”The Bible and Women’s Studies” (Feminist Perspectives on Jewish
Studies, ed. by Davidman Lynn and Tenenbaum Shelly). Yale: Yale University, 1994, 17
3
Singer, Israel I, Fun velt vos is nishto mer. New York: Farlag, 1946, 33
4
Norich, Anita. Afterword to The Dance with Demons, by Esther Kreitman, 299‐318, London 2008
5
It is also worth to mention that according to Maurice Carr memoirs I.B. Singer called his older
sister as a “Hassid in the skirt”; see: Carr, Maurice “Kadish Mayn Muter Ester Kreytman.” Loshn un
Lebn 173 (June 1954): 9
6
Stavans, Ilan. Introduction to Deborah, by Esther Kreitman,v‐x, London 2004, vii
7
Singer, Israel I, Fun velt vos is nishto mer. New York: Farlag, 1946, 33
8
Miller, Nancy K. The poetics of gender. Chicago 1986, 220
9
Gilbert, Sandra M. and Gubar Susan. The Madwoman in the Attic.The Woman Writer and the
Nineteenth‐Century Literary Imagination. Yale: Yale University, 2000, 86
10
Israel‐Cohen, Yael. Between Feminism and Orthodox Judaism: Resistance, Identity, and
Religious Change in Israel. Israel:Brill, 2012, 198
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