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t ) 1,ı ' l:,·,·,11 r
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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FOLLOWING THE TRACES OF THE UNION O
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Union of Turkish Women at the 1931
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could glean about Piraye Sadullah T
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E‐Mail Correspondence Binnur Fenm
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tatilinden sonra Haven House’a, o
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incelendiğinde Plath’ın yaşam
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Sonuç Bu çalışmada Sylvia Plath
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SÖZLÜ TARİH VE TANIKLIKLAR ORAL
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olduğu için “doğal” olarak e
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Burda arkadaşlık falan yok hepsi
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Cezaevinde, koğuş içinde sürekl
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Organization” Academy of Manageme
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karşılaştığı yetişkin Bulgar
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akrabalarına geleceklerini bildire
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Kültürü, dili, cinsiyeti, köken
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KADIN HAYATLARINA YANSIYAN ULUSAL T
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Salih Bey kızlarının eğitimine
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üniversiteye devam etmek istiyordu
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Zühre öyküsünün Farsçasını
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Sonuç Olarak 1939’da üniversite
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din adamları ile temas ve bu konul
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Fransızlardan devir alan heyette y
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‐Tek emelimiz hava ordumuzu en ku
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POLITICAL VOICES IN AUTOBIOGRAPHIES
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these women displayed different inc
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There is another side to the issue,
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POLITICAL VOICE OF MAYA ANGELOU IN
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the conditions of Blacks after the
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for the job, Angelou is initially a
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USING AUTOBIOGRAPHICAL NARRATIVE TO
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continent, is painted as intolerant
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am with will tell me ‘Your eyes a
Page 85 and 86:
Bibliography Bhabha, Homi K. "Signs
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fool.” 3 At that time it was very
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justifying her decision to defy the
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CROSS‐CULTURAL ENCOUNTERS
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capital gain. Anne introduced Linke
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and two‐thousand newspaper articl
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Turkey.” Which reminded me of the
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
Page 105 and 106:
Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
Page 115 and 116:
I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
Page 125 and 126:
Professor Małgorzata Radkiewicz, P
Page 127 and 128:
KASHMIRI WOMEN’S TESTIMONIOS: LIV
Page 129 and 130:
the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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ve dedesini kaybetmiştir; cumhuriy
Page 151 and 152:
Sahnelerde, özellikle gazinolarda
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kocam çok memnun oldu” der Emine
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
Page 165 and 166:
yazarlığı, ebelik ve bazı nezar
Page 167 and 168:
şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
Page 175 and 176:
Notlar 1 Simone de Beauvoir, Sade
Page 177 and 178:
The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
Page 187 and 188:
görünürde olduğu ama mümkün o
Page 189 and 190:
felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
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woman from Punjab who played a fund
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procession with hundreds of other g
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9 FGM 2002, F/501, PMWT, Lahore. 10
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AUTO/BIOGRAPHY, HISTORY AND HERSTOR
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She also experienced the difference
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needs’ and ‘the body’; it rev
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14 Davis, A Life of learning, 12. 1
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Smith and Watson maintain that in w
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and to break the established patter
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Kutlu’s life‐narrative offers t
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Anderson, Linda. Autobiography. Lon
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… that challenges the very logic
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dominant and often repetitive, clic
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complex, fragmentary, sound snippet
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Some critics supposed that I meant
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or embroidery, serving only for ent
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used to explain the existence of a
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Her two portraits in 1884 : full fa
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Joy is an exception. The Flute Play
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abortion. The suffering is so unbea
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7.2.2. A drama of Ibsen, “When we
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THEORY AND CRITICAL READING OF AUTO
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insights provided by feminist theor
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As for writing, most people secretl
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something or someone from the dead.
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Bahçeşehir University, Department
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WRITING THE OTHER AND TRANSNATIONAL
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Writing the Papua New Guinea memoir
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are very different. Meenakshi is a
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McDonell, Jennifer. “Transgressio
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definitions of “woman’s place
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lot […] The labor newspaper jobs
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Although Friedan had a later evolut
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The Second Stage, New York: Summit
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Interestingly, she found in movie f
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Agustina’s biographies of Paula R
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SINIF, TOPLUMSAL CİNSİYET VE SOSY
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eylik zihniyeti) diye nitelediği c
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sanki sessiz bir anlaşmayla başka
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Lülü Konağında toplam on beş h
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itirdikten sonra okumamış, ailesi
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18 F. Özbay, Türkiye’de evlatl
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elevant illustrated books present a
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women’s accomplishments since the
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“truly belongs” to a district o
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KADININ HAFIZASI: ÇAYKARALI RUMCA
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oluşturulduğunu yani hafızanın,
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Geleneksel olarak da yılbaşını
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Research Assistant , Gülmelek DOĞ
Page 315 and 316:
BODRUMLU KADINLARDAN YAŞAM ANLATIL
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Ya bu elindeki örgü diye soruyoru
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Kaptan - ŞÜKRİYE ER Şükriye Er
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Notlar 1 Bodrum Belediyesi ve Anıl
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deyişiyle, “çocukluktan itibare
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oturursunuz”. Ben yani şok oldum
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getirilmesi; bu arada erkeklerin de
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EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
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Filmde ayrıca kalp atışını and
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vermekten vazgeçtiklerini söyledi
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GAMZE FİDAN’LA KOP‐ART YOLCULU
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Fluxus dâhisi Nam JunPaik, kurgula
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aşlıklı bir sergi açtık mesela
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Melodram. Hem çok sıradan, hem ç
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ismimi yok etmek, başka sanatçıl
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scenes intentionally. Barry also dr
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and pessimism, she decides to overc
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two brothers grow in this liminal,
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HOME IS AN/OTHER? QUEER TRANSNATION
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These dynamics, in turn, speak to t
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Israel as a gay haven in darker ton
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queerness‐and‐homonationalism/.
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In works such as Spaces of the Past
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Voicing the everyday - Maternal bei
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1 The representation of the life ph
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always regarded her as a pianist, t
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Liszt lived, and be his student. An
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not put out for sale. 4 The article
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ARŞİVLER, HATIRATLAR VE KADIN TAR
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Yeni Asır, in which she reveals me
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Greene (1923-25 and 1945-48), a Wel
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2 Ayfer Karakaya‐Stump. “Debati
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ROMALI BİR KADININ HAYATINI MİMAR
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İmparatorluk Kültü baş rahibeli
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çalışmalar ile ilgili bkz.: Halu
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Tarih Kurumu, 1973. Pomeroy, Sarah.
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WRITING THE LIFE OF A LIFE WRITER:
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The inclusion of the entirety of Li
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closely intertwined. Ellen regularl
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QIYĀN AND SEXUALITY: THE SINGING
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elations with Ibrāhīm al‐Mawṣ
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qiyān’s lives, and that is the r
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RE‐CRAFTING THE PAST: LYDIE ROSTO
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Rostopchina mère’s observations
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his letters to family. Quoting Hans
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(1965): 144‐156; Alexander Nikite
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
Page 411 and 412:
Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
Page 419 and 420:
modified the job descriptions and t
Page 421 and 422:
Notes 1 Thomas, L Lindlof, Qualitat
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impossible within, the impossible c
Page 425 and 426:
5 Dylan Evans further explains, “
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THE WAY SHE MOVES, THE WAY SHE TALK
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achievements that are threatened by
Page 431 and 432:
initiative, since oral history sour
Page 433 and 434:
Haagen, Yvonne. Oral history en arc
Page 435 and 436:
femicide in the world (Jewkes and a
Page 437 and 438:
treated and to thank the private co
Page 439 and 440:
argued (Perrot, 1990‐1991), by co
Page 441 and 442:
NARRATIVES OF BREAST CANCER IN THE
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marvelous, and believe most what th
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unavoidable surgery they became sto
Page 447 and 448:
12 Maria Edgeworth,”Belinda,” i
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TEMSİL VE GÖRÜNÜRLÜK REPRESENT
Page 451 and 452:
Basında Pippa Bacca cinayeti Sanat
Page 453 and 454:
ailesinin ve İtalyan kamuoyunun du
Page 455 and 456:
Kaynakça Alankuş, Sevda. “Neden
Page 457 and 458:
içerisinde hangi bakımdan dışar
Page 459 and 460:
Bugün ilkel olarak nitelendirilen
Page 461 and 462:
Sonuç Bütün toplumlar topluluğu
Page 463 and 464:
MEMOIRS AND BIOGRAPHIES OF WOMEN IN
Page 465 and 466:
Contribution of women: Autobiograph
Page 467 and 468:
showed the way. Thus the small maga
Page 469 and 470:
DISCUSSIONS ABOUT MEMOIRS, AUTO/BIO
Page 471 and 472:
2. Conceptualizing a biographical b
Page 473 and 474:
7.1. To be visible or invisible - T
Page 475 and 476:
Hallebone, E. and Priest, J. Busine
Page 477 and 478:
as governmental foreign policy, emp
Page 479 and 480:
famous, published works, and indivi
Page 481 and 482:
Correspondence, Mary Ritter Beard a
Page 483 and 484:
status in society by circumscribing
Page 485 and 486:
Rome to help her mother through the
Page 487 and 488:
Primary Sources ITTCR008, Folder of
Page 489 and 490:
especially during the reign of Sül
Page 491 and 492:
10 From the title of the Robert Wit
Page 493 and 494:
TÜRK RESİM SANATINDA EREN EYÜBO
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folklorik motiflerin özelliklerine
Page 497 and 498:
“Biz Batı’dan geleli epeyce za
Page 499 and 500:
Notes 1 http://www.britannica.com/E
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örneklerinden biri olduğu edebiya
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arasındaki en büyük tartışma k
Page 505 and 506:
4 Banıçiçek Kırzıoğlu, “Sam
Page 507 and 508:
Kendisiyle yapılan söyleşilerde
Page 509 and 510:
Kamusal anlatının kırılma anı
Page 511 and 512:
ARI’NIN YOLCULUĞU Bahar YAZGAN G
Page 513 and 514:
1993 yıllarında açılan Milli E
Page 515 and 516:
Prof. Dr. Pınar Bayhan Prof. Dr. R
Page 517 and 518:
BİR CUMHURİYET AYDINI: CUMHURİYE
Page 519 and 520:
Atatürk için “tarih araştırma
Page 521 and 522:
Şimdi öncelikle hak verilmez alı
Page 523 and 524:
Yayınları, s. 164. 5 Sayın Çı
Page 525 and 526:
If you are going to ask women to ha
Page 527 and 528:
Dunlop’s speech focused on the re
Page 529 and 530:
Faison, Seth. “Women’s Meeting
Page 531 and 532:
SEVGULİ’NİN HİKÂYESİNİ DİN
Page 533 and 534:
olduğunu bize asla belirtmedi. Sad
Page 535 and 536:
Sevguli’ye kumasıyla ilişkisini
Page 537 and 538:
yapayacağını bilmiyor olmak” f
Page 539 and 540:
tartışmalı bir durumdur. Bizler
Page 541 and 542:
Verdiği örnek başarılıdır: He
Page 543 and 544:
şekilde marjinalize gruplardan ö
Page 545 and 546:
Kaynakça Akis, Yasemin. 2009. “P
Page 547 and 548:
BİREYSEL GÖRÜŞMELER VE GRUP GÖ
Page 549 and 550:
yansıtsa bile, analizi izleyen tek
Page 551 and 552:
(Öyle bir şey yok. Peki, ortam ko
Page 553 and 554:
ve Belkıs Kümbetoğlu, İnci User
Page 555 and 556:
de bulundu. Bülent Ecevit’in var
Page 557 and 558:
Sen erkek olduğun için senin içi
Page 559 and 560:
HİKÂYELERİMİZİN PEŞİNDEN Fer
Page 561 and 562:
Feminist bakış açısı kuramına
Page 563 and 564:
2008), 361. 2 Sandra Harding, “Fe
Page 565 and 566:
THE CRITICISM OF MAN‐DOMINATED SO
Page 567 and 568:
It should be noted that Forough doe
Page 569 and 570:
appointment as President. From that
Page 571 and 572:
the poet, which he expresses himsel
Page 573 and 574:
—— Φως τη σκoτία. Ath
Page 575 and 576:
Christian spiritual life. It was in
Page 577 and 578:
Na soberana luz da Mãi tão pura,
Page 579 and 580:
the genders has consisted in the di
Page 581 and 582:
IN HER DAY SHE BROKE THE MOLD: DISC
Page 583 and 584:
camera, suggesting the spirited wom
Page 585 and 586:
conception. Rather, her Shakti, “
Page 587 and 588:
Bailey, Alison and Chris Cuomo. The
Page 589 and 590:
“A MARTYR OF ART”: ‘STAGING
Page 591 and 592:
Maria abandons her husband and his
Page 593 and 594:
For Galanaki, Eleni’s disguise an
Page 595 and 596:
THE FEMININE UNIVERSE OF THE 19 TH
Page 597 and 598:
significant dimension. They are ind
Page 599 and 600:
Izabel MARGATO Associated Professor
Page 601 and 602:
gentlewomen for her reputation as a
Page 603 and 604:
As discussed above, Chen Yulian’s
Page 605 and 606:
When all was lost, she painted hers
Page 607 and 608:
KADIN DENEYİMLERİ VE SOSYAL TARİ
Page 609 and 610:
olarak görüldü (Kollontai, 2000:
Page 611 and 612:
olarak yaşlı kuşak kadınlardan
Page 613 and 614:
Ataerkil kültürde genelevler ayn
Page 615 and 616:
eşitsizlik alanının yanı sıra
Page 617 and 618:
etkilenerek yeniden kurgulanması,
Page 619 and 620:
Dolayısıyla anlatıcı kadın, di
Page 621 and 622:
Kıbrıs Türk edebiyatına baktı
Page 623 and 624:
R. B.: kadın, 1946 doğumlu, ilkok
Page 625 and 626:
KADIN FOLKLORU VE SÖZLÜ GELENEKLE
Page 627 and 628:
yola çıkarak, kilamın, stran ve
Page 629 and 630:
demek yetmemektedir ve “kadın de
Page 631 and 632:
dinletilerinin olması da bu durumu
Page 633 and 634:
GÜL KÜLTÜRÜNDE KİŞİ ADLARI V
Page 635 and 636:
Tablo 1. Tanrıçadan bugüne gül
Page 637 and 638:
(Ö 2 ) bütünleştiği (Ö 2 V N
Page 639 and 640:
Notlar 1 Kayıtların geçmişi Mez
Page 641 and 642:
EVLENME VE DÜĞÜN ERTESİ TÖRENL
Page 643 and 644:
durumu anlatmaktadır. 90'lı yıll
Page 645 and 646:
Eski ve orta kuşaklarca gelenek fa
Page 647 and 648:
AGATHA CHRISTIE VE KERİME NADİR
Page 649 and 650:
metni bitirir. 5 Özel hayatına ay
Page 651 and 652:
edilseler de bunlar mutlu sonla bit
Page 653 and 654:
Dergisi, Sayı 292. Kış 2007‐20
Page 655 and 656:
telakki eden, özellikle kadın oku
Page 657 and 658:
1 Kerime Nadir, Romancının Dünya
Page 659 and 660:
Lüsyen’in ailesiyle çatışmas
Page 661 and 662:
şehre gidiyordu. Hâmid’in kimya
Page 663 and 664:
WOMEN'S EXPERIENCE
Page 665 and 666:
their fathers. Siham’s father was
Page 667 and 668:
My father passed away while I was i
Page 669 and 670:
the one hand, Najat expressed repea
Page 671 and 672:
Women’s petitions and telegrams t
Page 673 and 674:
do agriculture and they worked nigh
Page 675 and 676:
Aşk ağlatır dert söyletir elbet
Page 677 and 678:
WE WILL SHOW YOU THAT YOU ARE A WOM
Page 679 and 680:
You have to accept what is happenin
Page 681 and 682:
subjugation in most African societi
Page 683 and 684:
MODERNIZATION AND WOMEN EDUCATION I
Page 685 and 686:
He told Kemal Efendi, ‐‐ I give
Page 687 and 688:
teachers for Rüshdiye schools. All
Page 689 and 690:
READING HABITS AMONG WOMEN IN THE D
Page 691 and 692:
From libraries to bookshops Althoug
Page 693 and 694:
19 Iorga, Femeile în viața neamul
Page 695 and 696:
ecounting her experience of veiling
Page 697 and 698:
When our respondents veiled abruptl
Page 699 and 700:
Moreover, by sticking together and
Page 701 and 702:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
Page 703 and 704:
yapılanışı içerisinde kadınla
Page 705 and 706:
siyasette yer almalarını etkileye
Page 707 and 708:
Beşpınar, seçmen kadınların de
Page 709 and 710:
İKİNCİ DÜNYA SAVAŞI SONUNDA SA
Page 711 and 712:
Sertel’e göre faşizm geri bir i
Page 713 and 714:
September 27, 2013. http://global.b
Page 715 and 716:
Toplumun dinamikliğini gösteren
Page 717 and 718:
hemcinsi ile kurduğu duygusal bağ
Page 719 and 720:
Bütün bunların ‘kurgu’lanara
Page 721 and 722:
1924 yılına ait Fransızca bir be
Page 723 and 724:
10 Çalışlar, Biyografisine Sığ
Page 725 and 726:
sonrası bütün Batılı değerler
Page 727 and 728:
onun kurumlarına da yönelik olmas
Page 729 and 730:
6 Huda Shaarawi, Harem Years: The M
Page 731 and 732:
BİRBİRİNE DEĞEN HAYATLAR Umut B
Page 733 and 734:
Janis içkiye ve uyuşturucuya on a
Page 735 and 736:
Acı çeker çünkü geleneksel gü
Page 737 and 738:
21 S.Reynolds and J. Press, Seks İ
Page 739 and 740:
olay olarak ele alınacak üç vaka
Page 741 and 742:
tarihlerine ışık tutmayı amaçl
Page 743 and 744:
Sexuality and Museums: A Routledge
Page 745 and 746:
KADINLARIN ANLATILARINDA SAĞLIK VE
Page 747 and 748:
ir toplam gibi birikmiş benliğimi
Page 749 and 750:
Saygınlık uyandıracak bir zarafe
Page 751 and 752:
ahlaki ve estetik yargılardan bağ
Page 753 and 754:
WOMEN'S VOICES IN RELIGIOUS DISCOUR
Page 755 and 756:
the dominant ideology of local soci
Page 757 and 758:
from worldly degradation” and all
Page 759 and 760:
Some readers may consider such narr
Page 761 and 762:
Sakkoudion, in Bithynia, Plato beca
Page 763 and 764:
Ester Kreitman was productive as a
Page 765 and 766:
The Orthodox discourse is grounded
Page 767 and 768:
PLACING A FEMALE PERSON AT THE CENT
Page 769 and 770:
(1888‐1954). This kind of idylliz
Page 771 and 772:
(1) polemics and apologetics betwee
Page 773 and 774:
edited by Maria Heidegger, Nina Kog
Page 775 and 776:
This novel is a hybrid with boundar
Page 777 and 778:
proclaims her miraculous pregnancy.
Page 779 and 780:
of a she‐god. Yahweh, you should
Page 781 and 782:
36 Ibid., 83. 37 Virginia Woolf, Th
Page 783 and 784:
CONVERSATIONS BETWEEN US: A VISUAL
Page 785 and 786:
1. The participants represent their
Page 787 and 788:
young Muslim women living in large
Page 789 and 790:
WOMEN'S EXPERIENCE IN THE MIDDLE EA
Page 791 and 792:
well as from ideas of women as a mo
Page 793 and 794:
In response to the screams of Hamid
Page 795 and 796:
Concluding remarks Having read and
Page 797 and 798:
The Dynamics of Change in Conflict
Page 799 and 800:
DANCING WOMEN'S LIVES, WOMEN LIVING
Page 801 and 802:
Rather than only recounting history
Page 803 and 804:
A similar process is at work in Nef
Page 805 and 806:
agency moving beyond polarization,
Page 807 and 808:
postmodern art trend in the USA. 36
Page 809 and 810:
OBITUARIES INTO LIFE HISTORIES: WOM
Page 811 and 812:
mercantile ethos (liberal and ratio
Page 813 and 814:
adds that she managed the money so
Page 815 and 816:
Haddad, Yvonne and Jane Smith, “W
Page 817 and 818:
distinctions between the person wri
Page 819 and 820:
[…] and slowly everything changed
Page 821 and 822:
Chapel Hill: The University of Nort
Page 823 and 824:
HALİÇLİ KÖPRÜ ROMANINDA ETNİK
Page 825 and 826:
karşılaşabilecek ya da bakışı
Page 827 and 828:
Hepimiz bir yıllığına gelmişti
Page 829 and 830:
Bedenleri” çev. Tansel Güney, d
Page 831 and 832:
Ümmülbanu'nun hayatı Azerbaycan'
Page 833 and 834:
Dış dünyanın insan hayatında b
Page 835 and 836:
EDEBİYAT VE OTO/BİYOGRAFİK KURMA
Page 837 and 838:
Seçilmiş Hikayeler Dizisi’nde y
Page 839 and 840:
Kısa bir süre sonra kocasının e
Page 841 and 842:
GEÇ DÖNEM ONDOKUZUNCU YÜZYIL OSM
Page 843 and 844:
Emine Semiye Emine Semiye Hanım d
Page 845 and 846:
ana dönem kadınları hakkında be
Page 847 and 848:
Bektaş (İstanbul: Klasik Yayınla
Page 849 and 850:
WRITING (OF) THE SELF IN JANE EYRE:
Page 851 and 852:
mediation by the screen as a functi
Page 853 and 854:
though the narrator is true to the
Page 855 and 856:
esidue of unprocessed mourning but
Page 857 and 858:
RELATIONS TROUBLE IN ANNA KOWALSKA
Page 859 and 860:
The perception of the world by the
Page 861 and 862:
OYUNLARDA KADINLAR WOMEN IN PLAYSCR
Page 863 and 864:
about their weaknesses and fears, s
Page 865 and 866:
means that writer is actually an an
Page 867 and 868:
history that she personally had con
Page 869 and 870:
ANTİK YUNAN TRAGEDYALARINDA TOPLUM
Page 871 and 872:
toplumda hüküm süren ataerkil bi
Page 873 and 874:
Elektra oyunu mitin bu noktasından
Page 875 and 876:
4 Althusser, 266. 5 Terry Eagleton,
Page 877 and 878:
EDUCATION, PROFESSION, EMANCIPATION
Page 879 and 880:
dominated societal institution,”
Page 881 and 882:
they were assigned too many respons
Page 883 and 884:
“Forget about it, don’t irritat
Page 885 and 886: 6 Joan I. Roberts and Thetis M. Gro
Page 887 and 888: EXPERIENCES OF MUSLIM AMERICAN WOME
Page 889 and 890: I said to myself it cannot be ‐my
Page 891 and 892: It is obvious from the examples I h
Page 893 and 894: GROWING UP IN ROMANIA IN THE 1970s
Page 895 and 896: The burst of laughter her story may
Page 897 and 898: us that there were people who were
Page 899 and 900: Kling, Vincent. “Translator’s A
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