sempozyum_bildiri_kitabi

Keywords: New Turkish Cinema, Sound and Image of Silence, Women Narratives
Prof. Deniz BAYRAKDARr
Kadir Has University,
Department of Radio, Television and Cinema
Notes
1
The Sound of Silence is the song written in February 1964 by Paul Simon in the aftermath of the 1963
assassination of John F. Kennedy. http://bestsongsever.com/simon‐garfunkel/the‐sound‐of‐silence).
2
“Sonic Futures: Soundscapes and the Languages of Screen, Panel “Media Genre and Aesthetics in New
Turkish Cinema”, (This paper was presented in NECS – The London Conference, University of London,
King’s College London, Birkbeck, regent’s College, Senate House, June 23‐26, 2011)
3
Robert Beverley Ray, How a Film Theory Got Lost and Other Mysteries in Cultural Studies,
(Bloomington: Indiana University Press, 2001), 23.
4
Özcan Alper, Sonbahar (2008).
5
I refer here to Koza/Cocoon (Nuri Bilge Ceylan, 1995). Zahit Atam analyses this relation between
the film and director in his article: “The Existential Boundaries of Nuri Bilge Ceylan’s Cinema: “In
the Beginning was the Father: Why Papa?” In New Cinema and New Media. Reinventing Turkish
Cinema, ed. Murat Akser, Deniz Bayrakdar. (Newcastle Upon Tyne: Cambridge Scholar Publishing,
2014), 67‐92.
6
Deniz Derman, “Türk Sineması: Hayali Vatanımız” (paper presented at Symposium New Turkish
Cinema, at Cambridge, Boston, 20 April 2003).
7
Des O’Rawe, “The great secret: silence, cinema and modernism,” Screen 47:4 (Winter 2006):
395.
8
In the “2 nd New Directions in Turkish Film Studies Conference” Tuna Erdem (1999) referred to
the phenomenon that women are silenced in new Turkish films beginning with Eskiya (1996) .
Ruken Öztürk and Nilgün Tutal (2001) interpreted silence in cinema as a resistance in their article
Rukiye Öztürk and Nilgün Tutal, “Sinemada Kadın Karakterlerin Sessizliği: Sessizlik Bir Direnme
Pratiği Olabilir mi?” İletişim 10 (2001), 101‐126.
9
Tül Akbal Süalp, “Sözün Hiç Kimsenin Ülkesine Sürgünü” in Türk Film Araştırmlarında Yeni
Yönelimler IV, ed. Deniz Derman, Esra Özcan (İstanbul: Bağlam Yayıncılık 2004), 30.
10
Gönül Dönmez‐Colin, Turkish Cinema: Identity, Distance and Belonging (Reaktion Books: 2008),
11.
11
I saw Lukomski’s works in a museum in Prag.
12
Mizgin Müjde Arslan, Yeşim Ustaoğlu. Su, Ölüm ve Yolculuk, (İstanbul: İdil Matbaacılık, 2010),
101.
13
Ibid.
14
Ibid.
15
Bela Balazs, Theory of the Film. Character and Growth of a New Art (London: Dennis Dobson