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Braza, Laura. “The Other Side of Atwood” New York Universitypres, 2005. Butler, Judith.”Giving an Account of Myself”Diacratics.U.S.A., John Hopkins University Presss vol31, no:4 Winter2001. Gilmore, Leigh. Autobiographics: A Feminist Theory of Women’s Self representation. New York: Cornell University Press, 1994. Olney, James. Metaphors of Self, U.S.A: Princeton Universty Press, 1972. Popova,Maria.“Margaret Atwood’s 10 Rules of Writing,” brainpickingshttp://www.brainpickings.org/index.php/2012/10/05/margaret‐atwood‐10‐rules‐ofwriting. Rooney, Ellen(edt.) The Cambridge Companion to Feminist Literary Theory . Cambridge: Cambridge University Press, 2006.
WRITING THE OTHER AND TRANSNATIONAL SENSIBILITY: PERILS FOR THE NOVELIST Inez BARANAY * Who Is The “I”? Who is a memoirist and a novelist “allowed” to write about? Who does she write about? Who does she mean when she writes “I”? Who is the I who writes of “I”; who might I include in stories of my own experiences; how are fictions based on the writer’s life understood as fiction and as lifewriting; what are the writer’s responsibilities to those she observes and describes: how might one represent those who are not only other than oneself but identifiably “Other”? These are some of the questions that recur in a life of writing memoir as well as novels that, however fictional, are based on lived experience. Memoir requires work much like the work that the novels require; in some sense one’s novels can be seen as a kind of memoir. But what kind? Is it fiction? Fiction and self There are assumptions made about writers. There are assumptions about their lives. Writers can’t resist alcohol and adultery. Their work is driven by Inspiration. They have to live in garrets and basements and suffer for their art. They have to have another job, also known as a ‘real job’? Or, aren’t writers able to earn a fortune, keep turning up on television talk‐shows, rub shoulders with celebrities? Or don’t they hunger for that? Apart from all that there are assumptions about their work. People assume that a writer bases her writing on her life, her narrator on her self and her characters on her friends. A novelist is always asked about the autobiographical components of her work. I came up with a reply I use over and over again. I say: All my work has to be imagined in order to be written, so it is all fictional. And I say, all my work must be experienced in the mind to be written, so it is all autobiographical. It is generally assumed that any narrating character is the author, or at least a version of the author. Therefore an Italian translator, who was working on an Italian‐language translation of my novel With The Tiger, toiled over many of the novel’s initial pages before learning that the narrating character is actually male, a famous playwright, openly gay and quite a bit older than me. As the Italian language is very much a gendered one, I expect he had to rework those initial pages considerably. I would also have hoped that anyone who knows me would recognise at once the assumption of a different persona, a different voice, in the character of that novel’s narrator, but few people read with such perfect foreknowledge and perfect attention. Narrator or author? The difference between a narrating character and the narrative agent is an important one in narratology. The narrative agent in the novel is the author, that is, the person who writes. And, actually in that case (With The Tiger) my narrator was based on the famous English writer W. Somerset Maugham. His novel The Razor’s Edge was the basis for my novel With The Tiger. In The Razor’s Edge, Maugham’s narrator is called Mr Maugham and can be taken as the author himself, a technique or trick Maugham often employed. In my 60‐years‐later version, I follow his structure and name my main characters for his. It is with my narrator Will Maugham that issues of intertextuality * İstanbul, Turkey.
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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FOLLOWING THE TRACES OF THE UNION O
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Union of Turkish Women at the 1931
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could glean about Piraye Sadullah T
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E‐Mail Correspondence Binnur Fenm
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tatilinden sonra Haven House’a, o
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incelendiğinde Plath’ın yaşam
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Sonuç Bu çalışmada Sylvia Plath
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SÖZLÜ TARİH VE TANIKLIKLAR ORAL
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olduğu için “doğal” olarak e
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Burda arkadaşlık falan yok hepsi
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Cezaevinde, koğuş içinde sürekl
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Organization” Academy of Manageme
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karşılaştığı yetişkin Bulgar
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akrabalarına geleceklerini bildire
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Kültürü, dili, cinsiyeti, köken
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KADIN HAYATLARINA YANSIYAN ULUSAL T
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Salih Bey kızlarının eğitimine
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üniversiteye devam etmek istiyordu
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Zühre öyküsünün Farsçasını
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Sonuç Olarak 1939’da üniversite
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din adamları ile temas ve bu konul
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Fransızlardan devir alan heyette y
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‐Tek emelimiz hava ordumuzu en ku
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POLITICAL VOICES IN AUTOBIOGRAPHIES
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these women displayed different inc
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There is another side to the issue,
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POLITICAL VOICE OF MAYA ANGELOU IN
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the conditions of Blacks after the
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for the job, Angelou is initially a
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USING AUTOBIOGRAPHICAL NARRATIVE TO
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continent, is painted as intolerant
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am with will tell me ‘Your eyes a
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Bibliography Bhabha, Homi K. "Signs
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fool.” 3 At that time it was very
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justifying her decision to defy the
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CROSS‐CULTURAL ENCOUNTERS
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capital gain. Anne introduced Linke
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and two‐thousand newspaper articl
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Turkey.” Which reminded me of the
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
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Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
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I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
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Professor Małgorzata Radkiewicz, P
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KASHMIRI WOMEN’S TESTIMONIOS: LIV
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the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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ve dedesini kaybetmiştir; cumhuriy
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Sahnelerde, özellikle gazinolarda
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kocam çok memnun oldu” der Emine
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
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yazarlığı, ebelik ve bazı nezar
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şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
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Notlar 1 Simone de Beauvoir, Sade
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The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
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görünürde olduğu ama mümkün o
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felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
Page 217 and 218: woman from Punjab who played a fund
Page 219 and 220: procession with hundreds of other g
Page 221 and 222: 9 FGM 2002, F/501, PMWT, Lahore. 10
Page 223 and 224: AUTO/BIOGRAPHY, HISTORY AND HERSTOR
Page 225 and 226: She also experienced the difference
Page 227 and 228: needs’ and ‘the body’; it rev
Page 229 and 230: 14 Davis, A Life of learning, 12. 1
Page 231 and 232: Smith and Watson maintain that in w
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Page 237 and 238: Anderson, Linda. Autobiography. Lon
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Page 245 and 246: Some critics supposed that I meant
Page 247 and 248: or embroidery, serving only for ent
Page 249 and 250: used to explain the existence of a
Page 251 and 252: Her two portraits in 1884 : full fa
Page 253 and 254: Joy is an exception. The Flute Play
Page 255 and 256: abortion. The suffering is so unbea
Page 257 and 258: 7.2.2. A drama of Ibsen, “When we
Page 259 and 260: THEORY AND CRITICAL READING OF AUTO
Page 261 and 262: insights provided by feminist theor
Page 263 and 264: As for writing, most people secretl
Page 265 and 266: something or someone from the dead.
Page 267: Bahçeşehir University, Department
Page 271 and 272: Writing the Papua New Guinea memoir
Page 273 and 274: are very different. Meenakshi is a
Page 275 and 276: McDonell, Jennifer. “Transgressio
Page 277 and 278: definitions of “woman’s place
Page 279 and 280: lot […] The labor newspaper jobs
Page 281 and 282: Although Friedan had a later evolut
Page 283 and 284: The Second Stage, New York: Summit
Page 285 and 286: Interestingly, she found in movie f
Page 287 and 288: Agustina’s biographies of Paula R
Page 289 and 290: SINIF, TOPLUMSAL CİNSİYET VE SOSY
Page 291 and 292: eylik zihniyeti) diye nitelediği c
Page 293 and 294: sanki sessiz bir anlaşmayla başka
Page 295 and 296: Lülü Konağında toplam on beş h
Page 297 and 298: itirdikten sonra okumamış, ailesi
Page 299 and 300: 18 F. Özbay, Türkiye’de evlatl
Page 301 and 302: elevant illustrated books present a
Page 303 and 304: women’s accomplishments since the
Page 305 and 306: “truly belongs” to a district o
Page 307 and 308: KADININ HAFIZASI: ÇAYKARALI RUMCA
Page 309 and 310: oluşturulduğunu yani hafızanın,
Page 311 and 312: Geleneksel olarak da yılbaşını
Page 313 and 314: Research Assistant , Gülmelek DOĞ
Page 315 and 316: BODRUMLU KADINLARDAN YAŞAM ANLATIL
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Kaptan - ŞÜKRİYE ER Şükriye Er
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Notlar 1 Bodrum Belediyesi ve Anıl
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deyişiyle, “çocukluktan itibare
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oturursunuz”. Ben yani şok oldum
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getirilmesi; bu arada erkeklerin de
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EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
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Filmde ayrıca kalp atışını and
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vermekten vazgeçtiklerini söyledi
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GAMZE FİDAN’LA KOP‐ART YOLCULU
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Fluxus dâhisi Nam JunPaik, kurgula
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aşlıklı bir sergi açtık mesela
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Melodram. Hem çok sıradan, hem ç
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ismimi yok etmek, başka sanatçıl
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scenes intentionally. Barry also dr
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and pessimism, she decides to overc
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two brothers grow in this liminal,
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HOME IS AN/OTHER? QUEER TRANSNATION
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These dynamics, in turn, speak to t
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Israel as a gay haven in darker ton
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queerness‐and‐homonationalism/.
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In works such as Spaces of the Past
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Voicing the everyday - Maternal bei
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1 The representation of the life ph
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always regarded her as a pianist, t
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Liszt lived, and be his student. An
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not put out for sale. 4 The article
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ARŞİVLER, HATIRATLAR VE KADIN TAR
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Yeni Asır, in which she reveals me
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Greene (1923-25 and 1945-48), a Wel
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2 Ayfer Karakaya‐Stump. “Debati
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ROMALI BİR KADININ HAYATINI MİMAR
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İmparatorluk Kültü baş rahibeli
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çalışmalar ile ilgili bkz.: Halu
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Tarih Kurumu, 1973. Pomeroy, Sarah.
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WRITING THE LIFE OF A LIFE WRITER:
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The inclusion of the entirety of Li
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closely intertwined. Ellen regularl
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QIYĀN AND SEXUALITY: THE SINGING
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elations with Ibrāhīm al‐Mawṣ
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qiyān’s lives, and that is the r
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RE‐CRAFTING THE PAST: LYDIE ROSTO
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Rostopchina mère’s observations
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his letters to family. Quoting Hans
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(1965): 144‐156; Alexander Nikite
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
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Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
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modified the job descriptions and t
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Notes 1 Thomas, L Lindlof, Qualitat
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impossible within, the impossible c
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5 Dylan Evans further explains, “
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THE WAY SHE MOVES, THE WAY SHE TALK
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achievements that are threatened by
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initiative, since oral history sour
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Haagen, Yvonne. Oral history en arc
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femicide in the world (Jewkes and a
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treated and to thank the private co
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argued (Perrot, 1990‐1991), by co
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NARRATIVES OF BREAST CANCER IN THE
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marvelous, and believe most what th
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unavoidable surgery they became sto
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12 Maria Edgeworth,”Belinda,” i
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TEMSİL VE GÖRÜNÜRLÜK REPRESENT
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Basında Pippa Bacca cinayeti Sanat
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ailesinin ve İtalyan kamuoyunun du
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Kaynakça Alankuş, Sevda. “Neden
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içerisinde hangi bakımdan dışar
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Bugün ilkel olarak nitelendirilen
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Sonuç Bütün toplumlar topluluğu
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MEMOIRS AND BIOGRAPHIES OF WOMEN IN
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Contribution of women: Autobiograph
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showed the way. Thus the small maga
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DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
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2. Conceptualizing a biographical b
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7.1. To be visible or invisible - T
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Hallebone, E. and Priest, J. Busine
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as governmental foreign policy, emp
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famous, published works, and indivi
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Correspondence, Mary Ritter Beard a
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status in society by circumscribing
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Rome to help her mother through the
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Primary Sources ITTCR008, Folder of
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especially during the reign of Sül
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10 From the title of the Robert Wit
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TÜRK RESİM SANATINDA EREN EYÜBO
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folklorik motiflerin özelliklerine
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“Biz Batı’dan geleli epeyce za
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Notes 1 http://www.britannica.com/E
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örneklerinden biri olduğu edebiya
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arasındaki en büyük tartışma k
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4 Banıçiçek Kırzıoğlu, “Sam
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Kendisiyle yapılan söyleşilerde
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Kamusal anlatının kırılma anı
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ARI’NIN YOLCULUĞU Bahar YAZGAN G
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1993 yıllarında açılan Milli E
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Prof. Dr. Pınar Bayhan Prof. Dr. R
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BİR CUMHURİYET AYDINI: CUMHURİYE
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Atatürk için “tarih araştırma
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Şimdi öncelikle hak verilmez alı
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Yayınları, s. 164. 5 Sayın Çı
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If you are going to ask women to ha
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Dunlop’s speech focused on the re
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Faison, Seth. “Women’s Meeting
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SEVGULİ’NİN HİKÂYESİNİ DİN
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olduğunu bize asla belirtmedi. Sad
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Sevguli’ye kumasıyla ilişkisini
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yapayacağını bilmiyor olmak” f
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tartışmalı bir durumdur. Bizler
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Verdiği örnek başarılıdır: He
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şekilde marjinalize gruplardan ö
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Kaynakça Akis, Yasemin. 2009. “P
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BİREYSEL GÖRÜŞMELER VE GRUP GÖ
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yansıtsa bile, analizi izleyen tek
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(Öyle bir şey yok. Peki, ortam ko
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ve Belkıs Kümbetoğlu, İnci User
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de bulundu. Bülent Ecevit’in var
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Sen erkek olduğun için senin içi
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HİKÂYELERİMİZİN PEŞİNDEN Fer
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Feminist bakış açısı kuramına
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2008), 361. 2 Sandra Harding, “Fe
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THE CRITICISM OF MAN‐DOMINATED SO
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It should be noted that Forough doe
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appointment as President. From that
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the poet, which he expresses himsel
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—— Φως τη σκoτία. Ath
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Christian spiritual life. It was in
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Na soberana luz da Mãi tão pura,
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the genders has consisted in the di
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IN HER DAY SHE BROKE THE MOLD: DISC
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camera, suggesting the spirited wom
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conception. Rather, her Shakti, “
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Bailey, Alison and Chris Cuomo. The
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“A MARTYR OF ART”: ‘STAGING
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Maria abandons her husband and his
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For Galanaki, Eleni’s disguise an
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THE FEMININE UNIVERSE OF THE 19 TH
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significant dimension. They are ind
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Izabel MARGATO Associated Professor
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gentlewomen for her reputation as a
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As discussed above, Chen Yulian’s
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When all was lost, she painted hers
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KADIN DENEYİMLERİ VE SOSYAL TARİ
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olarak görüldü (Kollontai, 2000:
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olarak yaşlı kuşak kadınlardan
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Ataerkil kültürde genelevler ayn
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eşitsizlik alanının yanı sıra
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etkilenerek yeniden kurgulanması,
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Dolayısıyla anlatıcı kadın, di
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Kıbrıs Türk edebiyatına baktı
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R. B.: kadın, 1946 doğumlu, ilkok
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KADIN FOLKLORU VE SÖZLÜ GELENEKLE
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yola çıkarak, kilamın, stran ve
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demek yetmemektedir ve “kadın de
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dinletilerinin olması da bu durumu
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GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
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Tablo 1. Tanrıçadan bugüne gül
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(Ö 2 ) bütünleştiği (Ö 2 V N
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Notlar 1 Kayıtların geçmişi Mez
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EVLENME VE DÜĞÜN ERTESİ TÖRENL
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durumu anlatmaktadır. 90'lı yıll
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Eski ve orta kuşaklarca gelenek fa
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AGATHA CHRISTIE VE KERİME NADİR
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metni bitirir. 5 Özel hayatına ay
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edilseler de bunlar mutlu sonla bit
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Dergisi, Sayı 292. Kış 2007‐20
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telakki eden, özellikle kadın oku
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1 Kerime Nadir, Romancının Dünya
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Lüsyen’in ailesiyle çatışmas
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şehre gidiyordu. Hâmid’in kimya
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WOMEN'S EXPERIENCE
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their fathers. Siham’s father was
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My father passed away while I was i
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the one hand, Najat expressed repea
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Women’s petitions and telegrams t
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do agriculture and they worked nigh
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Aşk ağlatır dert söyletir elbet
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WE WILL SHOW YOU THAT YOU ARE A WOM
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You have to accept what is happenin
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subjugation in most African societi
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MODERNIZATION AND WOMEN EDUCATION I
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He told Kemal Efendi, ‐‐ I give
Page 687 and 688:
teachers for Rüshdiye schools. All
Page 689 and 690:
READING HABITS AMONG WOMEN IN THE D
Page 691 and 692:
From libraries to bookshops Althoug
Page 693 and 694:
19 Iorga, Femeile în viața neamul
Page 695 and 696:
ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
Page 699 and 700:
Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
Page 703 and 704:
yapılanışı içerisinde kadınla
Page 705 and 706:
siyasette yer almalarını etkileye
Page 707 and 708:
Beşpınar, seçmen kadınların de
Page 709 and 710:
İKİNCİ DÜNYA SAVAŞI SONUNDA SA
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Sertel’e göre faşizm geri bir i
Page 713 and 714:
September 27, 2013. http://global.b
Page 715 and 716:
Toplumun dinamikliğini gösteren
Page 717 and 718:
hemcinsi ile kurduğu duygusal bağ
Page 719 and 720:
Bütün bunların ‘kurgu’lanara
Page 721 and 722:
1924 yılına ait Fransızca bir be
Page 723 and 724:
10 Çalışlar, Biyografisine Sığ
Page 725 and 726:
sonrası bütün Batılı değerler
Page 727 and 728:
onun kurumlarına da yönelik olmas
Page 729 and 730:
6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
Page 733 and 734:
Janis içkiye ve uyuşturucuya on a
Page 735 and 736:
Acı çeker çünkü geleneksel gü
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21 S.Reynolds and J. Press, Seks İ
Page 739 and 740:
olay olarak ele alınacak üç vaka
Page 741 and 742:
tarihlerine ışık tutmayı amaçl
Page 743 and 744:
Sexuality and Museums: A Routledge
Page 745 and 746:
KADINLARIN ANLATILARINDA SAĞLIK VE
Page 747 and 748:
ir toplam gibi birikmiş benliğimi
Page 749 and 750:
Saygınlık uyandıracak bir zarafe
Page 751 and 752:
ahlaki ve estetik yargılardan bağ
Page 753 and 754:
WOMEN'S VOICES IN RELIGIOUS DISCOUR
Page 755 and 756:
the dominant ideology of local soci
Page 757 and 758:
from worldly degradation” and all
Page 759 and 760:
Some readers may consider such narr
Page 761 and 762:
Sakkoudion, in Bithynia, Plato beca
Page 763 and 764:
Ester Kreitman was productive as a
Page 765 and 766:
The Orthodox discourse is grounded
Page 767 and 768:
PLACING A FEMALE PERSON AT THE CENT
Page 769 and 770:
(1888‐1954). This kind of idylliz
Page 771 and 772:
(1) polemics and apologetics betwee
Page 773 and 774:
edited by Maria Heidegger, Nina Kog
Page 775 and 776:
This novel is a hybrid with boundar
Page 777 and 778:
proclaims her miraculous pregnancy.
Page 779 and 780:
of a she‐god. Yahweh, you should
Page 781 and 782:
36 Ibid., 83. 37 Virginia Woolf, Th
Page 783 and 784:
CONVERSATIONS BETWEEN US: A VISUAL
Page 785 and 786:
1. The participants represent their
Page 787 and 788:
young Muslim women living in large
Page 789 and 790:
WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792:
well as from ideas of women as a mo
Page 793 and 794:
In response to the screams of Hamid
Page 795 and 796:
Concluding remarks Having read and
Page 797 and 798:
The Dynamics of Change in Conflict
Page 799 and 800:
DANCING WOMEN'S LIVES, WOMEN LIVING
Page 801 and 802:
Rather than only recounting history
Page 803 and 804:
A similar process is at work in Nef
Page 805 and 806:
agency moving beyond polarization,
Page 807 and 808:
postmodern art trend in the USA. 36
Page 809 and 810:
OBITUARIES INTO LIFE HISTORIES: WOM
Page 811 and 812:
mercantile ethos (liberal and ratio
Page 813 and 814:
adds that she managed the money so
Page 815 and 816:
Haddad, Yvonne and Jane Smith, “W
Page 817 and 818:
distinctions between the person wri
Page 819 and 820:
[…] and slowly everything changed
Page 821 and 822:
Chapel Hill: The University of Nort
Page 823 and 824:
HALİÇLİ KÖPRÜ ROMANINDA ETNİK
Page 825 and 826:
karşılaşabilecek ya da bakışı
Page 827 and 828:
Hepimiz bir yıllığına gelmişti
Page 829 and 830:
Bedenleri” çev. Tansel Güney, d
Page 831 and 832:
Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834:
Dış dünyanın insan hayatında b
Page 835 and 836:
EDEBİYAT VE OTO/BİYOGRAFİK KURMA
Page 837 and 838:
Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840:
Kısa bir süre sonra kocasının e
Page 841 and 842:
GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844:
Emine Semiye Emine Semiye Hanım d
Page 845 and 846:
ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
Page 849 and 850:
WRITING (OF) THE SELF IN JANE EYRE:
Page 851 and 852:
mediation by the screen as a functi
Page 853 and 854:
though the narrator is true to the
Page 855 and 856:
esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
Page 871 and 872:
toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886:
6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888:
EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890:
I said to myself it cannot be ‐my
Page 891 and 892:
It is obvious from the examples I h
Page 893 and 894:
GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896:
The burst of laughter her story may
Page 897 and 898:
us that there were people who were
Page 899 and 900:
Kling, Vincent. “Translator’s A
Page 902:
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