sempozyum_bildiri_kitabi

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8 The website of the organisation can be found at http://mirmanbaheer.com/ (accessed March 05, 2014). 9 Nasir Ahmad Ahmadi, “A Few Words,” in Le dewe sara mazal [Walking with the Light], ed. ‏.[ج – ز]‏ Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), jim–ze 10 ‏.[ز]‏ Ibid., ze 11 Anders Widmark, “Voicing the Unvoiced: Readings of Contemporary Women’s Writing in Pashto,” in The Dynamics of Change in Conflict Societies: Pakhtun Region in Perspective (Conference Proceedings), ed. M. Ayub Jan and Shahida Aman (Peshawar: University of Peshawar, Pakistan, 2013), 28. 12 Toba Neda Sapey, “Deception of the eyes,” in Le dewe sara mazal [Walking with the Light], ed. Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), 54. 13 Firishta Ghani, “Blood,” in Le dewe sara mazal [Walking with the Light], ed. Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), 116. 14 Arezu Kabiri, “Hope,” in Le dewe sara mazal [Walking with the Light], ed. Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), 22. 15 Muska Sarbaz, “The world in the hands,” in Le dewe sara mazal [Walking with the Light], ed. Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), 101. 16 Ibid., 103. 17 Ibid., 104. 18 Na’ima Ghani, “Tradition,” in Le dewe sara mazal [Walking with the Light], ed. Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), 65. 19 Muska Sarbaz, “The cage of gold,” in Le dewe sara mazal [Walking with the Light], ed. Wazhma Fazli (Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]), 110. Bibliography Abu–Lughod, Lila. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others.” American Anthropologist, Vol. 104, No, 3, (September 2002): 783– 790. Bartlotti, L. N., and R. W. S. Khattak. eds. Rohi Mataluna: Pashto Proverbs, Revised and Expanded Edition of the original work by M. N. Tair, and T. C. Edwards (1st ed. 1982), Eugene, Oregon: Resource Publications, 2009. Fazli, Wazhma. ed. Le dewe sara mazal [Walking with the Light]. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Ghani, Firishta. “Blood.” In Le dewe sara mazal [Walking with the Light], edited by Wazhma Fazli, 115– 118. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Ghani, Na’ima. “Tradition.” In Le dewe sara mazal [Walking with the Light], edited by Wazhma Fazli, 63– 66. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Kabiri, Arezu. “Hope.” In Le dewe sara mazal [Walking with the Light], edited by Wazhma Fazli, 17–22. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Matt, Susan J. “Current Emotion Research in History: Or, Doing History from the Inside Out.” Emotion Review 3 (2011): 117–124. Reddy, William M. Navigation of Feeling: A Framework for the History of Emotions, Port Chester: Cambridge University Press, 2001. Sapey, Toba Neda. “Deception of the eyes.” In Le dewe sara mazal [Walking with the Light], edited by Wazhma Fazli, 51–54. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Sarbaz, Muska. “The cage of gold.” In Le dewe sara mazal [Walking with the Light], edited by Wazhma Fazli, 105–110. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Sarbaz, Muska. “The world in the hands.” In Le dewe sara mazal [Walking with the Light], edited by Wazhma Fazli, 99–104. Kabul: De Afghanistan de qalam tolana, 1389 [2010–2011]. Stearns, Peter N. and Carol Z. Stearns. “Clarifying the History of Emotions and Emotional Standards.” The American Historical Review 90:4 (1985): 813–836. Widmark, Anders. “Voicing the Unvoiced: Readings of Contemporary Women’s Writing in Pashto.” In
The Dynamics of Change in Conflict Societies: Pakhtun Region in Perspective (Conference Proceedings), edited by M. Ayub Jan and Shahida Aman, 15–32. Peshawar: University of Peshawar, Pakistan, 2013. Widmark, Anders. Voices at the Borders, Prose on the Margins: Exploring the Contemporary Pashto Short Story in a Context of War and Crisis, Uppsala: Acta Universitatis Upsaliensis, 2011.
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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FOLLOWING THE TRACES OF THE UNION O
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Union of Turkish Women at the 1931
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could glean about Piraye Sadullah T
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E‐Mail Correspondence Binnur Fenm
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tatilinden sonra Haven House’a, o
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incelendiğinde Plath’ın yaşam
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Sonuç Bu çalışmada Sylvia Plath
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SÖZLÜ TARİH VE TANIKLIKLAR ORAL
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olduğu için “doğal” olarak e
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Burda arkadaşlık falan yok hepsi
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Cezaevinde, koğuş içinde sürekl
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Organization” Academy of Manageme
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karşılaştığı yetişkin Bulgar
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akrabalarına geleceklerini bildire
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Kültürü, dili, cinsiyeti, köken
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KADIN HAYATLARINA YANSIYAN ULUSAL T
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Salih Bey kızlarının eğitimine
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üniversiteye devam etmek istiyordu
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Zühre öyküsünün Farsçasını
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Sonuç Olarak 1939’da üniversite
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din adamları ile temas ve bu konul
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Fransızlardan devir alan heyette y
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‐Tek emelimiz hava ordumuzu en ku
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POLITICAL VOICES IN AUTOBIOGRAPHIES
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these women displayed different inc
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There is another side to the issue,
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POLITICAL VOICE OF MAYA ANGELOU IN
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the conditions of Blacks after the
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for the job, Angelou is initially a
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USING AUTOBIOGRAPHICAL NARRATIVE TO
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continent, is painted as intolerant
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am with will tell me ‘Your eyes a
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Bibliography Bhabha, Homi K. "Signs
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fool.” 3 At that time it was very
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justifying her decision to defy the
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CROSS‐CULTURAL ENCOUNTERS
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capital gain. Anne introduced Linke
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and two‐thousand newspaper articl
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Turkey.” Which reminded me of the
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
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Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
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I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
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Professor Małgorzata Radkiewicz, P
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KASHMIRI WOMEN’S TESTIMONIOS: LIV
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the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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ve dedesini kaybetmiştir; cumhuriy
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Sahnelerde, özellikle gazinolarda
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kocam çok memnun oldu” der Emine
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
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yazarlığı, ebelik ve bazı nezar
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şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
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Notlar 1 Simone de Beauvoir, Sade
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The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
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görünürde olduğu ama mümkün o
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felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
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woman from Punjab who played a fund
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procession with hundreds of other g
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9 FGM 2002, F/501, PMWT, Lahore. 10
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AUTO/BIOGRAPHY, HISTORY AND HERSTOR
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She also experienced the difference
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needs’ and ‘the body’; it rev
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14 Davis, A Life of learning, 12. 1
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Smith and Watson maintain that in w
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and to break the established patter
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Kutlu’s life‐narrative offers t
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Anderson, Linda. Autobiography. Lon
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… that challenges the very logic
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dominant and often repetitive, clic
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complex, fragmentary, sound snippet
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Some critics supposed that I meant
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or embroidery, serving only for ent
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used to explain the existence of a
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Her two portraits in 1884 : full fa
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Joy is an exception. The Flute Play
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abortion. The suffering is so unbea
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7.2.2. A drama of Ibsen, “When we
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THEORY AND CRITICAL READING OF AUTO
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insights provided by feminist theor
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As for writing, most people secretl
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something or someone from the dead.
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Bahçeşehir University, Department
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WRITING THE OTHER AND TRANSNATIONAL
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Writing the Papua New Guinea memoir
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are very different. Meenakshi is a
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McDonell, Jennifer. “Transgressio
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definitions of “woman’s place
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lot […] The labor newspaper jobs
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Although Friedan had a later evolut
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The Second Stage, New York: Summit
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Interestingly, she found in movie f
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Agustina’s biographies of Paula R
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SINIF, TOPLUMSAL CİNSİYET VE SOSY
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eylik zihniyeti) diye nitelediği c
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sanki sessiz bir anlaşmayla başka
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Lülü Konağında toplam on beş h
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itirdikten sonra okumamış, ailesi
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18 F. Özbay, Türkiye’de evlatl
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elevant illustrated books present a
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women’s accomplishments since the
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“truly belongs” to a district o
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KADININ HAFIZASI: ÇAYKARALI RUMCA
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oluşturulduğunu yani hafızanın,
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Geleneksel olarak da yılbaşını
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Research Assistant , Gülmelek DOĞ
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BODRUMLU KADINLARDAN YAŞAM ANLATIL
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Ya bu elindeki örgü diye soruyoru
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Kaptan - ŞÜKRİYE ER Şükriye Er
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Notlar 1 Bodrum Belediyesi ve Anıl
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deyişiyle, “çocukluktan itibare
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oturursunuz”. Ben yani şok oldum
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getirilmesi; bu arada erkeklerin de
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EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
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Filmde ayrıca kalp atışını and
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vermekten vazgeçtiklerini söyledi
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GAMZE FİDAN’LA KOP‐ART YOLCULU
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Fluxus dâhisi Nam JunPaik, kurgula
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aşlıklı bir sergi açtık mesela
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Melodram. Hem çok sıradan, hem ç
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ismimi yok etmek, başka sanatçıl
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scenes intentionally. Barry also dr
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and pessimism, she decides to overc
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two brothers grow in this liminal,
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HOME IS AN/OTHER? QUEER TRANSNATION
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These dynamics, in turn, speak to t
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Israel as a gay haven in darker ton
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queerness‐and‐homonationalism/.
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In works such as Spaces of the Past
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Voicing the everyday - Maternal bei
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1 The representation of the life ph
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always regarded her as a pianist, t
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Liszt lived, and be his student. An
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not put out for sale. 4 The article
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ARŞİVLER, HATIRATLAR VE KADIN TAR
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Yeni Asır, in which she reveals me
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Greene (1923-25 and 1945-48), a Wel
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2 Ayfer Karakaya‐Stump. “Debati
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ROMALI BİR KADININ HAYATINI MİMAR
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İmparatorluk Kültü baş rahibeli
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çalışmalar ile ilgili bkz.: Halu
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Tarih Kurumu, 1973. Pomeroy, Sarah.
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WRITING THE LIFE OF A LIFE WRITER:
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The inclusion of the entirety of Li
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closely intertwined. Ellen regularl
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QIYĀN AND SEXUALITY: THE SINGING
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elations with Ibrāhīm al‐Mawṣ
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qiyān’s lives, and that is the r
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RE‐CRAFTING THE PAST: LYDIE ROSTO
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Rostopchina mère’s observations
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his letters to family. Quoting Hans
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(1965): 144‐156; Alexander Nikite
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
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Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
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modified the job descriptions and t
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Notes 1 Thomas, L Lindlof, Qualitat
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impossible within, the impossible c
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5 Dylan Evans further explains, “
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THE WAY SHE MOVES, THE WAY SHE TALK
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achievements that are threatened by
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initiative, since oral history sour
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Haagen, Yvonne. Oral history en arc
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femicide in the world (Jewkes and a
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treated and to thank the private co
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argued (Perrot, 1990‐1991), by co
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NARRATIVES OF BREAST CANCER IN THE
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marvelous, and believe most what th
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unavoidable surgery they became sto
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12 Maria Edgeworth,”Belinda,” i
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TEMSİL VE GÖRÜNÜRLÜK REPRESENT
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Basında Pippa Bacca cinayeti Sanat
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ailesinin ve İtalyan kamuoyunun du
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Kaynakça Alankuş, Sevda. “Neden
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içerisinde hangi bakımdan dışar
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Bugün ilkel olarak nitelendirilen
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Sonuç Bütün toplumlar topluluğu
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MEMOIRS AND BIOGRAPHIES OF WOMEN IN
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Contribution of women: Autobiograph
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showed the way. Thus the small maga
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DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
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2. Conceptualizing a biographical b
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7.1. To be visible or invisible - T
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Hallebone, E. and Priest, J. Busine
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as governmental foreign policy, emp
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famous, published works, and indivi
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Correspondence, Mary Ritter Beard a
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status in society by circumscribing
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Rome to help her mother through the
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Primary Sources ITTCR008, Folder of
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especially during the reign of Sül
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10 From the title of the Robert Wit
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TÜRK RESİM SANATINDA EREN EYÜBO
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folklorik motiflerin özelliklerine
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“Biz Batı’dan geleli epeyce za
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Notes 1 http://www.britannica.com/E
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örneklerinden biri olduğu edebiya
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arasındaki en büyük tartışma k
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4 Banıçiçek Kırzıoğlu, “Sam
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Kendisiyle yapılan söyleşilerde
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Kamusal anlatının kırılma anı
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ARI’NIN YOLCULUĞU Bahar YAZGAN G
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1993 yıllarında açılan Milli E
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Prof. Dr. Pınar Bayhan Prof. Dr. R
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BİR CUMHURİYET AYDINI: CUMHURİYE
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Atatürk için “tarih araştırma
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Şimdi öncelikle hak verilmez alı
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Yayınları, s. 164. 5 Sayın Çı
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If you are going to ask women to ha
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Dunlop’s speech focused on the re
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Faison, Seth. “Women’s Meeting
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SEVGULİ’NİN HİKÂYESİNİ DİN
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olduğunu bize asla belirtmedi. Sad
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Sevguli’ye kumasıyla ilişkisini
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yapayacağını bilmiyor olmak” f
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tartışmalı bir durumdur. Bizler
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Verdiği örnek başarılıdır: He
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şekilde marjinalize gruplardan ö
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Kaynakça Akis, Yasemin. 2009. “P
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BİREYSEL GÖRÜŞMELER VE GRUP GÖ
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yansıtsa bile, analizi izleyen tek
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(Öyle bir şey yok. Peki, ortam ko
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ve Belkıs Kümbetoğlu, İnci User
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de bulundu. Bülent Ecevit’in var
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Sen erkek olduğun için senin içi
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HİKÂYELERİMİZİN PEŞİNDEN Fer
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Feminist bakış açısı kuramına
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2008), 361. 2 Sandra Harding, “Fe
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THE CRITICISM OF MAN‐DOMINATED SO
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It should be noted that Forough doe
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appointment as President. From that
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the poet, which he expresses himsel
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—— Φως τη σκoτία. Ath
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Christian spiritual life. It was in
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Na soberana luz da Mãi tão pura,
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the genders has consisted in the di
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IN HER DAY SHE BROKE THE MOLD: DISC
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camera, suggesting the spirited wom
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conception. Rather, her Shakti, “
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Bailey, Alison and Chris Cuomo. The
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“A MARTYR OF ART”: ‘STAGING
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Maria abandons her husband and his
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For Galanaki, Eleni’s disguise an
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THE FEMININE UNIVERSE OF THE 19 TH
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significant dimension. They are ind
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Izabel MARGATO Associated Professor
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gentlewomen for her reputation as a
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As discussed above, Chen Yulian’s
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When all was lost, she painted hers
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KADIN DENEYİMLERİ VE SOSYAL TARİ
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olarak görüldü (Kollontai, 2000:
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olarak yaşlı kuşak kadınlardan
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Ataerkil kültürde genelevler ayn
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eşitsizlik alanının yanı sıra
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etkilenerek yeniden kurgulanması,
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Dolayısıyla anlatıcı kadın, di
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Kıbrıs Türk edebiyatına baktı
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R. B.: kadın, 1946 doğumlu, ilkok
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KADIN FOLKLORU VE SÖZLÜ GELENEKLE
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yola çıkarak, kilamın, stran ve
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demek yetmemektedir ve “kadın de
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dinletilerinin olması da bu durumu
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GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
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Tablo 1. Tanrıçadan bugüne gül
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(Ö 2 ) bütünleştiği (Ö 2 V N
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Notlar 1 Kayıtların geçmişi Mez
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EVLENME VE DÜĞÜN ERTESİ TÖRENL
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durumu anlatmaktadır. 90'lı yıll
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Eski ve orta kuşaklarca gelenek fa
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AGATHA CHRISTIE VE KERİME NADİR
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metni bitirir. 5 Özel hayatına ay
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edilseler de bunlar mutlu sonla bit
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Dergisi, Sayı 292. Kış 2007‐20
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telakki eden, özellikle kadın oku
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1 Kerime Nadir, Romancının Dünya
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Lüsyen’in ailesiyle çatışmas
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şehre gidiyordu. Hâmid’in kimya
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WOMEN'S EXPERIENCE
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their fathers. Siham’s father was
Page 667 and 668:
My father passed away while I was i
Page 669 and 670:
the one hand, Najat expressed repea
Page 671 and 672:
Women’s petitions and telegrams t
Page 673 and 674:
do agriculture and they worked nigh
Page 675 and 676:
Aşk ağlatır dert söyletir elbet
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WE WILL SHOW YOU THAT YOU ARE A WOM
Page 679 and 680:
You have to accept what is happenin
Page 681 and 682:
subjugation in most African societi
Page 683 and 684:
MODERNIZATION AND WOMEN EDUCATION I
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He told Kemal Efendi, ‐‐ I give
Page 687 and 688:
teachers for Rüshdiye schools. All
Page 689 and 690:
READING HABITS AMONG WOMEN IN THE D
Page 691 and 692:
From libraries to bookshops Althoug
Page 693 and 694:
19 Iorga, Femeile în viața neamul
Page 695 and 696:
ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
Page 699 and 700:
Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
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yapılanışı içerisinde kadınla
Page 705 and 706:
siyasette yer almalarını etkileye
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Beşpınar, seçmen kadınların de
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İKİNCİ DÜNYA SAVAŞI SONUNDA SA
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Sertel’e göre faşizm geri bir i
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September 27, 2013. http://global.b
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Toplumun dinamikliğini gösteren
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hemcinsi ile kurduğu duygusal bağ
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Bütün bunların ‘kurgu’lanara
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1924 yılına ait Fransızca bir be
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10 Çalışlar, Biyografisine Sığ
Page 725 and 726:
sonrası bütün Batılı değerler
Page 727 and 728:
onun kurumlarına da yönelik olmas
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6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
Page 733 and 734:
Janis içkiye ve uyuşturucuya on a
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Acı çeker çünkü geleneksel gü
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21 S.Reynolds and J. Press, Seks İ
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olay olarak ele alınacak üç vaka
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tarihlerine ışık tutmayı amaçl
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Sexuality and Museums: A Routledge
Page 745 and 746: KADINLARIN ANLATILARINDA SAĞLIK VE
Page 747 and 748: ir toplam gibi birikmiş benliğimi
Page 749 and 750: Saygınlık uyandıracak bir zarafe
Page 751 and 752: ahlaki ve estetik yargılardan bağ
Page 753 and 754: WOMEN'S VOICES IN RELIGIOUS DISCOUR
Page 755 and 756: the dominant ideology of local soci
Page 757 and 758: from worldly degradation” and all
Page 759 and 760: Some readers may consider such narr
Page 761 and 762: Sakkoudion, in Bithynia, Plato beca
Page 763 and 764: Ester Kreitman was productive as a
Page 765 and 766: The Orthodox discourse is grounded
Page 767 and 768: PLACING A FEMALE PERSON AT THE CENT
Page 769 and 770: (1888‐1954). This kind of idylliz
Page 771 and 772: (1) polemics and apologetics betwee
Page 773 and 774: edited by Maria Heidegger, Nina Kog
Page 775 and 776: This novel is a hybrid with boundar
Page 777 and 778: proclaims her miraculous pregnancy.
Page 779 and 780: of a she‐god. Yahweh, you should
Page 781 and 782: 36 Ibid., 83. 37 Virginia Woolf, Th
Page 783 and 784: CONVERSATIONS BETWEEN US: A VISUAL
Page 785 and 786: 1. The participants represent their
Page 787 and 788: young Muslim women living in large
Page 789 and 790: WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792: well as from ideas of women as a mo
Page 793 and 794: In response to the screams of Hamid
Page 795: Concluding remarks Having read and
Page 799 and 800: DANCING WOMEN'S LIVES, WOMEN LIVING
Page 801 and 802: Rather than only recounting history
Page 803 and 804: A similar process is at work in Nef
Page 805 and 806: agency moving beyond polarization,
Page 807 and 808: postmodern art trend in the USA. 36
Page 809 and 810: OBITUARIES INTO LIFE HISTORIES: WOM
Page 811 and 812: mercantile ethos (liberal and ratio
Page 813 and 814: adds that she managed the money so
Page 815 and 816: Haddad, Yvonne and Jane Smith, “W
Page 817 and 818: distinctions between the person wri
Page 819 and 820: […] and slowly everything changed
Page 821 and 822: Chapel Hill: The University of Nort
Page 823 and 824: HALİÇLİ KÖPRÜ ROMANINDA ETNİK
Page 825 and 826: karşılaşabilecek ya da bakışı
Page 827 and 828: Hepimiz bir yıllığına gelmişti
Page 829 and 830: Bedenleri” çev. Tansel Güney, d
Page 831 and 832: Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834: Dış dünyanın insan hayatında b
Page 835 and 836: EDEBİYAT VE OTO/BİYOGRAFİK KURMA
Page 837 and 838: Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840: Kısa bir süre sonra kocasının e
Page 841 and 842: GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844: Emine Semiye Emine Semiye Hanım d
Page 845 and 846: ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
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WRITING (OF) THE SELF IN JANE EYRE:
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mediation by the screen as a functi
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though the narrator is true to the
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esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
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toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886:
6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888:
EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890:
I said to myself it cannot be ‐my
Page 891 and 892:
It is obvious from the examples I h
Page 893 and 894:
GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896:
The burst of laughter her story may
Page 897 and 898:
us that there were people who were
Page 899 and 900:
Kling, Vincent. “Translator’s A
Page 902:
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