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academic and community learning and teaching on gender for over 20 years. Adele co‐ founded<br />

Women in Profile (in 1987) and subsequently Glasgow Women’s Library (in 1991) and is currently the<br />

GWL’s Lifelong Learning and Creative Development Manager. She has been active in a wide range of<br />

feminist and women’s projects, contributes to publications and regularly speaks at national and<br />

international conferences. She is a Fellow of the Royal Society of Arts.<br />

Keywords: Ephemera, Histories, Feminism, Museum, Archives<br />

Adele Patrick<br />

Glasgow Women’s Library<br />

adele.patrick@womenslibrary.org.uk<br />

Notes<br />

1<br />

I discuss the masculinised nature of Glasgow’s culture at this time in the following article: Adele<br />

Patrick, “Boy Trouble: Some Problems Resulting from 'Gendered' Representation of Glasgow's<br />

Culture in the Education of Women Artists and Designers” International Journal of Art & Design<br />

Education, 16.1 (1997) 7‐16<br />

2<br />

For a fuller account of the early years of Women in Profile and Glasgow Women’s Library see<br />

Sarah Lowndes, Social Sculpture, the rise of the Glasgow Art Scene (Edinburgh: Luath Press, 2010)<br />

3<br />

The GWL ‘special ingredient’has recently been discussed in Tanita L Maxwell “Reflections on<br />

Glasgow Women’s Library: the production of cultural memory, identity and citizenship” in<br />

Teaching Gender with Libraries and Archives, ed. Sara de Jong and Sanne Koevoets (Utrecht:<br />

Central European University Press 2014), 125‐141<br />

4<br />

For An Excellent, Rare, Accessible Overview Of The History Of Women In Glasgow From A Feminist<br />

Perspective See Elspeth King, The Hidden History Of Glasgow's Women: The Thenew Factor (Edinburgh:<br />

Mainstream Publishing, 1993)<br />

5<br />

For example, GWL’s Black and Minority Ethnic Development Worker Syma Ahmed has<br />

undertaken some pioneering work uncovering the stories and histories of women who have<br />

migrated to Glasgow in the post war period. This important work is encapsulated in a GWL<br />

touring exhibition and in Sue Morrison, Syma Ahmed and Shamaaila Noorane, She Settles in the<br />

Shields: Untold Stories of Migrant Women in Pollockshields (Glasgow: Glasgow Women’s Library,<br />

2011)<br />

6<br />

From securing the Freedom of the City for Aung San Suu Kyi (in partnership with Amnesty<br />

International – she was only the 7th woman of 70 people to have been given this accolade) to<br />

work ensuring disenfranchised women including women experiencing homelessness and elderly<br />

women who are not confident English speakers learn about their right to vote.<br />

7<br />

For more information about GWL’s Women Make History project and the women’s heritage<br />

walks they have developed including downloadable maps visit<br />

http://womenslibrary.org.uk/whats‐on/women‐make‐history/women%E2%80%99s‐heritagewalks/<br />

8<br />

For surveys of women’s contribution to women’s history see Elizabeth L. Ewan et al, The<br />

Biographical Dictionary of Scottish Women (Edinburgh: Edinburgh University Press, 2007) and<br />

Esther Brietenbach et al, Scottish Women, a documentary history 1780‐1914 (Edinburgh:<br />

Edinburgh University Press, 2013)<br />

9<br />

For a flavour of the video recordings visit Glasgow Women’s Library, Badges of Honour at<br />

http://vimeo.com/66576868<br />

10<br />

This work and the sources that inspired it can be seen in Adele Patrick, ed. 21 Revolutions; new<br />

writing and prints inspired by the collection at Glasgow Women’s Library, (Glasgow: Glasgow<br />

Women’s Library, 2014) 83

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