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The available biographical tools brought out by big companies are formal and structured; as a<br />

result they lose the touch of heart. Since the very essence of little magazines lies in rather frank and<br />

honest spontaneous writings‐ the remembrances and biographical writings published in little<br />

magazines are not confined to or dictated by strict norms or patterns. Many contributions came to<br />

light as a result of constant effort from the Editors or their good vibes wıth the writers. Generally,<br />

these magazines have an informal close circle of writers‐editors‐intellectuals. There is the genuine<br />

effort to discover unpublished or unrecorded writings‐ the hidden treasures. Many times they reprint<br />

or republish old documents which are not otherwise available.<br />

The present study helped us to record women’s contributions and initıatives in this particular<br />

genre of writing and also to know women’s role as biographers.<br />

Auto/biographical writings by Bengali women<br />

There is a rich heritage of autobiographical literature produced by Bengali women. Many of these<br />

writings were published first in magazines, too. Significantly, the first printed full‐fledged<br />

autobiography in Bengali ‘Aamar Jeebon’ was written by an Octogenarian common woman named<br />

Rasasudari Dasi. After Rasasundari Dasi, we get a steady stream of writings in this genre by women<br />

coming from a large variety of backgrounds and professions‐ house wives, mothers, members of<br />

royal families, actors, singers, writers, prostitutes, political activists who dared to tell their stories.<br />

There were some real‐life based fictional autobiographies, too, e.g., Foyezunnesa Choudhurani’s<br />

‘Roopjalal’.<br />

The diaries or journals maintained by women have also added a special dimension to<br />

autobiographical literature. Some of the old writings have been discovered very recently and printed<br />

or reprinted in magazines. The writings are full of interesting experiences – as diverse as the<br />

personalities themselves. The women who went abroad also recorded their experiences, for<br />

instance, ‘Bangamahilar Japan Jatra’ by Hariprabha Takedar. Apart from their emotional value, this<br />

kind of writings is also important historical document. The memoirs may or may not include<br />

autobiographical elements. But in case of Bengali women writers, the intense personal feelings and<br />

emotions in the memoirs cannot be missed. Bengali women somehow have not been attracted to<br />

the art of writing authentic biographies. A Yogesh Chandra Bagal or Brajendranath Bandyopadhyay is<br />

not found among contemporary women. Chitra Dev or Geeta Chattopadhyay and a few others have<br />

made some sincere efforts, but more contributions from women are awaited.<br />

Content Analysis: scope and methodology<br />

For the purpose of content analysis, some representative magazines from late 19th c. up to the<br />

latest publications of 21st c. have been chosen. The geographical coverage is West Bengal, India.<br />

Although the title suggests the paper is about memoirs and biographies of women, it included<br />

autobiographies also, since these are basically memoirs and self‐biographies.<br />

As representative samples, from amongst the very reputed, most available and long‐surviving<br />

magazınes, 10 have been selected ın such a way that a systematic, continuous study over different<br />

time‐periods is possible. In addition to these, 25 Special issues and/or Supplements on the themes<br />

relevant to the study have been selected from 17 magazines. The list of selected magazines is given<br />

in Annexure I.<br />

In total, 511 issues have been browsed ‐ 187 relevant items were found out of 7665 pieces of<br />

writings. The texts from the selected magazines have been categoriesed and organised following a<br />

codification scheme, specially devised for this analysis (Annexure‐II) and then have been critically<br />

examined. It was not intended to limit the findings to dry quantification‐ rather it has been a<br />

sympathetic attempt to fınd out the emotional and intellectual conents of writings, variety and<br />

richness of style and form, and discover the trends, ıf any.<br />

Findings of the analysis: discovery of new truths and verification of the old.

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