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I also will analyse my relationship with Big Liz – as a direct descendant, a historian, as a man<br />

writing about a woman, as a person living in the 21 st century depicting events that straddle most of<br />

the 19 th and into the 20 th centuries. There is a need to exercise empathy, to enter imaginatively into<br />

another place, another time, another life, and through which extract meaning that is relevant for<br />

both then and now. This is an attempt to chronicle an outward story (the facts) to reveal an inward<br />

life (a comprehensive truth).<br />

Biographies are divided into those of subjects who require identification and those who do not.<br />

Some want to emphasise a lesser known element of the subject’s life, change opinion, or provoke<br />

reassessment. This one is to recover a minor player in Australian history, but a crucially active<br />

participant in my family history. Also I have a desire to write a doctoral thesis. In this I am in good<br />

company; David Kennedy’s biography of Margaret Sanger and Deidre Blair’s Samuel Beckett both<br />

began as PhD dissertations.<br />

My aim is to recreate the life of Elizabeth Mary Ham (London, 19/3/1840 – Thane’s Creek, Qld.<br />

4/8/1927) from historical documents, archival documents, interviews with family members, diaries,<br />

newspaper articles and family myth. On another level, the narrative of her life will also be<br />

constructed through description of the time and place from historical and literary sources which will<br />

be placed alongside the greater historical narrative of the nation – Australia – in whose founding my<br />

family plays a minor but contributory role.<br />

My biography will locate the events of Elizabeth Mary Ham’s life, her decisions and their<br />

outcomes, in the greater historical picture by attempting to consider the implications of each<br />

moment within the historical and social context of the moment. It will locate her actions, as a single<br />

18‐year‐old woman migrating to Australia alone in 1859, transposing herself from early Victorian<br />

upper‐middle class London to the frontier of a colonial Tasmania that had recently been “swept<br />

clean” of the indigenous people. It will describe the options open to women in a frontier society and<br />

the way lives were rewritten to match differing situations.<br />

Further, it will consider the absences within the narrative, from the missing voice of Elizabeth<br />

Mary Ham, to the absence of the indigenous peoples in a narrative that twice claims different<br />

children of hers as being “the first white baby born” in frontier districts – a claim with clear<br />

ramifications for the dispossessed indigenous peoples..<br />

To do this I will analyse the relationship between different forms of life writing – including<br />

biography, autobiography, memoir, journals and letters – and the development of concepts of self<br />

between the eighteenth and twentieth centuries – focussing primarily on the period in which the<br />

subject lived. It will explore the relationship between life writing and fictional genres and the<br />

questions of memory and representation that they raise; the changing relationship between<br />

confession and testimony and notions of historical truth, and the role of biography and<br />

autobiography in shaping personal and political identities. I will consider these questions in relation<br />

to the process of the life writing of Elizabeth Mary Ham.<br />

Elizabeth Mary Ham grew up in comfortable upper‐middle class London, the daughter and niece<br />

of watchmakers; watchmakers who founded the Watchmakers Guild and had positions within the<br />

City of London. However, once she had come of age, at the age of eighteen she left her family and<br />

sailed to Australia alone; sailing to the frontier. Not just content with Melbourne she went to<br />

Tasmania and ended up at the newly opened mining town of Mt Lyell. Here she met a Welsh exconvict<br />

who had been sent to Australia and later sent to Norfolk Island – the destination for<br />

particularly serious crimes or second offenders in Australia. She married this man, 12 years older<br />

than her, and started a family. After 3 children are born, her husband Hugh Humphries dies of<br />

Pleurisy. About 2 years later a fourth child is born and registered with his father’s name Charles<br />

Hyndham. That Charlie always though he was a Humphries meant a shock when as a man he needed<br />

identity documents. During this time she is supporting herself and her family by running a hostel in<br />

Launceston. Later two brothers from the north of Ireland, who had been searching for gold around<br />

southern Australia and New Zealand, arrive. She has a child with the eldest and later marries him in a<br />

joint ceremony with her eldest daughter marrying the younger brother. This assorted mob then<br />

travel over 2000kms following gold until reaching the newly gazetted Thane’s Creek goldfield in

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