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Notes 1 We shall further discuss their wedding ceremony where Aya reminds that answer as a significant moment in their relationship momentarily. 2 'Coming out' is also the name of the production company the filmmakers created, and their personal websites is named the same as well. See: http://comingout.co.il/blog/ (accessed 06/30/2014). 3 Alisa S. Lebow, First Person Jewish (Minneapolis: University of Minnesota Press, 2008), 115. 4 Ibid. 5 Ibid, 113. 6 Aeyal Gross, Israeli GLBT Politics between Queerness and Homonationalism, in: http://bullybloggers.wordpress.com/2010/07/03/israeli‐glbt‐politics‐between‐queerness‐andhomonationalism/. 7 For more about this, see the interview that Aya gave when her first album came out – an interview discussed in Home is You: Yasmin Levy, “Making an Exit: an interview with Aya Shwed” (in Hebrew), in: Yediot Ahronot, 7 Yamim, 01/2011, http://www.comingout.co.il/7yamim.pdf (accessed 06/30/2014). Also see: http://www.comingout.co.il/PRESSKIT_home%20is%20you_eng.pdf (accessed 06/30/2014). 8 Yaelle is part of a large wave of immigration from France to Israel that has been intact in the last decade. See: Dan Bilefsky, “Number of French Jews Emigrating to Israel Rises”, in: http://www.nytimes.com/2014/06/21/world/europe/number‐of‐french‐jews‐emigrating‐to‐ israel‐rises‐sharply.html?_r=0 (accessed 06/30/2014). 9 Avital Ronell, The Telephone Book: Technology‐‐schizophrenia‐‐electric speech University of Nebraska Press, 1989), 3. 10 Ibid. 11 See: http://en.wikipedia.org/wiki/History_of_the_Jews_in_France. (Lincoln: 12 In one of the most moving scenes Yaelle decide to take Aya's name, before they got married, "as one step forward in cutting ties from her family", her original surname, David, is a typical Sephardic name. After the divorce Yaelle went back to using her family name. 13 The literal meaning of “Mizrahi” in Hebrew is oriental. The term is ascribed to Jews who immigrated from Arab and Islamic countries in Asia, Africa, and the Middle‐East, to Israel, where they faced systematic discrimination and exclusion. European and American Jews are named “Ashkenazim.” See: Sami Shalom Chetrit, “Mizrahi Politics in Israel: Between Integration and Alienation”, Journal of Palestine Studies, XXIX, no. 4 (Summer 2000), p. 51, and also: Ella Shohat, “The Invention of the Mizrahim”, Journal of Palestine Studies, XXIX, no. 1 (Autumn 1999), 13‐17. 14 Ella Shohat, “Sephardim in Israel: Zionism from the Perspective of its Jewish Victims”, in: Social Text No. 19/20, autumn 1988, 3. 15 Jasbir Puar, Terrorist Assemblages: Homonationalism in Queer Times, Duke University Press, Durham 2007, xxv. 16 Puar, Terrorist Assemblages, xii. 17 In the summer of 2009, a gunman entered a youth meeting at an LGBT centre in the heart of Tel‐Aviv, and killed two young people who hung out there. See: http://www.haaretz.com/news/two‐killed‐in‐shooting‐at‐tel‐aviv‐gay‐center‐1.281193 (accessed 06/30/2014). Aya's song Between Sacred and Profane is dedicated to the memory of the youth murdered in this massacre, Nir Katz & Liz Turbeshi, See: https://www.youtube.com/watch?v=q5_7LV3hnAk (accessed 06/30/2014). 18 Ronell, The Telephone Book, 5. 19 Orly Lubin, “From Territory to A Site: Mizrahi Femininity in the Film ‘Jackie’” (in Hebrew), in: Criticism and Semiotics 34, 2000, 177‐178. Bibliography Gross , Aeyal. Israeli GLBT Politics between Queerness and Homonationalism, in: http://bullybloggers.wordpress.com/2010/07/03/israeli‐glbt‐politics‐between‐
queerness‐and‐homonationalism/. Lebow, Alisa S. First Person Jewish (Minneapolis: University of Minnesota Press, 2008). Lubin, Orly. “From Territory to A Site: Mizrahi Femininity in the Film ‘Jackie’” (in Hebrew), in: Criticism and Semiotics 34, 2000, 177‐178. Puar, Jasbir.Terrorist Assemblages: Homonationalism in Queer Times, Duke University Press, Durham 2007. Ronell, Avital. The Telephone Book: Technology‐‐schizophrenia‐‐electric speech (Lincoln: University of Nebraska Press, 1989). Shohat, Ella. “Sephardim in Israel: Zionism from the Perspective of its Jewish Victims”, in: Social Text No. 19/20, autumn 1988. Filmography Home is You. Yaelle David and Aya Shwed. ‘comingout’ productions Israel, 2011 Please Love. Yaelle David and Aya Shwed. ‘comingout’ productions Israel, 2012.
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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FOLLOWING THE TRACES OF THE UNION O
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Union of Turkish Women at the 1931
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could glean about Piraye Sadullah T
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E‐Mail Correspondence Binnur Fenm
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tatilinden sonra Haven House’a, o
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incelendiğinde Plath’ın yaşam
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Sonuç Bu çalışmada Sylvia Plath
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SÖZLÜ TARİH VE TANIKLIKLAR ORAL
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olduğu için “doğal” olarak e
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Burda arkadaşlık falan yok hepsi
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Cezaevinde, koğuş içinde sürekl
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Organization” Academy of Manageme
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karşılaştığı yetişkin Bulgar
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akrabalarına geleceklerini bildire
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Kültürü, dili, cinsiyeti, köken
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KADIN HAYATLARINA YANSIYAN ULUSAL T
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Salih Bey kızlarının eğitimine
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üniversiteye devam etmek istiyordu
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Zühre öyküsünün Farsçasını
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Sonuç Olarak 1939’da üniversite
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din adamları ile temas ve bu konul
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Fransızlardan devir alan heyette y
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‐Tek emelimiz hava ordumuzu en ku
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POLITICAL VOICES IN AUTOBIOGRAPHIES
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these women displayed different inc
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There is another side to the issue,
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POLITICAL VOICE OF MAYA ANGELOU IN
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the conditions of Blacks after the
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for the job, Angelou is initially a
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USING AUTOBIOGRAPHICAL NARRATIVE TO
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continent, is painted as intolerant
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am with will tell me ‘Your eyes a
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Bibliography Bhabha, Homi K. "Signs
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fool.” 3 At that time it was very
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justifying her decision to defy the
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CROSS‐CULTURAL ENCOUNTERS
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capital gain. Anne introduced Linke
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and two‐thousand newspaper articl
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Turkey.” Which reminded me of the
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
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Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
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I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
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Professor Małgorzata Radkiewicz, P
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KASHMIRI WOMEN’S TESTIMONIOS: LIV
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the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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ve dedesini kaybetmiştir; cumhuriy
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Sahnelerde, özellikle gazinolarda
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kocam çok memnun oldu” der Emine
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
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yazarlığı, ebelik ve bazı nezar
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şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
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Notlar 1 Simone de Beauvoir, Sade
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The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
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görünürde olduğu ama mümkün o
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felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
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woman from Punjab who played a fund
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procession with hundreds of other g
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9 FGM 2002, F/501, PMWT, Lahore. 10
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AUTO/BIOGRAPHY, HISTORY AND HERSTOR
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She also experienced the difference
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needs’ and ‘the body’; it rev
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14 Davis, A Life of learning, 12. 1
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Smith and Watson maintain that in w
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and to break the established patter
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Kutlu’s life‐narrative offers t
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Anderson, Linda. Autobiography. Lon
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… that challenges the very logic
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dominant and often repetitive, clic
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complex, fragmentary, sound snippet
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Some critics supposed that I meant
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or embroidery, serving only for ent
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used to explain the existence of a
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Her two portraits in 1884 : full fa
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Joy is an exception. The Flute Play
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abortion. The suffering is so unbea
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7.2.2. A drama of Ibsen, “When we
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THEORY AND CRITICAL READING OF AUTO
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insights provided by feminist theor
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As for writing, most people secretl
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something or someone from the dead.
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Bahçeşehir University, Department
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WRITING THE OTHER AND TRANSNATIONAL
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Writing the Papua New Guinea memoir
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are very different. Meenakshi is a
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McDonell, Jennifer. “Transgressio
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definitions of “woman’s place
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lot […] The labor newspaper jobs
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Although Friedan had a later evolut
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The Second Stage, New York: Summit
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Interestingly, she found in movie f
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Agustina’s biographies of Paula R
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SINIF, TOPLUMSAL CİNSİYET VE SOSY
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eylik zihniyeti) diye nitelediği c
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sanki sessiz bir anlaşmayla başka
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Lülü Konağında toplam on beş h
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itirdikten sonra okumamış, ailesi
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18 F. Özbay, Türkiye’de evlatl
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elevant illustrated books present a
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women’s accomplishments since the
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Page 307 and 308: KADININ HAFIZASI: ÇAYKARALI RUMCA
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Page 311 and 312: Geleneksel olarak da yılbaşını
Page 313 and 314: Research Assistant , Gülmelek DOĞ
Page 315 and 316: BODRUMLU KADINLARDAN YAŞAM ANLATIL
Page 317 and 318: Ya bu elindeki örgü diye soruyoru
Page 319 and 320: Kaptan - ŞÜKRİYE ER Şükriye Er
Page 321 and 322: Notlar 1 Bodrum Belediyesi ve Anıl
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Page 327 and 328: getirilmesi; bu arada erkeklerin de
Page 329 and 330: EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
Page 331 and 332: Filmde ayrıca kalp atışını and
Page 333 and 334: vermekten vazgeçtiklerini söyledi
Page 335 and 336: GAMZE FİDAN’LA KOP‐ART YOLCULU
Page 337 and 338: Fluxus dâhisi Nam JunPaik, kurgula
Page 339 and 340: aşlıklı bir sergi açtık mesela
Page 341 and 342: Melodram. Hem çok sıradan, hem ç
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Page 345 and 346: scenes intentionally. Barry also dr
Page 347 and 348: and pessimism, she decides to overc
Page 349 and 350: two brothers grow in this liminal,
Page 351 and 352: HOME IS AN/OTHER? QUEER TRANSNATION
Page 353 and 354: These dynamics, in turn, speak to t
Page 355: Israel as a gay haven in darker ton
Page 359 and 360: In works such as Spaces of the Past
Page 361 and 362: Voicing the everyday - Maternal bei
Page 363 and 364: 1 The representation of the life ph
Page 365 and 366: always regarded her as a pianist, t
Page 367 and 368: Liszt lived, and be his student. An
Page 369 and 370: not put out for sale. 4 The article
Page 371 and 372: ARŞİVLER, HATIRATLAR VE KADIN TAR
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Page 375 and 376: Greene (1923-25 and 1945-48), a Wel
Page 377 and 378: 2 Ayfer Karakaya‐Stump. “Debati
Page 379 and 380: ROMALI BİR KADININ HAYATINI MİMAR
Page 381 and 382: İmparatorluk Kültü baş rahibeli
Page 383 and 384: çalışmalar ile ilgili bkz.: Halu
Page 385 and 386: Tarih Kurumu, 1973. Pomeroy, Sarah.
Page 387 and 388: WRITING THE LIFE OF A LIFE WRITER:
Page 389 and 390: The inclusion of the entirety of Li
Page 391 and 392: closely intertwined. Ellen regularl
Page 393 and 394: QIYĀN AND SEXUALITY: THE SINGING
Page 395 and 396: elations with Ibrāhīm al‐Mawṣ
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Page 399 and 400: RE‐CRAFTING THE PAST: LYDIE ROSTO
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
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Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
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modified the job descriptions and t
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Notes 1 Thomas, L Lindlof, Qualitat
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impossible within, the impossible c
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5 Dylan Evans further explains, “
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THE WAY SHE MOVES, THE WAY SHE TALK
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achievements that are threatened by
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initiative, since oral history sour
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Haagen, Yvonne. Oral history en arc
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femicide in the world (Jewkes and a
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treated and to thank the private co
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argued (Perrot, 1990‐1991), by co
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NARRATIVES OF BREAST CANCER IN THE
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marvelous, and believe most what th
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unavoidable surgery they became sto
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12 Maria Edgeworth,”Belinda,” i
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TEMSİL VE GÖRÜNÜRLÜK REPRESENT
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Basında Pippa Bacca cinayeti Sanat
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ailesinin ve İtalyan kamuoyunun du
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Kaynakça Alankuş, Sevda. “Neden
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içerisinde hangi bakımdan dışar
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Bugün ilkel olarak nitelendirilen
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Sonuç Bütün toplumlar topluluğu
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MEMOIRS AND BIOGRAPHIES OF WOMEN IN
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Contribution of women: Autobiograph
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showed the way. Thus the small maga
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DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
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2. Conceptualizing a biographical b
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7.1. To be visible or invisible - T
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Hallebone, E. and Priest, J. Busine
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as governmental foreign policy, emp
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famous, published works, and indivi
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Correspondence, Mary Ritter Beard a
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status in society by circumscribing
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Rome to help her mother through the
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Primary Sources ITTCR008, Folder of
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especially during the reign of Sül
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10 From the title of the Robert Wit
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TÜRK RESİM SANATINDA EREN EYÜBO
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folklorik motiflerin özelliklerine
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“Biz Batı’dan geleli epeyce za
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Notes 1 http://www.britannica.com/E
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örneklerinden biri olduğu edebiya
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arasındaki en büyük tartışma k
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4 Banıçiçek Kırzıoğlu, “Sam
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Kendisiyle yapılan söyleşilerde
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Kamusal anlatının kırılma anı
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ARI’NIN YOLCULUĞU Bahar YAZGAN G
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1993 yıllarında açılan Milli E
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Prof. Dr. Pınar Bayhan Prof. Dr. R
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BİR CUMHURİYET AYDINI: CUMHURİYE
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Atatürk için “tarih araştırma
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Şimdi öncelikle hak verilmez alı
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Yayınları, s. 164. 5 Sayın Çı
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If you are going to ask women to ha
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Dunlop’s speech focused on the re
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Faison, Seth. “Women’s Meeting
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SEVGULİ’NİN HİKÂYESİNİ DİN
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olduğunu bize asla belirtmedi. Sad
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Sevguli’ye kumasıyla ilişkisini
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yapayacağını bilmiyor olmak” f
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tartışmalı bir durumdur. Bizler
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Verdiği örnek başarılıdır: He
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şekilde marjinalize gruplardan ö
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Kaynakça Akis, Yasemin. 2009. “P
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BİREYSEL GÖRÜŞMELER VE GRUP GÖ
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yansıtsa bile, analizi izleyen tek
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(Öyle bir şey yok. Peki, ortam ko
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ve Belkıs Kümbetoğlu, İnci User
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de bulundu. Bülent Ecevit’in var
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Sen erkek olduğun için senin içi
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HİKÂYELERİMİZİN PEŞİNDEN Fer
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Feminist bakış açısı kuramına
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2008), 361. 2 Sandra Harding, “Fe
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THE CRITICISM OF MAN‐DOMINATED SO
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It should be noted that Forough doe
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appointment as President. From that
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the poet, which he expresses himsel
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—— Φως τη σκoτία. Ath
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Christian spiritual life. It was in
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Na soberana luz da Mãi tão pura,
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the genders has consisted in the di
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IN HER DAY SHE BROKE THE MOLD: DISC
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camera, suggesting the spirited wom
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conception. Rather, her Shakti, “
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Bailey, Alison and Chris Cuomo. The
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“A MARTYR OF ART”: ‘STAGING
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Maria abandons her husband and his
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For Galanaki, Eleni’s disguise an
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THE FEMININE UNIVERSE OF THE 19 TH
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significant dimension. They are ind
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Izabel MARGATO Associated Professor
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gentlewomen for her reputation as a
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As discussed above, Chen Yulian’s
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When all was lost, she painted hers
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KADIN DENEYİMLERİ VE SOSYAL TARİ
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olarak görüldü (Kollontai, 2000:
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olarak yaşlı kuşak kadınlardan
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Ataerkil kültürde genelevler ayn
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eşitsizlik alanının yanı sıra
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etkilenerek yeniden kurgulanması,
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Dolayısıyla anlatıcı kadın, di
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Kıbrıs Türk edebiyatına baktı
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R. B.: kadın, 1946 doğumlu, ilkok
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KADIN FOLKLORU VE SÖZLÜ GELENEKLE
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yola çıkarak, kilamın, stran ve
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demek yetmemektedir ve “kadın de
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dinletilerinin olması da bu durumu
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GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
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Tablo 1. Tanrıçadan bugüne gül
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(Ö 2 ) bütünleştiği (Ö 2 V N
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Notlar 1 Kayıtların geçmişi Mez
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EVLENME VE DÜĞÜN ERTESİ TÖRENL
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durumu anlatmaktadır. 90'lı yıll
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Eski ve orta kuşaklarca gelenek fa
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AGATHA CHRISTIE VE KERİME NADİR
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metni bitirir. 5 Özel hayatına ay
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edilseler de bunlar mutlu sonla bit
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Dergisi, Sayı 292. Kış 2007‐20
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telakki eden, özellikle kadın oku
Page 657 and 658:
1 Kerime Nadir, Romancının Dünya
Page 659 and 660:
Lüsyen’in ailesiyle çatışmas
Page 661 and 662:
şehre gidiyordu. Hâmid’in kimya
Page 663 and 664:
WOMEN'S EXPERIENCE
Page 665 and 666:
their fathers. Siham’s father was
Page 667 and 668:
My father passed away while I was i
Page 669 and 670:
the one hand, Najat expressed repea
Page 671 and 672:
Women’s petitions and telegrams t
Page 673 and 674:
do agriculture and they worked nigh
Page 675 and 676:
Aşk ağlatır dert söyletir elbet
Page 677 and 678:
WE WILL SHOW YOU THAT YOU ARE A WOM
Page 679 and 680:
You have to accept what is happenin
Page 681 and 682:
subjugation in most African societi
Page 683 and 684:
MODERNIZATION AND WOMEN EDUCATION I
Page 685 and 686:
He told Kemal Efendi, ‐‐ I give
Page 687 and 688:
teachers for Rüshdiye schools. All
Page 689 and 690:
READING HABITS AMONG WOMEN IN THE D
Page 691 and 692:
From libraries to bookshops Althoug
Page 693 and 694:
19 Iorga, Femeile în viața neamul
Page 695 and 696:
ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
Page 699 and 700:
Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
Page 703 and 704:
yapılanışı içerisinde kadınla
Page 705 and 706:
siyasette yer almalarını etkileye
Page 707 and 708:
Beşpınar, seçmen kadınların de
Page 709 and 710:
İKİNCİ DÜNYA SAVAŞI SONUNDA SA
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Sertel’e göre faşizm geri bir i
Page 713 and 714:
September 27, 2013. http://global.b
Page 715 and 716:
Toplumun dinamikliğini gösteren
Page 717 and 718:
hemcinsi ile kurduğu duygusal bağ
Page 719 and 720:
Bütün bunların ‘kurgu’lanara
Page 721 and 722:
1924 yılına ait Fransızca bir be
Page 723 and 724:
10 Çalışlar, Biyografisine Sığ
Page 725 and 726:
sonrası bütün Batılı değerler
Page 727 and 728:
onun kurumlarına da yönelik olmas
Page 729 and 730:
6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
Page 733 and 734:
Janis içkiye ve uyuşturucuya on a
Page 735 and 736:
Acı çeker çünkü geleneksel gü
Page 737 and 738:
21 S.Reynolds and J. Press, Seks İ
Page 739 and 740:
olay olarak ele alınacak üç vaka
Page 741 and 742:
tarihlerine ışık tutmayı amaçl
Page 743 and 744:
Sexuality and Museums: A Routledge
Page 745 and 746:
KADINLARIN ANLATILARINDA SAĞLIK VE
Page 747 and 748:
ir toplam gibi birikmiş benliğimi
Page 749 and 750:
Saygınlık uyandıracak bir zarafe
Page 751 and 752:
ahlaki ve estetik yargılardan bağ
Page 753 and 754:
WOMEN'S VOICES IN RELIGIOUS DISCOUR
Page 755 and 756:
the dominant ideology of local soci
Page 757 and 758:
from worldly degradation” and all
Page 759 and 760:
Some readers may consider such narr
Page 761 and 762:
Sakkoudion, in Bithynia, Plato beca
Page 763 and 764:
Ester Kreitman was productive as a
Page 765 and 766:
The Orthodox discourse is grounded
Page 767 and 768:
PLACING A FEMALE PERSON AT THE CENT
Page 769 and 770:
(1888‐1954). This kind of idylliz
Page 771 and 772:
(1) polemics and apologetics betwee
Page 773 and 774:
edited by Maria Heidegger, Nina Kog
Page 775 and 776:
This novel is a hybrid with boundar
Page 777 and 778:
proclaims her miraculous pregnancy.
Page 779 and 780:
of a she‐god. Yahweh, you should
Page 781 and 782:
36 Ibid., 83. 37 Virginia Woolf, Th
Page 783 and 784:
CONVERSATIONS BETWEEN US: A VISUAL
Page 785 and 786:
1. The participants represent their
Page 787 and 788:
young Muslim women living in large
Page 789 and 790:
WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792:
well as from ideas of women as a mo
Page 793 and 794:
In response to the screams of Hamid
Page 795 and 796:
Concluding remarks Having read and
Page 797 and 798:
The Dynamics of Change in Conflict
Page 799 and 800:
DANCING WOMEN'S LIVES, WOMEN LIVING
Page 801 and 802:
Rather than only recounting history
Page 803 and 804:
A similar process is at work in Nef
Page 805 and 806:
agency moving beyond polarization,
Page 807 and 808:
postmodern art trend in the USA. 36
Page 809 and 810:
OBITUARIES INTO LIFE HISTORIES: WOM
Page 811 and 812:
mercantile ethos (liberal and ratio
Page 813 and 814:
adds that she managed the money so
Page 815 and 816:
Haddad, Yvonne and Jane Smith, “W
Page 817 and 818:
distinctions between the person wri
Page 819 and 820:
[…] and slowly everything changed
Page 821 and 822:
Chapel Hill: The University of Nort
Page 823 and 824:
HALİÇLİ KÖPRÜ ROMANINDA ETNİK
Page 825 and 826:
karşılaşabilecek ya da bakışı
Page 827 and 828:
Hepimiz bir yıllığına gelmişti
Page 829 and 830:
Bedenleri” çev. Tansel Güney, d
Page 831 and 832:
Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834:
Dış dünyanın insan hayatında b
Page 835 and 836:
EDEBİYAT VE OTO/BİYOGRAFİK KURMA
Page 837 and 838:
Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840:
Kısa bir süre sonra kocasının e
Page 841 and 842:
GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844:
Emine Semiye Emine Semiye Hanım d
Page 845 and 846:
ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
Page 849 and 850:
WRITING (OF) THE SELF IN JANE EYRE:
Page 851 and 852:
mediation by the screen as a functi
Page 853 and 854:
though the narrator is true to the
Page 855 and 856:
esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
Page 871 and 872:
toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886:
6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888:
EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890:
I said to myself it cannot be ‐my
Page 891 and 892:
It is obvious from the examples I h
Page 893 and 894:
GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896:
The burst of laughter her story may
Page 897 and 898:
us that there were people who were
Page 899 and 900:
Kling, Vincent. “Translator’s A
Page 902:
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