sempozyum_bildiri_kitabi

5
Dylan Evans further explains, “Moebius strip is one of the figures studied by Lacan in his use of
topology. It is the three‐dimensional figure that can be formed by taking a long rectangle of
paper and twisting it once before joining its ends together. The result is a figure which subverts
our normal (Euclidian) way of representing space, for it seems to have two sides but in fact has
only one (and only one edge). Locally, at any point, two sides can be clearly distinguished, but
when the whole strip is traversed it becomes clear that they are in fact continuous. The two sides
are only distinguished by the dimension of time, the time it takes to traverse the whole strip”
(116).
6
Evans, An Introductory Dictionary of Lacanian Psychoanalysis, 116.
7
Slavoj Žižek, “In His Bold Gaze My Ruin Is Writ Large,” in Everything you always wanted to know
about Lacan (but were afraid to ask Hitchcock), ed. Slavoj Žižek. (New York: Verso, 1992), 227.
Bibliography
Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. London: New York:
Routledge, 1997.
Karamustafa, Gülsün. Memory of a Square (perceived from an interior), 2005.
Lacan, Jacques. The Seminar of Jacques Lacan, Book VII, The Ethics of Psychoanalysis 1956‐60.
Edited by Jacques‐Alain Miller. Translated by Dennis Porter. London: W.W. Norton & Co., 1992.
Žižek, Slavoj. “In His Bold Gaze My Ruin Is Writ Large.” In Everything you always wanted to know
about Lacan (but were afraid to ask Hitchcock), edited by Slavoj Žižek, 211‐272. New York: Verso,
1992.