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There is another side to the issue, we the socialist revolutionaries thought that social<br />

problems would not be solved unless the revolution took place. Provided that the major<br />

conflict, that is the labour‐capital, got resolved, other problems would also be resolved.<br />

The solution of the woman’s question, nature‐nurture conflict, ethnicity question, the<br />

Kurdish question, environmental and all other problems awaited the revolution…I may be<br />

exaggerating a little bit, but neither the party [illegal Communist Party] nor the state had<br />

any women who were in the administrative, influential or power positions. At best, such<br />

women took place in the local administrations and their number was scarce. The laws<br />

were protective rather than positively discriminating. In sum, the patriarchal power and its<br />

structures stood strong. 5<br />

In many autobiographies the writer views the past from a time lapse. Her/his memory is the only<br />

entity s/he can rely on in constructing her/his past. As what will be narrated remains in the past, it<br />

cannot be perceived concretely. In fact what gives way to the writing instinct is not the need to<br />

reflect the past as it is but the need to interpret it under the present conditions. The time lapse<br />

between the narrated past and the writing period of the text has resulted in the emergence of new<br />

conditions which have rendered the past illusionary rather than realistic. To put it in another way,<br />

autobiographies are written to legitimize the author’s present condition. Women’s autobiographies<br />

in the nationalistic tradition very often reinforced the narration of the past from the present<br />

perspective in order to give a particular meaning and significance to their existence in the nation<br />

state building process.<br />

However Oya Baydar and Melek Ulagay breach this tradition by coming to terms with both their<br />

own failures in the past and those of the socialist movement in general. Consequently, their<br />

approach to their personal history as well as to history in general is more distanced and critical as<br />

well as realistic and objective. Their aim is not to exalt their political struggle; on the contrary, it is to<br />

highlight the failures of the left.<br />

Especially in Turkish female autobiographies published before 1980s the public and private<br />

spheres are sharply distinguished and none of them is exalted. For example, in some autobiographies<br />

particularly the childhood period is narrated at length although the main concern of the author is<br />

highly political ‐Selma Ekrem’s and Samiha Ayverdi’s books are cases in point. In contrast, in other<br />

autobiographies only grown up public identities are reflected whereas personal dimension of their<br />

lives are almost completely neglected. For example, Sabiha Sertel’s autobiography is dedicated<br />

totally to her political struggle as a communist; she does not mention her private life at all.<br />

However in recent autobiographies of Turkish women a development similar to that in the West<br />

in the twentieth century can be observed; that is, women tend gradually to write more about private<br />

issues. The autobiography of Oya Baydar and Melek Ulagay is strikingly innovative in this respect as<br />

well. In order to evaluate this innovation, we have to examine the Turkish left’s attitude towards the<br />

private/public life dichotomy. It is certain that what was important for the left was the public sphere,<br />

and private life was often ignored, even looked down on. Baydar and Ulagay, in contrast, tell a lot<br />

about relations, love affairs, marriages, foibles, family issues, which used to be eliminated from<br />

political accounts of past histories. While narrating their stories, they attempt to express the intimate<br />

and the emotional frankly, yet regarding prudency about the privacy of others concerned.<br />

Taking the feminist motto ‘what is private is also political’ as their starting point, Baydar and<br />

Ulagay, while narrating their political struggles, also relate their private lives which run parallel to<br />

their public identities. In other words, their political and private lives are intertwined with each<br />

other. Their love affairs, marriages, children, relationships with their parents are an inseparable part

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