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ariosita et artificiosita dans les madrigaux de giovanni de macque

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of Conza », Grove Music Online, http://www.grovemusic.com/shared/views/article.html?s<br />

ection=music.10994.2, page visitée le 4 mai 2007.<br />

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classici, Torino, Einaudi, 1986, p. 319-363. L<strong>et</strong>teratura italiana, vol. 6.<br />

BIANCONI Lorenzo, Il Seicento, Torino, EDT, 1991. Storia <strong>de</strong>lla musica a cura <strong>de</strong>lla<br />

Soci<strong>et</strong>à Italiana di Musicologia, vol. 4.<br />

BONNIFFET Pierre, Structures sonores <strong>de</strong> l'humanisme en France, Paris, Champion, 2005.<br />

BORRELLI Mario, Il largo <strong>de</strong>i Girolamini, Napoli, D’Agostino, 1962.<br />

BORRELLI Mario, Le costitutioni <strong>de</strong>ll’Oratorio napol<strong>et</strong>ano, Napoli, Congregazione<br />

<strong>de</strong>ll’Oratorio, 1968.<br />

BROWN Howard Mayer, « Emulation, Comp<strong>et</strong>ition, and Homage: Imitation and Theories<br />

of Imitation in the Renaissance », Journal of American Musicological Soci<strong>et</strong>y, XXXV,<br />

1982, p. 1- 48.<br />

BROWN Howard Mayer, « Verso una <strong>de</strong>finizione <strong>de</strong>ll’armonia nel sedicesimo secolo : sui<br />

‘madrigali ariosi’ di Antonio Barrè » Rivista italiana di musicologia, XXV, 1990, p. 18-<br />

60.<br />

649

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