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of their political and intellectual life. Viewed from this angle, it can be said that women give more<br />

importance to their domestic life in contrast to men due to the fact that they are expected to take on<br />

the burden of domestic problems. However this does not result in evading from their political<br />

responsibilities: Only four days before the military intervention Oya Baydar goes abroad for a political<br />

mission leaving her new born son to her mother’s care and she cannot return back to Turkey. Later<br />

on, while in exile as a political escapee, again she leaves her son to her husband in order to attend<br />

the training in Moscow Communist University. In the process of political struggle, the traditional role<br />

of women has undergone a great change. Melek Ulagay, during her husband’s imprisonment, travels<br />

to Ankara to attend his trials and visits him every week. And at the same time she struggles in<br />

Istanbul while bringing up her son and taking care of her mother and father who have health<br />

problems. 6<br />

Throughout the book, Ulagay and Baydar narrate their experiences chronologically and in great<br />

detail. At times the story attains the pace of an adventure narrative as in the part where Ulagay<br />

escapes from the police and in the end flees to Palestine with a comrade, and after his death in a<br />

confrontation with Israeli soldiers she flies to Switzerland to meet her friends there. While telling<br />

about the events they always refer to their relationship with the people they met. The intertwining of<br />

their political and private struggles is always brought to the foreground in the narrative.<br />

All in all, as the examples cited above clearly demonstrate, Baydar and Ulagay attain the status of<br />

active subjects in their political struggles. As active subjects, their experiences help us to question the<br />

hegemonic discourses about submissiveness of femininity while providing a unique historical<br />

narrative showing the inseparability of the public and the private. However this is not the kind of<br />

woman’s voice that bears the consciousness of the necessity to censure or cleanse the elements of<br />

male agency. What woman’s voice of a generation has achieved in Turkey is to rely on the dominant<br />

leftist/liberal but still patriarchal discourses to utilize those in the service of women’s liberation.<br />

Keywords: Autobiographies, Women's testimonies, Public life, Private affairs, Political activism<br />

Prof. Nazan AKSOY<br />

Istanbul Bilgi University,<br />

Department of Comparative Literature<br />

nazan.aksoy@bilgi.edu.tr<br />

Notes<br />

1<br />

Deniz Kandiyoti, Cariyeler Bacılar Yurtaşlar (İstanbul: Metis Yayınları, 1997), 16.<br />

2<br />

Oya Baydar and Melek Ulagay, Bir Dönem İki Kadın: Birbirimizin Aynasında (Istanbul: Can Yayınları,<br />

2011), 44.<br />

3<br />

Ibid., 43.<br />

4<br />

Ibid 11.<br />

5<br />

Ibid., 394.<br />

6<br />

Ibid., 388.<br />

Bibliography<br />

Baydar, Oya and Ulagay, Melek. Bir Dönem İki Kadın: Birbirimizin Aynasında. Istanbul: Can Yayınları, 2011.<br />

Kandiyoti, Deniz. Cariyeler Bacılar Yurttaşlar. İstanbul: Metis Yayınları, 1997.

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