sempozyum_bildiri_kitabi

postmodern art trend in the USA.
36
Layla Zami, “Oxana Chi von Zopf Bis Fluss: Transkulturelle Tanzkunst Und Alternative
Geschichtsschreibung,” in The Living Archive: Kulturelle Produktionen Und Räume, ed. Julia Brilling
and Aicha Diallo (Berlin: Heinrich‐Boell‐Stiftung, 2013), 52–61. This essay about Oxana's
production "Neferet iti" was commissioned by editor Aicha Diallo for the Heinrich‐Boell
Foundation and filed under the chapter "re‐telling".
http://heimatkunde.boell.de/2012/12/18/oxana‐chi‐von‐zopf‐bis‐fluss‐transkulturelle‐tanzkunstund‐alternative
37
See also the three modes of resistance (idiomatically, choreographically, thematically)
developped in Ananya Chatterjea, “Chandralekha: Negotiating the Female Body and Movement in
Cultural/Political Signification,” in Moving History / Dancing Cultures. A Dance History Reader, ed.
Ann Dils and Ann Cooper Albright (Durham: Wesleyan University Press, 2001), 439–454.
38
See Brenda Dixon‐Gottshild's title : Digging the Africanist Presence in American Performance.
39
Chi, Personal communication, 2013.
40
Marianne Hirsch and Nancy K. Miller, Rites of Return ‐ Diaspora Poetics and the Politics of
Memory, Gender and Culture Series (New York: Columbia University Press, 2011), 5.
41 Chela Sandoval, “U.S. Third World Feminism: The Theory and Method of Differential
Oppositional Consciousness,” in The Feminist Standpoint Theory Reader ‐ Intellectual and Political
Controversies (New York: Routledge, 2004), 204.
42 Michael Rothberg, Multidirectional Memory : Remembering the Holocaust in the Age of
Globalization, (Stanford: Stanford University Press, 2009). Michael Rothberg's concept
"multidirectional memory" advocating connections between postcolonial and Holocaust studies is
interesting despite androcentric focus.
43
Ann Cooper Albright, “Embodying History: Epic Narrative and Cultural Identity in African
American Dance,” in Moving History / Dancing Cultures. A Dance History Reader, ed. Ann Dils and
Ann Cooper Albright (Durham: Wesleyan University Press, 2001), 440.
44
Nicola Lauré al‐Samarai, “Inspirited Topography", 118.
45
Widad Amra, Le Souffle Du Pays. Nabd El Jayzirah (Paris: L’Harmattan, 2010), 34‐35.
Bibliography
Amra, Widad. Le Souffle Du Pays. Nabd El Jayzirah. Paris: L’Harmattan, 2010.
Caruso Haviland, Linda. “Reflections on ‘Choreographies of Writing.’” Pew Center for Arts &
Heritage. Danceworkbookseries, March 22, 2011. http://danceworkbook.pcah.us/susanfoster/choreographies‐of‐
writing.html.
Castro Varela, María do Mar, and Nikita Dhawan. “Europa Provinzialisieren? Ja, Bitte! Aber Wie?”
Femina Politica 2, no. 2009 (2009): 9–18.
Chatterjea, Ananya. “Chandralekha: Negotiating the Female Body and Movement in
Cultural/Political Signification.” In Moving History / Dancing Cultures. A Dance History Reader,
edited by Ann Dils and Ann Cooper Albright, 439–54. Durham: Wesleyan University Press,
2001.
Chi, Oxana. Personal Communication recorded for my phD research, Berlin, Germany, September
17, 2013.
Chi, Oxana. Presentation at the exhibition "EDEWA", Rroma Aether Klub Theater, Berlin, November 9,
2012.
Chi, Oxana. Tanzende Erinnerungen ‐ Mémoire Dansée. Catalogue of the Exhibition presented at
Galerie Gondwana, Berlin, May 2011.
Conyers, Liana D. “Shedding Skin in Art‐Making ‐ Choreographing Identity of the Black Female Self
Through Explorations of Cultural Autobiographies.” Master of Fine Arts Thesis, University of
Oregon, 2012.
https://scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/12380/Conyers_oregon_0171
N_10368.pdf? sequence=1.
Cooper Albright, Ann. “Embodying History: Epic Narrative and Cultural Identity in African
American Dance.” In Moving History / Dancing Cultures. A Dance History Reader, edited by
Ann Dils and Ann Cooper Albright, 439–54. Durham: Wesleyan University Press, 2001.