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önemli bir yere sahip olduğunu belirtmeliyiz. Keywords: Samiha Ayverdi, A female intellectual, Turkish modernization, Reform process in Turkey, Ayşen Müderrisoğlu aysenmuderrisoglu@gmail.com Yeditepe University , Political Science & International Relations Notlar 1 Samiha Ayverdi, Bir Dünyadan Bir Dünyaya (İstanbul: Kubbealtı Neşriyatı, 2005), 9. 2 Ayşen Müderrisoğlu, A Woman Intellectual in Turkey in the 20th Century: Samiha Ayverdi (Germany, Lambert Academic Publishing, 2014), 15‐17. 3 A.g.e., 20‐24.
4 Banıçiçek Kırzıoğlu, “Samiha Ayverdi, Hayatı‐Eserleri. Vol. I” (Doktora tezi, Atatürk Universitesi, 1990), 47. 5 Cemalnur Sargut, Samiha Ayverdi ile Sırra Yolculuk, (İstanbul: Nefes Yayınları, 2009), IV‐V. 6 Banıçiçek Kırzıoğlu., 47. 7 Cemalnur Sargut., IV. 8 Samiha Ayverdi, Türk Tarihinde Osmanlı Asırları (İstanbul: Kubbealtı Neşriyatı, 1999), 544. 9 A.g.e., 545. 10 Samiha Ayverdi, Milli Kültür Mes’eleleri ve Maarif Davamız (İstanbul: Kubbealtı Neşriyatı, 2006), 223‐227. 11 Samiha Ayverdi, Türk Tarihinde Osmanlı Asırları, 561. 12 A.g.e., 561‐562. 13 A.g.e., 560. 14 Samiha Ayverdi, Arkamızdan Dönen Dolaplar, (İstanbul: Kubbealtı Neşriyatı, 2007), 200. 15 Samiha Ayverdi, Ne İdik Ne Olduk, (İstanbul: Kubbealtı Neşriyatı, 2007), 62. 16 Samiha Ayverdi, İstanbul Geceleri, (İstanbul: Kubbealtı Neşriyatı, 2007), 17‐37. 17 Samiha Ayverdi, Ne İdik Ne Olduk, 13. 18 A.g.e., Ne İdik Ne Olduk, 10. Kaynakça Ayverdi, Samiha. Bir Dünyadan Bir Dünyaya. İstanbul: Kubbealtı Neşriyatı, 2005. Ayverdi, Samiha. Türk Tarihinde Osmanlı Asırları. İstanbul: Kubbealtı Neşriyatı, 1999. Ayverdi, Samiha. Milli Kültür Mes’eleleri ve Maarif Davamız. İstanbul: Kubbealtı Neşriyatı, 2006. Ayverdi, Samiha. Ne İdik Ne Olduk. İstanbul: Kubbealtı Neşriyatı, 2007. Ayverdi, Samiha. Arkamızdan Dönen Dolaplar. İstanbul: Kubbealtı Neşriyatı, 2007. Ayverdi, Samiha. İstanbul Geceleri. İstanbul: Kubbealtı Neşriyatı, 2007. Kırzıoğlu, Banıçiçek. “Samiha Ayverdi, Hayatı‐Eserleri. Vol. I.” Doktora tezi, Atatürk Universitesi, 1990. Müderrisoğlu, Ayşen. A Woman Intellectual in Turkey in the 20th Century: Samiha Ayverdi. Germany, Lambert Academic Publishing, 2014. Sargut, Cemalnur. Samiha Ayverdi ile Sırra Yolculuk. İstanbul: Nefes Yayınları, 2009.
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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FOLLOWING THE TRACES OF THE UNION O
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Union of Turkish Women at the 1931
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could glean about Piraye Sadullah T
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E‐Mail Correspondence Binnur Fenm
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tatilinden sonra Haven House’a, o
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incelendiğinde Plath’ın yaşam
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Sonuç Bu çalışmada Sylvia Plath
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SÖZLÜ TARİH VE TANIKLIKLAR ORAL
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olduğu için “doğal” olarak e
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Burda arkadaşlık falan yok hepsi
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Cezaevinde, koğuş içinde sürekl
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Organization” Academy of Manageme
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karşılaştığı yetişkin Bulgar
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akrabalarına geleceklerini bildire
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Kültürü, dili, cinsiyeti, köken
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KADIN HAYATLARINA YANSIYAN ULUSAL T
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Salih Bey kızlarının eğitimine
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üniversiteye devam etmek istiyordu
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Zühre öyküsünün Farsçasını
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Sonuç Olarak 1939’da üniversite
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din adamları ile temas ve bu konul
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Fransızlardan devir alan heyette y
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‐Tek emelimiz hava ordumuzu en ku
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POLITICAL VOICES IN AUTOBIOGRAPHIES
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these women displayed different inc
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There is another side to the issue,
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POLITICAL VOICE OF MAYA ANGELOU IN
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the conditions of Blacks after the
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for the job, Angelou is initially a
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USING AUTOBIOGRAPHICAL NARRATIVE TO
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continent, is painted as intolerant
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am with will tell me ‘Your eyes a
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Bibliography Bhabha, Homi K. "Signs
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fool.” 3 At that time it was very
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justifying her decision to defy the
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CROSS‐CULTURAL ENCOUNTERS
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capital gain. Anne introduced Linke
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and two‐thousand newspaper articl
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Turkey.” Which reminded me of the
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
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Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
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I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
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Professor Małgorzata Radkiewicz, P
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KASHMIRI WOMEN’S TESTIMONIOS: LIV
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the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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ve dedesini kaybetmiştir; cumhuriy
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Sahnelerde, özellikle gazinolarda
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kocam çok memnun oldu” der Emine
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
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yazarlığı, ebelik ve bazı nezar
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şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
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Notlar 1 Simone de Beauvoir, Sade
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The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
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görünürde olduğu ama mümkün o
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felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
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woman from Punjab who played a fund
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procession with hundreds of other g
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9 FGM 2002, F/501, PMWT, Lahore. 10
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AUTO/BIOGRAPHY, HISTORY AND HERSTOR
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She also experienced the difference
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needs’ and ‘the body’; it rev
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14 Davis, A Life of learning, 12. 1
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Smith and Watson maintain that in w
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and to break the established patter
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Kutlu’s life‐narrative offers t
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Anderson, Linda. Autobiography. Lon
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… that challenges the very logic
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dominant and often repetitive, clic
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complex, fragmentary, sound snippet
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Some critics supposed that I meant
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or embroidery, serving only for ent
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used to explain the existence of a
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Her two portraits in 1884 : full fa
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Joy is an exception. The Flute Play
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abortion. The suffering is so unbea
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7.2.2. A drama of Ibsen, “When we
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THEORY AND CRITICAL READING OF AUTO
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insights provided by feminist theor
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As for writing, most people secretl
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something or someone from the dead.
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Bahçeşehir University, Department
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WRITING THE OTHER AND TRANSNATIONAL
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Writing the Papua New Guinea memoir
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are very different. Meenakshi is a
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McDonell, Jennifer. “Transgressio
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definitions of “woman’s place
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lot […] The labor newspaper jobs
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Although Friedan had a later evolut
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The Second Stage, New York: Summit
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Interestingly, she found in movie f
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Agustina’s biographies of Paula R
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SINIF, TOPLUMSAL CİNSİYET VE SOSY
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eylik zihniyeti) diye nitelediği c
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sanki sessiz bir anlaşmayla başka
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Lülü Konağında toplam on beş h
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itirdikten sonra okumamış, ailesi
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18 F. Özbay, Türkiye’de evlatl
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elevant illustrated books present a
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women’s accomplishments since the
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“truly belongs” to a district o
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KADININ HAFIZASI: ÇAYKARALI RUMCA
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oluşturulduğunu yani hafızanın,
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Geleneksel olarak da yılbaşını
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Research Assistant , Gülmelek DOĞ
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BODRUMLU KADINLARDAN YAŞAM ANLATIL
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Ya bu elindeki örgü diye soruyoru
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Kaptan - ŞÜKRİYE ER Şükriye Er
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Notlar 1 Bodrum Belediyesi ve Anıl
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deyişiyle, “çocukluktan itibare
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oturursunuz”. Ben yani şok oldum
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getirilmesi; bu arada erkeklerin de
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EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
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Filmde ayrıca kalp atışını and
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vermekten vazgeçtiklerini söyledi
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GAMZE FİDAN’LA KOP‐ART YOLCULU
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Fluxus dâhisi Nam JunPaik, kurgula
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aşlıklı bir sergi açtık mesela
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Melodram. Hem çok sıradan, hem ç
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ismimi yok etmek, başka sanatçıl
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scenes intentionally. Barry also dr
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and pessimism, she decides to overc
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two brothers grow in this liminal,
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HOME IS AN/OTHER? QUEER TRANSNATION
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These dynamics, in turn, speak to t
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Israel as a gay haven in darker ton
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queerness‐and‐homonationalism/.
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In works such as Spaces of the Past
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Voicing the everyday - Maternal bei
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1 The representation of the life ph
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always regarded her as a pianist, t
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Liszt lived, and be his student. An
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not put out for sale. 4 The article
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ARŞİVLER, HATIRATLAR VE KADIN TAR
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Yeni Asır, in which she reveals me
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Greene (1923-25 and 1945-48), a Wel
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2 Ayfer Karakaya‐Stump. “Debati
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ROMALI BİR KADININ HAYATINI MİMAR
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İmparatorluk Kültü baş rahibeli
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çalışmalar ile ilgili bkz.: Halu
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Tarih Kurumu, 1973. Pomeroy, Sarah.
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WRITING THE LIFE OF A LIFE WRITER:
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The inclusion of the entirety of Li
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closely intertwined. Ellen regularl
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QIYĀN AND SEXUALITY: THE SINGING
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elations with Ibrāhīm al‐Mawṣ
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qiyān’s lives, and that is the r
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RE‐CRAFTING THE PAST: LYDIE ROSTO
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Rostopchina mère’s observations
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his letters to family. Quoting Hans
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(1965): 144‐156; Alexander Nikite
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
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Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
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modified the job descriptions and t
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Notes 1 Thomas, L Lindlof, Qualitat
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impossible within, the impossible c
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5 Dylan Evans further explains, “
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THE WAY SHE MOVES, THE WAY SHE TALK
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achievements that are threatened by
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initiative, since oral history sour
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Haagen, Yvonne. Oral history en arc
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femicide in the world (Jewkes and a
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treated and to thank the private co
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argued (Perrot, 1990‐1991), by co
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NARRATIVES OF BREAST CANCER IN THE
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marvelous, and believe most what th
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unavoidable surgery they became sto
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12 Maria Edgeworth,”Belinda,” i
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TEMSİL VE GÖRÜNÜRLÜK REPRESENT
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Basında Pippa Bacca cinayeti Sanat
Page 453 and 454: ailesinin ve İtalyan kamuoyunun du
Page 455 and 456: Kaynakça Alankuş, Sevda. “Neden
Page 457 and 458: içerisinde hangi bakımdan dışar
Page 459 and 460: Bugün ilkel olarak nitelendirilen
Page 461 and 462: Sonuç Bütün toplumlar topluluğu
Page 463 and 464: MEMOIRS AND BIOGRAPHIES OF WOMEN IN
Page 465 and 466: Contribution of women: Autobiograph
Page 467 and 468: showed the way. Thus the small maga
Page 469 and 470: DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
Page 471 and 472: 2. Conceptualizing a biographical b
Page 473 and 474: 7.1. To be visible or invisible - T
Page 475 and 476: Hallebone, E. and Priest, J. Busine
Page 477 and 478: as governmental foreign policy, emp
Page 479 and 480: famous, published works, and indivi
Page 481 and 482: Correspondence, Mary Ritter Beard a
Page 483 and 484: status in society by circumscribing
Page 485 and 486: Rome to help her mother through the
Page 487 and 488: Primary Sources ITTCR008, Folder of
Page 489 and 490: especially during the reign of Sül
Page 491 and 492: 10 From the title of the Robert Wit
Page 493 and 494: TÜRK RESİM SANATINDA EREN EYÜBO
Page 495 and 496: folklorik motiflerin özelliklerine
Page 497 and 498: “Biz Batı’dan geleli epeyce za
Page 499 and 500: Notes 1 http://www.britannica.com/E
Page 501 and 502: örneklerinden biri olduğu edebiya
Page 503: arasındaki en büyük tartışma k
Page 507 and 508: Kendisiyle yapılan söyleşilerde
Page 509 and 510: Kamusal anlatının kırılma anı
Page 511 and 512: ARI’NIN YOLCULUĞU Bahar YAZGAN G
Page 513 and 514: 1993 yıllarında açılan Milli E
Page 515 and 516: Prof. Dr. Pınar Bayhan Prof. Dr. R
Page 517 and 518: BİR CUMHURİYET AYDINI: CUMHURİYE
Page 519 and 520: Atatürk için “tarih araştırma
Page 521 and 522: Şimdi öncelikle hak verilmez alı
Page 523 and 524: Yayınları, s. 164. 5 Sayın Çı
Page 525 and 526: If you are going to ask women to ha
Page 527 and 528: Dunlop’s speech focused on the re
Page 529 and 530: Faison, Seth. “Women’s Meeting
Page 531 and 532: SEVGULİ’NİN HİKÂYESİNİ DİN
Page 533 and 534: olduğunu bize asla belirtmedi. Sad
Page 535 and 536: Sevguli’ye kumasıyla ilişkisini
Page 537 and 538: yapayacağını bilmiyor olmak” f
Page 539 and 540: tartışmalı bir durumdur. Bizler
Page 541 and 542: Verdiği örnek başarılıdır: He
Page 543 and 544: şekilde marjinalize gruplardan ö
Page 545 and 546: Kaynakça Akis, Yasemin. 2009. “P
Page 547 and 548: BİREYSEL GÖRÜŞMELER VE GRUP GÖ
Page 549 and 550: yansıtsa bile, analizi izleyen tek
Page 551 and 552: (Öyle bir şey yok. Peki, ortam ko
Page 553 and 554: ve Belkıs Kümbetoğlu, İnci User
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de bulundu. Bülent Ecevit’in var
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Sen erkek olduğun için senin içi
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HİKÂYELERİMİZİN PEŞİNDEN Fer
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Feminist bakış açısı kuramına
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2008), 361. 2 Sandra Harding, “Fe
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THE CRITICISM OF MAN‐DOMINATED SO
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It should be noted that Forough doe
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appointment as President. From that
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the poet, which he expresses himsel
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—— Φως τη σκoτία. Ath
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Christian spiritual life. It was in
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Na soberana luz da Mãi tão pura,
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the genders has consisted in the di
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IN HER DAY SHE BROKE THE MOLD: DISC
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camera, suggesting the spirited wom
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conception. Rather, her Shakti, “
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Bailey, Alison and Chris Cuomo. The
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“A MARTYR OF ART”: ‘STAGING
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Maria abandons her husband and his
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For Galanaki, Eleni’s disguise an
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THE FEMININE UNIVERSE OF THE 19 TH
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significant dimension. They are ind
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Izabel MARGATO Associated Professor
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gentlewomen for her reputation as a
Page 603 and 604:
As discussed above, Chen Yulian’s
Page 605 and 606:
When all was lost, she painted hers
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KADIN DENEYİMLERİ VE SOSYAL TARİ
Page 609 and 610:
olarak görüldü (Kollontai, 2000:
Page 611 and 612:
olarak yaşlı kuşak kadınlardan
Page 613 and 614:
Ataerkil kültürde genelevler ayn
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eşitsizlik alanının yanı sıra
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etkilenerek yeniden kurgulanması,
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Dolayısıyla anlatıcı kadın, di
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Kıbrıs Türk edebiyatına baktı
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R. B.: kadın, 1946 doğumlu, ilkok
Page 625 and 626:
KADIN FOLKLORU VE SÖZLÜ GELENEKLE
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yola çıkarak, kilamın, stran ve
Page 629 and 630:
demek yetmemektedir ve “kadın de
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dinletilerinin olması da bu durumu
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GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
Page 635 and 636:
Tablo 1. Tanrıçadan bugüne gül
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(Ö 2 ) bütünleştiği (Ö 2 V N
Page 639 and 640:
Notlar 1 Kayıtların geçmişi Mez
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EVLENME VE DÜĞÜN ERTESİ TÖRENL
Page 643 and 644:
durumu anlatmaktadır. 90'lı yıll
Page 645 and 646:
Eski ve orta kuşaklarca gelenek fa
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AGATHA CHRISTIE VE KERİME NADİR
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metni bitirir. 5 Özel hayatına ay
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edilseler de bunlar mutlu sonla bit
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Dergisi, Sayı 292. Kış 2007‐20
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telakki eden, özellikle kadın oku
Page 657 and 658:
1 Kerime Nadir, Romancının Dünya
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Lüsyen’in ailesiyle çatışmas
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şehre gidiyordu. Hâmid’in kimya
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WOMEN'S EXPERIENCE
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their fathers. Siham’s father was
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My father passed away while I was i
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the one hand, Najat expressed repea
Page 671 and 672:
Women’s petitions and telegrams t
Page 673 and 674:
do agriculture and they worked nigh
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Aşk ağlatır dert söyletir elbet
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WE WILL SHOW YOU THAT YOU ARE A WOM
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You have to accept what is happenin
Page 681 and 682:
subjugation in most African societi
Page 683 and 684:
MODERNIZATION AND WOMEN EDUCATION I
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He told Kemal Efendi, ‐‐ I give
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teachers for Rüshdiye schools. All
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READING HABITS AMONG WOMEN IN THE D
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From libraries to bookshops Althoug
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19 Iorga, Femeile în viața neamul
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ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
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Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
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yapılanışı içerisinde kadınla
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siyasette yer almalarını etkileye
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Beşpınar, seçmen kadınların de
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İKİNCİ DÜNYA SAVAŞI SONUNDA SA
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Sertel’e göre faşizm geri bir i
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September 27, 2013. http://global.b
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Toplumun dinamikliğini gösteren
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hemcinsi ile kurduğu duygusal bağ
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Bütün bunların ‘kurgu’lanara
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1924 yılına ait Fransızca bir be
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10 Çalışlar, Biyografisine Sığ
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sonrası bütün Batılı değerler
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onun kurumlarına da yönelik olmas
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6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
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Janis içkiye ve uyuşturucuya on a
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Acı çeker çünkü geleneksel gü
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21 S.Reynolds and J. Press, Seks İ
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olay olarak ele alınacak üç vaka
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tarihlerine ışık tutmayı amaçl
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Sexuality and Museums: A Routledge
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KADINLARIN ANLATILARINDA SAĞLIK VE
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ir toplam gibi birikmiş benliğimi
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Saygınlık uyandıracak bir zarafe
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ahlaki ve estetik yargılardan bağ
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WOMEN'S VOICES IN RELIGIOUS DISCOUR
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the dominant ideology of local soci
Page 757 and 758:
from worldly degradation” and all
Page 759 and 760:
Some readers may consider such narr
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Sakkoudion, in Bithynia, Plato beca
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Ester Kreitman was productive as a
Page 765 and 766:
The Orthodox discourse is grounded
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PLACING A FEMALE PERSON AT THE CENT
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(1888‐1954). This kind of idylliz
Page 771 and 772:
(1) polemics and apologetics betwee
Page 773 and 774:
edited by Maria Heidegger, Nina Kog
Page 775 and 776:
This novel is a hybrid with boundar
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proclaims her miraculous pregnancy.
Page 779 and 780:
of a she‐god. Yahweh, you should
Page 781 and 782:
36 Ibid., 83. 37 Virginia Woolf, Th
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CONVERSATIONS BETWEEN US: A VISUAL
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1. The participants represent their
Page 787 and 788:
young Muslim women living in large
Page 789 and 790:
WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792:
well as from ideas of women as a mo
Page 793 and 794:
In response to the screams of Hamid
Page 795 and 796:
Concluding remarks Having read and
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The Dynamics of Change in Conflict
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DANCING WOMEN'S LIVES, WOMEN LIVING
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Rather than only recounting history
Page 803 and 804:
A similar process is at work in Nef
Page 805 and 806:
agency moving beyond polarization,
Page 807 and 808:
postmodern art trend in the USA. 36
Page 809 and 810:
OBITUARIES INTO LIFE HISTORIES: WOM
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mercantile ethos (liberal and ratio
Page 813 and 814:
adds that she managed the money so
Page 815 and 816:
Haddad, Yvonne and Jane Smith, “W
Page 817 and 818:
distinctions between the person wri
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[…] and slowly everything changed
Page 821 and 822:
Chapel Hill: The University of Nort
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HALİÇLİ KÖPRÜ ROMANINDA ETNİK
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karşılaşabilecek ya da bakışı
Page 827 and 828:
Hepimiz bir yıllığına gelmişti
Page 829 and 830:
Bedenleri” çev. Tansel Güney, d
Page 831 and 832:
Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834:
Dış dünyanın insan hayatında b
Page 835 and 836:
EDEBİYAT VE OTO/BİYOGRAFİK KURMA
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Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840:
Kısa bir süre sonra kocasının e
Page 841 and 842:
GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844:
Emine Semiye Emine Semiye Hanım d
Page 845 and 846:
ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
Page 849 and 850:
WRITING (OF) THE SELF IN JANE EYRE:
Page 851 and 852:
mediation by the screen as a functi
Page 853 and 854:
though the narrator is true to the
Page 855 and 856:
esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
Page 871 and 872:
toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886:
6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888:
EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890:
I said to myself it cannot be ‐my
Page 891 and 892:
It is obvious from the examples I h
Page 893 and 894:
GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896:
The burst of laughter her story may
Page 897 and 898:
us that there were people who were
Page 899 and 900:
Kling, Vincent. “Translator’s A
Page 902:
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