sempozyum_bildiri_kitabi

Recommendations

Info

Notlar 1 Yazarın eserleri: Berdel (Ankara: Tekin yayınevi, 1981); Kırklar Dağının Düzü (İstanbul: yayınevi belirtilmemiş,1982); Kervan Servan (Ankara: Dayanışma yayınları, 1983); Sara Sara (Ankara, Memleket yayınları, 1987); Kuyudaki Ses (İstanbul: Ajans 21 yayınları,1990); Muş Gürcüsü Destanı (Diyarbakır: Demircioğlu matbaası, 1991); Surlu Kentin Sır Suyu (İstanbul: yayınevi belirtilmemiş, 1994); Kadınlar Mektebi (Diyarbakır: Akşam Ofset Matbaacılık, 1995);Duvar İçindeki Diyar (İstanbul, yayınevi belirtilmemiş, 1998); Hasırcıkuşu (Diyarbakır: Güneydoğu Ofset Matbaacılık, 2000); Münire (İstanbul: Birharf yayınları, 2005); Bir Filozofun Özel Yaşamı‐ Ziya Gökalp (İstanbul: Birharf yayınları, 2006); İçerideki Avcı (İstanbul: Diclem Sahaf Kitapevi, 2008). 2 Esma Ocak Müze Evi ile ilgili bilgi için bkz: http://www.esmaocakkulturdernegi.com/?pnum=11&pt=Esma+Ocak+Diyarbak%C4%B1r+Evi 3 Bkz. Virginia Woolf, Kendine Ait Bir Oda (İstanbul: İletişim, 2014). 4 Bkz. Adalet Ağaoğlu, Ölmeye Yatmak (İstanbul: İş Bankası Kültür Yayınları, 2006). 5 Klasik kadın otobiyografilerinin özelliklerine ilişkin bkz. Carolyn Heilrbrun, Kadının Özyaşamını Yazarken (İstanbul: Yapı Kredi Yayınları, 1992). 6 Bahsedilen her iki öykü de Berdel isimli kitabında yer alır. 7 Bkz. Esma Ocak, Muş Gürcüsü Destanı (Diyarbakır: Demircioğlu matbaası, 1991) 8 Bu öykü de Berdel isimli öykü kitabında yer almaktadır. 9 Esma Ocak, Berdel (Ankara: Tekin yayınevi, 1981), 55. 10 A.g.e.,58. 11 Süt sağımı 12 A.g.e., 59. 13 A.g.e., 59‐60. 14 A.g.e., 64. Kaynakça Ağaoğlu, Adalet. Ölüme Yatmak. İstanbul: Türkiye İş Bankası Yayınları, 2006. Heilbrun, Carolyn G. Kadının Özyaşamını Yazarken. İstanbul: Yapı Kredi Yayınları, 1992. Ocak, Esma. Berdel. Ankara: Tekin Yayınevi, 1981. Ocak, Esma. Kırklar Dağının Düzü. İstanbul: Yayınevi belirtilmemiş, 1982. Ocak, Esma. Kervan Servan. Ankara: Dayanışma yayınları, 1983. Ocak, Esma. Sara Sara. Ankara: Memleket Yayınları, 1987. Ocak, Esma. Kuyudaki Ses. İstanbul: Ajans 21 Yayınları, 1990. Ocak, Esma. Muş Gürcüsü Destanı. Diyarbakır: Demircioğlu Matbaası, 1991. Ocak, Esma. Surlu Kentin Sır Suyu. İstanbul: yayınevi belirtilmemiş, 1994. Ocak, Esma. Kadınlar Mektebi. Diyarbakır: Akşam ofset matbaacılık, 1995. Ocak, Esma. Duvar İçindeki Diyar. İstanbul: Yayınevi belirtilmemiş, 1998. Ocak, Esma. Hasırcıkuşu. Diyarbakır: Güneydoğu Ofset Matbaacılık, 2000. Ocak Esma. Münire. İstanbul: Birharf Yayınları, 2005. Ocak, Esma. Bir Filozofun Özel Yaşamı‐Ziya Gökalp. İstanbul: Birharf Yayınları, 2006. Ocak, Esma. İçerideki Avcı. Diyarbakır: Diclem Sahaf Kitabevi, 2008. Woolf, Virginia. Kendine Ait Bir Oda. İstanbul: İletişim, 2014.
ARI’NIN YOLCULUĞU Bahar YAZGAN GÜLSEREN * * Okan University, Faculty of Health Sciences , Department of Child Development.
Page 1 and 2:
Kadın Hayatlarını Yazmak: Oto/Bi
Page 3 and 4:
SEMPOZYUM KOORDİNATÖRLERİ / SYMP
Page 5 and 6:
Suraiya FAROQHI Şefik PEKSEVGEN Ve
Page 7 and 8:
THE WOMEN'S LIBRARY AND INFORMATION
Page 9 and 10:
Kadın Hayatlarını Yazmak: Oto/Bi
Page 11 and 12:
NOTE FROM THE EDITORS Women must wr
Page 13 and 14:
EDİTÖRLERDEN Kadın kendini yazma
Page 15 and 16:
AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
Page 17 and 18:
ve estetik değerleri temsil ettiğ
Page 19 and 20:
Dolayısıyla Woolf’un saptaması
Page 21 and 22:
FOLLOWING THE TRACES OF THE UNION O
Page 23 and 24:
Union of Turkish Women at the 1931
Page 25 and 26:
could glean about Piraye Sadullah T
Page 27 and 28:
E‐Mail Correspondence Binnur Fenm
Page 29 and 30:
tatilinden sonra Haven House’a, o
Page 31 and 32:
incelendiğinde Plath’ın yaşam
Page 33 and 34:
Sonuç Bu çalışmada Sylvia Plath
Page 35 and 36:
SÖZLÜ TARİH VE TANIKLIKLAR ORAL
Page 37 and 38:
olduğu için “doğal” olarak e
Page 39 and 40:
Burda arkadaşlık falan yok hepsi
Page 41 and 42:
Cezaevinde, koğuş içinde sürekl
Page 43 and 44:
Organization” Academy of Manageme
Page 45 and 46:
karşılaştığı yetişkin Bulgar
Page 47 and 48:
akrabalarına geleceklerini bildire
Page 49 and 50:
Kültürü, dili, cinsiyeti, köken
Page 51 and 52:
KADIN HAYATLARINA YANSIYAN ULUSAL T
Page 53 and 54:
Salih Bey kızlarının eğitimine
Page 55 and 56:
üniversiteye devam etmek istiyordu
Page 57 and 58:
Zühre öyküsünün Farsçasını
Page 59 and 60:
Sonuç Olarak 1939’da üniversite
Page 61 and 62:
din adamları ile temas ve bu konul
Page 63 and 64:
Fransızlardan devir alan heyette y
Page 65 and 66:
‐Tek emelimiz hava ordumuzu en ku
Page 67 and 68:
POLITICAL VOICES IN AUTOBIOGRAPHIES
Page 69 and 70:
these women displayed different inc
Page 71 and 72:
There is another side to the issue,
Page 73 and 74:
POLITICAL VOICE OF MAYA ANGELOU IN
Page 75 and 76:
the conditions of Blacks after the
Page 77 and 78:
for the job, Angelou is initially a
Page 79 and 80:
USING AUTOBIOGRAPHICAL NARRATIVE TO
Page 81 and 82:
continent, is painted as intolerant
Page 83 and 84:
am with will tell me ‘Your eyes a
Page 85 and 86:
Bibliography Bhabha, Homi K. "Signs
Page 87 and 88:
fool.” 3 At that time it was very
Page 89 and 90:
justifying her decision to defy the
Page 91 and 92:
CROSS‐CULTURAL ENCOUNTERS
Page 93 and 94:
capital gain. Anne introduced Linke
Page 95 and 96:
and two‐thousand newspaper articl
Page 97 and 98:
Turkey.” Which reminded me of the
Page 99 and 100:
Bibliography Goethe, Johann Wolfgan
Page 101 and 102:
In 1829 Pálsdóttir moved to Reykj
Page 103 and 104:
the years. While a child Pálsdótt
Page 105 and 106:
Self Presentation in Personal Corre
Page 107 and 108:
BADGES OF HONOUR: CAPTURING NARRATI
Page 109 and 110:
inaugurated with the European City
Page 111 and 112:
other people, that were there from
Page 113 and 114:
academic and community learning and
Page 115 and 116:
I also will analyse my relationship
Page 117 and 118:
or open to the future, to recogniti
Page 119 and 120:
4 Ibid. P.4 5 White, pp. 44‐45 6
Page 121 and 122:
American cinema of the silent perio
Page 123 and 124:
which now started to be viewed in t
Page 125 and 126:
Professor Małgorzata Radkiewicz, P
Page 127 and 128:
KASHMIRI WOMEN’S TESTIMONIOS: LIV
Page 129 and 130:
the choice of remarriage she makes
Page 131 and 132:
unaccountable increase in abuses of
Page 133 and 134:
WOMEN’S ROLE IN THE KHILAFAT MOVE
Page 135 and 136:
urden and march along with our men,
Page 137 and 138:
Turkish relief fund. 49 Women, espe
Page 139 and 140:
KAMU VE İŞ HAYATINDA KADINLAR WOM
Page 141 and 142:
Türkiye’de üniversite eğitimi,
Page 143 and 144:
özellikle de “ulusun babası”
Page 145 and 146:
Notlar 1 Füsun Üstel, “Makbul V
Page 147 and 148:
TÜRKİYE CUMHURİYETİ’NİN İLK
Page 149 and 150:
ve dedesini kaybetmiştir; cumhuriy
Page 151 and 152:
Sahnelerde, özellikle gazinolarda
Page 153 and 154:
kocam çok memnun oldu” der Emine
Page 155 and 156:
31 Ann Daly, 1991,Unlimited Partner
Page 157 and 158:
İnce, Yasemin; Kar , Altan, Yeni G
Page 159 and 160:
ayrıntılı bilgiler edinmek mümk
Page 161 and 162:
Günlüklerde, Tansel’in kişili
Page 163 and 164:
kendini hissettirir. Türlerin iç
Page 165 and 166:
yazarlığı, ebelik ve bazı nezar
Page 167 and 168:
şekilde çalışma hayatına girme
Page 169 and 170:
KADIN YAŞAM ANLATILARINDA FELSEFE
Page 171 and 172:
onu gasp etmekte veya yok etmektedi
Page 173 and 174:
özgür olduğunu söylemek çeliş
Page 175 and 176:
Notlar 1 Simone de Beauvoir, Sade
Page 177 and 178:
The Correspondence of PrIncess ElIs
Page 179 and 180:
together with the objections of suc
Page 181 and 182:
And finally, consistency and resolu
Page 183 and 184:
Sirven, J. Les années d’apprenti
Page 185 and 186:
gece, “herhangi bir ışıkta, la
Page 187 and 188:
görünürde olduğu ama mümkün o
Page 189 and 190:
felsefecileri gibi hayvani bulduğu
Page 191 and 192:
Hypatia’nın ondokuzuncu yüzyıl
Page 193 and 194:
Resim 1 Resim 2 Resim 3 Resim 4 Res
Page 195 and 196:
OSMANLI TARİHİNDE VE TARİH YAZIM
Page 197 and 198:
kümülatif birikim” olarak söz
Page 199 and 200:
da kendisi tercih etmiştir. Fakat
Page 201 and 202:
da görünen o ki bundan fazlası i
Page 203 and 204:
OSMANLI HAREMİNİN EN ÇOK SEYAHAT
Page 205 and 206:
Bu sayede Gülnuş Sultan, haremin
Page 207 and 208:
Gülnuş Sultan’ın da tıpkı K
Page 209 and 210:
11 Baer, a.g.e., 246‐247. 12 Paul
Page 211 and 212:
WOMEN POLITICAL ACTORS IN PUBLIC DE
Page 213 and 214:
ights violations who worked regular
Page 215 and 216:
Notes 1 “Turkish families protest
Page 217 and 218:
woman from Punjab who played a fund
Page 219 and 220:
procession with hundreds of other g
Page 221 and 222:
9 FGM 2002, F/501, PMWT, Lahore. 10
Page 223 and 224:
AUTO/BIOGRAPHY, HISTORY AND HERSTOR
Page 225 and 226:
She also experienced the difference
Page 227 and 228:
needs’ and ‘the body’; it rev
Page 229 and 230:
14 Davis, A Life of learning, 12. 1
Page 231 and 232:
Smith and Watson maintain that in w
Page 233 and 234:
and to break the established patter
Page 235 and 236:
Kutlu’s life‐narrative offers t
Page 237 and 238:
Anderson, Linda. Autobiography. Lon
Page 239 and 240:
… that challenges the very logic
Page 241 and 242:
dominant and often repetitive, clic
Page 243 and 244:
complex, fragmentary, sound snippet
Page 245 and 246:
Some critics supposed that I meant
Page 247 and 248:
or embroidery, serving only for ent
Page 249 and 250:
used to explain the existence of a
Page 251 and 252:
Her two portraits in 1884 : full fa
Page 253 and 254:
Joy is an exception. The Flute Play
Page 255 and 256:
abortion. The suffering is so unbea
Page 257 and 258:
7.2.2. A drama of Ibsen, “When we
Page 259 and 260:
THEORY AND CRITICAL READING OF AUTO
Page 261 and 262:
insights provided by feminist theor
Page 263 and 264:
As for writing, most people secretl
Page 265 and 266:
something or someone from the dead.
Page 267 and 268:
Bahçeşehir University, Department
Page 269 and 270:
WRITING THE OTHER AND TRANSNATIONAL
Page 271 and 272:
Writing the Papua New Guinea memoir
Page 273 and 274:
are very different. Meenakshi is a
Page 275 and 276:
McDonell, Jennifer. “Transgressio
Page 277 and 278:
definitions of “woman’s place
Page 279 and 280:
lot […] The labor newspaper jobs
Page 281 and 282:
Although Friedan had a later evolut
Page 283 and 284:
The Second Stage, New York: Summit
Page 285 and 286:
Interestingly, she found in movie f
Page 287 and 288:
Agustina’s biographies of Paula R
Page 289 and 290:
SINIF, TOPLUMSAL CİNSİYET VE SOSY
Page 291 and 292:
eylik zihniyeti) diye nitelediği c
Page 293 and 294:
sanki sessiz bir anlaşmayla başka
Page 295 and 296:
Lülü Konağında toplam on beş h
Page 297 and 298:
itirdikten sonra okumamış, ailesi
Page 299 and 300:
18 F. Özbay, Türkiye’de evlatl
Page 301 and 302:
elevant illustrated books present a
Page 303 and 304:
women’s accomplishments since the
Page 305 and 306:
“truly belongs” to a district o
Page 307 and 308:
KADININ HAFIZASI: ÇAYKARALI RUMCA
Page 309 and 310:
oluşturulduğunu yani hafızanın,
Page 311 and 312:
Geleneksel olarak da yılbaşını
Page 313 and 314:
Research Assistant , Gülmelek DOĞ
Page 315 and 316:
BODRUMLU KADINLARDAN YAŞAM ANLATIL
Page 317 and 318:
Ya bu elindeki örgü diye soruyoru
Page 319 and 320:
Kaptan - ŞÜKRİYE ER Şükriye Er
Page 321 and 322:
Notlar 1 Bodrum Belediyesi ve Anıl
Page 323 and 324:
deyişiyle, “çocukluktan itibare
Page 325 and 326:
oturursunuz”. Ben yani şok oldum
Page 327 and 328:
getirilmesi; bu arada erkeklerin de
Page 329 and 330:
EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
Page 331 and 332:
Filmde ayrıca kalp atışını and
Page 333 and 334:
vermekten vazgeçtiklerini söyledi
Page 335 and 336:
GAMZE FİDAN’LA KOP‐ART YOLCULU
Page 337 and 338:
Fluxus dâhisi Nam JunPaik, kurgula
Page 339 and 340:
aşlıklı bir sergi açtık mesela
Page 341 and 342:
Melodram. Hem çok sıradan, hem ç
Page 343 and 344:
ismimi yok etmek, başka sanatçıl
Page 345 and 346:
scenes intentionally. Barry also dr
Page 347 and 348:
and pessimism, she decides to overc
Page 349 and 350:
two brothers grow in this liminal,
Page 351 and 352:
HOME IS AN/OTHER? QUEER TRANSNATION
Page 353 and 354:
These dynamics, in turn, speak to t
Page 355 and 356:
Israel as a gay haven in darker ton
Page 357 and 358:
queerness‐and‐homonationalism/.
Page 359 and 360:
In works such as Spaces of the Past
Page 361 and 362:
Voicing the everyday - Maternal bei
Page 363 and 364:
1 The representation of the life ph
Page 365 and 366:
always regarded her as a pianist, t
Page 367 and 368:
Liszt lived, and be his student. An
Page 369 and 370:
not put out for sale. 4 The article
Page 371 and 372:
ARŞİVLER, HATIRATLAR VE KADIN TAR
Page 373 and 374:
Yeni Asır, in which she reveals me
Page 375 and 376:
Greene (1923-25 and 1945-48), a Wel
Page 377 and 378:
2 Ayfer Karakaya‐Stump. “Debati
Page 379 and 380:
ROMALI BİR KADININ HAYATINI MİMAR
Page 381 and 382:
İmparatorluk Kültü baş rahibeli
Page 383 and 384:
çalışmalar ile ilgili bkz.: Halu
Page 385 and 386:
Tarih Kurumu, 1973. Pomeroy, Sarah.
Page 387 and 388:
WRITING THE LIFE OF A LIFE WRITER:
Page 389 and 390:
The inclusion of the entirety of Li
Page 391 and 392:
closely intertwined. Ellen regularl
Page 393 and 394:
QIYĀN AND SEXUALITY: THE SINGING
Page 395 and 396:
elations with Ibrāhīm al‐Mawṣ
Page 397 and 398:
qiyān’s lives, and that is the r
Page 399 and 400:
RE‐CRAFTING THE PAST: LYDIE ROSTO
Page 401 and 402:
Rostopchina mère’s observations
Page 403 and 404:
his letters to family. Quoting Hans
Page 405 and 406:
(1965): 144‐156; Alexander Nikite
Page 407 and 408:
SOUND OF SILENCE 1 /SILENCE OF SOUN
Page 409 and 410:
hills, similar to Fredi Murer’s H
Page 411 and 412:
Keywords: New Turkish Cinema, Sound
Page 413 and 414:
NARRATIVES OF WOMEN BY WOMEN ON SCR
Page 415 and 416:
eginning of the film, without impos
Page 417 and 418:
Notes 1 Karen Hollinger, Feminist F
Page 419 and 420:
modified the job descriptions and t
Page 421 and 422:
Notes 1 Thomas, L Lindlof, Qualitat
Page 423 and 424:
impossible within, the impossible c
Page 425 and 426:
5 Dylan Evans further explains, “
Page 427 and 428:
THE WAY SHE MOVES, THE WAY SHE TALK
Page 429 and 430:
achievements that are threatened by
Page 431 and 432:
initiative, since oral history sour
Page 433 and 434:
Haagen, Yvonne. Oral history en arc
Page 435 and 436:
femicide in the world (Jewkes and a
Page 437 and 438:
treated and to thank the private co
Page 439 and 440:
argued (Perrot, 1990‐1991), by co
Page 441 and 442:
NARRATIVES OF BREAST CANCER IN THE
Page 443 and 444:
marvelous, and believe most what th
Page 445 and 446:
unavoidable surgery they became sto
Page 447 and 448:
12 Maria Edgeworth,”Belinda,” i
Page 449 and 450:
TEMSİL VE GÖRÜNÜRLÜK REPRESENT
Page 451 and 452:
Basında Pippa Bacca cinayeti Sanat
Page 453 and 454:
ailesinin ve İtalyan kamuoyunun du
Page 455 and 456:
Kaynakça Alankuş, Sevda. “Neden
Page 457 and 458:
içerisinde hangi bakımdan dışar
Page 459 and 460: Bugün ilkel olarak nitelendirilen
Page 461 and 462: Sonuç Bütün toplumlar topluluğu
Page 463 and 464: MEMOIRS AND BIOGRAPHIES OF WOMEN IN
Page 465 and 466: Contribution of women: Autobiograph
Page 467 and 468: showed the way. Thus the small maga
Page 469 and 470: DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
Page 471 and 472: 2. Conceptualizing a biographical b
Page 473 and 474: 7.1. To be visible or invisible - T
Page 475 and 476: Hallebone, E. and Priest, J. Busine
Page 477 and 478: as governmental foreign policy, emp
Page 479 and 480: famous, published works, and indivi
Page 481 and 482: Correspondence, Mary Ritter Beard a
Page 483 and 484: status in society by circumscribing
Page 485 and 486: Rome to help her mother through the
Page 487 and 488: Primary Sources ITTCR008, Folder of
Page 489 and 490: especially during the reign of Sül
Page 491 and 492: 10 From the title of the Robert Wit
Page 493 and 494: TÜRK RESİM SANATINDA EREN EYÜBO
Page 495 and 496: folklorik motiflerin özelliklerine
Page 497 and 498: “Biz Batı’dan geleli epeyce za
Page 499 and 500: Notes 1 http://www.britannica.com/E
Page 501 and 502: örneklerinden biri olduğu edebiya
Page 503 and 504: arasındaki en büyük tartışma k
Page 505 and 506: 4 Banıçiçek Kırzıoğlu, “Sam
Page 507 and 508: Kendisiyle yapılan söyleşilerde
Page 509: Kamusal anlatının kırılma anı
Page 513 and 514: 1993 yıllarında açılan Milli E
Page 515 and 516: Prof. Dr. Pınar Bayhan Prof. Dr. R
Page 517 and 518: BİR CUMHURİYET AYDINI: CUMHURİYE
Page 519 and 520: Atatürk için “tarih araştırma
Page 521 and 522: Şimdi öncelikle hak verilmez alı
Page 523 and 524: Yayınları, s. 164. 5 Sayın Çı
Page 525 and 526: If you are going to ask women to ha
Page 527 and 528: Dunlop’s speech focused on the re
Page 529 and 530: Faison, Seth. “Women’s Meeting
Page 531 and 532: SEVGULİ’NİN HİKÂYESİNİ DİN
Page 533 and 534: olduğunu bize asla belirtmedi. Sad
Page 535 and 536: Sevguli’ye kumasıyla ilişkisini
Page 537 and 538: yapayacağını bilmiyor olmak” f
Page 539 and 540: tartışmalı bir durumdur. Bizler
Page 541 and 542: Verdiği örnek başarılıdır: He
Page 543 and 544: şekilde marjinalize gruplardan ö
Page 545 and 546: Kaynakça Akis, Yasemin. 2009. “P
Page 547 and 548: BİREYSEL GÖRÜŞMELER VE GRUP GÖ
Page 549 and 550: yansıtsa bile, analizi izleyen tek
Page 551 and 552: (Öyle bir şey yok. Peki, ortam ko
Page 553 and 554: ve Belkıs Kümbetoğlu, İnci User
Page 555 and 556: de bulundu. Bülent Ecevit’in var
Page 557 and 558: Sen erkek olduğun için senin içi
Page 559 and 560: HİKÂYELERİMİZİN PEŞİNDEN Fer
Page 561 and 562:
Feminist bakış açısı kuramına
Page 563 and 564:
2008), 361. 2 Sandra Harding, “Fe
Page 565 and 566:
THE CRITICISM OF MAN‐DOMINATED SO
Page 567 and 568:
It should be noted that Forough doe
Page 569 and 570:
appointment as President. From that
Page 571 and 572:
the poet, which he expresses himsel
Page 573 and 574:
—— Φως τη σκoτία. Ath
Page 575 and 576:
Christian spiritual life. It was in
Page 577 and 578:
Na soberana luz da Mãi tão pura,
Page 579 and 580:
the genders has consisted in the di
Page 581 and 582:
IN HER DAY SHE BROKE THE MOLD: DISC
Page 583 and 584:
camera, suggesting the spirited wom
Page 585 and 586:
conception. Rather, her Shakti, “
Page 587 and 588:
Bailey, Alison and Chris Cuomo. The
Page 589 and 590:
“A MARTYR OF ART”: ‘STAGING
Page 591 and 592:
Maria abandons her husband and his
Page 593 and 594:
For Galanaki, Eleni’s disguise an
Page 595 and 596:
THE FEMININE UNIVERSE OF THE 19 TH
Page 597 and 598:
significant dimension. They are ind
Page 599 and 600:
Izabel MARGATO Associated Professor
Page 601 and 602:
gentlewomen for her reputation as a
Page 603 and 604:
As discussed above, Chen Yulian’s
Page 605 and 606:
When all was lost, she painted hers
Page 607 and 608:
KADIN DENEYİMLERİ VE SOSYAL TARİ
Page 609 and 610:
olarak görüldü (Kollontai, 2000:
Page 611 and 612:
olarak yaşlı kuşak kadınlardan
Page 613 and 614:
Ataerkil kültürde genelevler ayn
Page 615 and 616:
eşitsizlik alanının yanı sıra
Page 617 and 618:
etkilenerek yeniden kurgulanması,
Page 619 and 620:
Dolayısıyla anlatıcı kadın, di
Page 621 and 622:
Kıbrıs Türk edebiyatına baktı
Page 623 and 624:
R. B.: kadın, 1946 doğumlu, ilkok
Page 625 and 626:
KADIN FOLKLORU VE SÖZLÜ GELENEKLE
Page 627 and 628:
yola çıkarak, kilamın, stran ve
Page 629 and 630:
demek yetmemektedir ve “kadın de
Page 631 and 632:
dinletilerinin olması da bu durumu
Page 633 and 634:
GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
Page 635 and 636:
Tablo 1. Tanrıçadan bugüne gül
Page 637 and 638:
(Ö 2 ) bütünleştiği (Ö 2 V N
Page 639 and 640:
Notlar 1 Kayıtların geçmişi Mez
Page 641 and 642:
EVLENME VE DÜĞÜN ERTESİ TÖRENL
Page 643 and 644:
durumu anlatmaktadır. 90'lı yıll
Page 645 and 646:
Eski ve orta kuşaklarca gelenek fa
Page 647 and 648:
AGATHA CHRISTIE VE KERİME NADİR
Page 649 and 650:
metni bitirir. 5 Özel hayatına ay
Page 651 and 652:
edilseler de bunlar mutlu sonla bit
Page 653 and 654:
Dergisi, Sayı 292. Kış 2007‐20
Page 655 and 656:
telakki eden, özellikle kadın oku
Page 657 and 658:
1 Kerime Nadir, Romancının Dünya
Page 659 and 660:
Lüsyen’in ailesiyle çatışmas
Page 661 and 662:
şehre gidiyordu. Hâmid’in kimya
Page 663 and 664:
WOMEN'S EXPERIENCE
Page 665 and 666:
their fathers. Siham’s father was
Page 667 and 668:
My father passed away while I was i
Page 669 and 670:
the one hand, Najat expressed repea
Page 671 and 672:
Women’s petitions and telegrams t
Page 673 and 674:
do agriculture and they worked nigh
Page 675 and 676:
Aşk ağlatır dert söyletir elbet
Page 677 and 678:
WE WILL SHOW YOU THAT YOU ARE A WOM
Page 679 and 680:
You have to accept what is happenin
Page 681 and 682:
subjugation in most African societi
Page 683 and 684:
MODERNIZATION AND WOMEN EDUCATION I
Page 685 and 686:
He told Kemal Efendi, ‐‐ I give
Page 687 and 688:
teachers for Rüshdiye schools. All
Page 689 and 690:
READING HABITS AMONG WOMEN IN THE D
Page 691 and 692:
From libraries to bookshops Althoug
Page 693 and 694:
19 Iorga, Femeile în viața neamul
Page 695 and 696:
ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
Page 699 and 700:
Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
Page 703 and 704:
yapılanışı içerisinde kadınla
Page 705 and 706:
siyasette yer almalarını etkileye
Page 707 and 708:
Beşpınar, seçmen kadınların de
Page 709 and 710:
İKİNCİ DÜNYA SAVAŞI SONUNDA SA
Page 711 and 712:
Sertel’e göre faşizm geri bir i
Page 713 and 714:
September 27, 2013. http://global.b
Page 715 and 716:
Toplumun dinamikliğini gösteren
Page 717 and 718:
hemcinsi ile kurduğu duygusal bağ
Page 719 and 720:
Bütün bunların ‘kurgu’lanara
Page 721 and 722:
1924 yılına ait Fransızca bir be
Page 723 and 724:
10 Çalışlar, Biyografisine Sığ
Page 725 and 726:
sonrası bütün Batılı değerler
Page 727 and 728:
onun kurumlarına da yönelik olmas
Page 729 and 730:
6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
Page 733 and 734:
Janis içkiye ve uyuşturucuya on a
Page 735 and 736:
Acı çeker çünkü geleneksel gü
Page 737 and 738:
21 S.Reynolds and J. Press, Seks İ
Page 739 and 740:
olay olarak ele alınacak üç vaka
Page 741 and 742:
tarihlerine ışık tutmayı amaçl
Page 743 and 744:
Sexuality and Museums: A Routledge
Page 745 and 746:
KADINLARIN ANLATILARINDA SAĞLIK VE
Page 747 and 748:
ir toplam gibi birikmiş benliğimi
Page 749 and 750:
Saygınlık uyandıracak bir zarafe
Page 751 and 752:
ahlaki ve estetik yargılardan bağ
Page 753 and 754:
WOMEN'S VOICES IN RELIGIOUS DISCOUR
Page 755 and 756:
the dominant ideology of local soci
Page 757 and 758:
from worldly degradation” and all
Page 759 and 760:
Some readers may consider such narr
Page 761 and 762:
Sakkoudion, in Bithynia, Plato beca
Page 763 and 764:
Ester Kreitman was productive as a
Page 765 and 766:
The Orthodox discourse is grounded
Page 767 and 768:
PLACING A FEMALE PERSON AT THE CENT
Page 769 and 770:
(1888‐1954). This kind of idylliz
Page 771 and 772:
(1) polemics and apologetics betwee
Page 773 and 774:
edited by Maria Heidegger, Nina Kog
Page 775 and 776:
This novel is a hybrid with boundar
Page 777 and 778:
proclaims her miraculous pregnancy.
Page 779 and 780:
of a she‐god. Yahweh, you should
Page 781 and 782:
36 Ibid., 83. 37 Virginia Woolf, Th
Page 783 and 784:
CONVERSATIONS BETWEEN US: A VISUAL
Page 785 and 786:
1. The participants represent their
Page 787 and 788:
young Muslim women living in large
Page 789 and 790:
WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792:
well as from ideas of women as a mo
Page 793 and 794:
In response to the screams of Hamid
Page 795 and 796:
Concluding remarks Having read and
Page 797 and 798:
The Dynamics of Change in Conflict
Page 799 and 800:
DANCING WOMEN'S LIVES, WOMEN LIVING
Page 801 and 802:
Rather than only recounting history
Page 803 and 804:
A similar process is at work in Nef
Page 805 and 806:
agency moving beyond polarization,
Page 807 and 808:
postmodern art trend in the USA. 36
Page 809 and 810:
OBITUARIES INTO LIFE HISTORIES: WOM
Page 811 and 812:
mercantile ethos (liberal and ratio
Page 813 and 814:
adds that she managed the money so
Page 815 and 816:
Haddad, Yvonne and Jane Smith, “W
Page 817 and 818:
distinctions between the person wri
Page 819 and 820:
[…] and slowly everything changed
Page 821 and 822:
Chapel Hill: The University of Nort
Page 823 and 824:
HALİÇLİ KÖPRÜ ROMANINDA ETNİK
Page 825 and 826:
karşılaşabilecek ya da bakışı
Page 827 and 828:
Hepimiz bir yıllığına gelmişti
Page 829 and 830:
Bedenleri” çev. Tansel Güney, d
Page 831 and 832:
Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834:
Dış dünyanın insan hayatında b
Page 835 and 836:
EDEBİYAT VE OTO/BİYOGRAFİK KURMA
Page 837 and 838:
Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840:
Kısa bir süre sonra kocasının e
Page 841 and 842:
GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844:
Emine Semiye Emine Semiye Hanım d
Page 845 and 846:
ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
Page 849 and 850:
WRITING (OF) THE SELF IN JANE EYRE:
Page 851 and 852:
mediation by the screen as a functi
Page 853 and 854:
though the narrator is true to the
Page 855 and 856:
esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
Page 871 and 872:
toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886:
6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888:
EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890:
I said to myself it cannot be ‐my
Page 891 and 892:
It is obvious from the examples I h
Page 893 and 894:
GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896:
The burst of laughter her story may
Page 897 and 898:
us that there were people who were
Page 899 and 900:
Kling, Vincent. “Translator’s A
Page 902:
- ..., - - - (T - - • ' ' • \
Page 906:
• li ---' V-
Page 910:
1 t p - - 1- = il
Page 914:
• • u,P!.ı ımt ,bk -
Page 924:
....
Page 932:
l ı-t'!irıt' Bııc/ı /ı(' inı
Page 938:
t ) 1,ı ' l:,·,·,11 r
Page 944:
-- C - o,nUR BOYtı GEf •RI\IJ.\
Page 954:
- L - --- - -
Page 968:
.........,.. Al 16 ._..,_.. c ,..,.
Page 974:
\....t 1 --- "'" 1ı I tU .. ,J.ı,
Page 980:
......... ....
Page 984:
,ı.u • 1 • ı, ıİı • j a
Page 990:
...ıa ṭ. , , • ,.., ı ,,,,, .
Page 1004:
1 -
Page 1008:
-
Page 1014:
1 • J IEI • • • Q -
Page 1018:
( li [ f rJ J f --.,.
Page 1024:
1 1
Page 1028:
- - - -
show all

sempozyum_bildiri_kitabi

Create successful ePaper yourself

Delete template?

Save as template?