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TEACHING WOMEN’S HISTORY TROUGH WOMEN’S<br />

AUTOBIOGRAPHIES<br />

Inmaculada ALVA *<br />

Women’s history is a relatively new discipline. Its appearance and development are related to the<br />

extent of access to university education for women. Many female historians drew attention to the<br />

invisibility of women in official histories. Some of them had suggested that there was a need to write<br />

a new, more interdisciplinary sort of history, using a different methodology, which would give a voice<br />

to those previously silenced. This essay presents the general outline of a research project I am<br />

carrying out on the autobiographical writings of three North American historians: Gerda Lerner,<br />

Natalie Z. Davis and Jill Ker Conway. All three were important activists who defended equality for<br />

women in academe and other professional spheres.<br />

Lerner, Davis, and Conway wrote their memories as an exercise in self‐understanding, but also to<br />

leave a record of the situation of women in the second half of the twentieth century in the United<br />

States. Their texts are, for this reason, valuable historical sources. Whilst reflecting on their academic<br />

and research trajectories, they also express the motivation for and influences on their decisions –<br />

above all their election of women’s history as research material – their struggles to achieve academic<br />

positions at a time when there was no tradition of them being occupied by women, and the<br />

conditions that limited their work and that of other women. 1<br />

Although my project covers all their autobiographical output, in this paper, I will limit myself to<br />

stressing some common elements in their autobiographies which throw light on the way they looked<br />

at women’s history.<br />

A common element in their autobiographic writings lies in their interest in women’s history, a<br />

focus with roots in their experience of being outsiders, relegated to minority status, living – in some<br />

way – in the borderlands, between two conflicting worlds. Davis and Lerner, because they were Jews<br />

and sympathized with the leftist ideology which, in the 1960s, was considered anti‐American. As<br />

Davis explains:<br />

I still wanted to be part of the center of the community and also to be its critic, but<br />

now the source of the critical spirit came from seeing myself as part of an intellectual elite<br />

and from a more fully developed political ethical vision […]. I still felt as if I belonged to<br />

two worlds, but now it was not so much being Jewish that created the tension between<br />

them, but being part of the political left. 2<br />

Gerda Lerner felt like “an outsider, as a woman, a Jew, an immigrant and a radical.” 3 This feeling<br />

had begun in childhood, when she “saw the world as divided into warring fields; I felt an obligation to<br />

choose among them”: between her artist mother –“a self‐defined Bohemian, rebelling against<br />

bourgeois standards of propriety, advocating sexual freedom and experimenting with all kinds of<br />

then novel practices” 4 – and her strict grandmother – who tried to prevent her daughter‐in‐law’s<br />

ideas from influencing her grandchildren. In her first autobiography, The Road from Coorain, Conway<br />

also describes her lonely childhood, as she felt alienated from her classmates at the Queenwood<br />

School. Her shyness and the family conflicts that had brought her to Sydney separated her from the<br />

world and conversations of the other girls. She remembers that “it was painful when others talked<br />

happily about their fathers or boasted about the family fortunes. I couldn’t join in either, and became<br />

slowly aware that my family and life circumstances were unusual.” 5<br />

*<br />

University of Navarra (Spain).

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