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in time to the music and sway their bodies slightly, the Dance of the Forty (Kırklar Semah), the<br />

Dance of the Cranes (Turnalar Semah) and prayer formulas.<br />

Alevis have a significant role in Turkish music and poetry. Pir Sultan Abdal, a 16th century Alevi<br />

poet whose poems and songs often contain spiritual themes, is revered as a saint and hero.<br />

Important figures are the Sufi poet Yunus Emre, widely regarded as having been Alevi, and<br />

Kaygusuz Abdal. Their poems shape Turkish culture up to now, and are also performed by<br />

modern artists. Songs attributed to these poets have been embraced by left-wingers in the 20th<br />

century. The aşık bards are also influenced by Alevi tradition.<br />

Many of the major traditional musicians in Turkey are Alevi, including Arif Sağ, Musa Eroğlu,<br />

Erdal Erzincan, Neşet Ertaş, Muharrem Ertaş, Aşık Mahzuni Şerif, Aşık Feyzullah Çınar, Aşık<br />

Veysel Şatıroğlu, Ali Ekber Çiçek, Sabahat Akkiraz, Belkıs Akkale, and Ulaş Özde<strong>mir</strong>. Other<br />

non-Alevis, such as Ruhi Su and Zülfü Livaneli, have recorded many Alevi songs. Mercan Dede,<br />

an artist whose music combines electronic and traditional Sufi elements, has made some songs<br />

involving Alevi themes in cooperation with singer Sabahat Akkiraz. [1]<br />

Below are a series of videos from Turkish television showing a cem service:<br />

Part One<br />

Part Two<br />

Part Three<br />

Part Four<br />

Part Five<br />

Part Six<br />

Part Seven<br />

See also:<br />

Sema video<br />

Amateur video, Part One<br />

Amateur video, Part Two<br />

Amateur video, Part Three<br />

A cem in the Zaza tradition<br />

References<br />

1. ^ Martin van Bruinessen, "Aslini Inkar Eden Haramzadedir! The Debate on the Kurdish<br />

Ethnic Identity of the Kurdish Alevis." in K. Kehl-Bodrogi, B. Kellner-Heinkele, & A.<br />

Otter-Beaujean (eds), Syncretistic Religious Communities in the Near East (Leiden: Brill,<br />

1997). Note p. 7.)<br />

2. ^ See Ali Yaman's article "Kizilbash Alevi Dedes."<br />

3. ^ So argues Martin van Bruinessen in his 2003 paper "Clashes between or within<br />

civilizations? Meeting of cultures in Anatolia and Western Europe" See par. 3.<br />

4. ^ From the introduction of Syncretistic Religious Communities in the Near East edited by<br />

her, B. Kellner-Heinkele, & A. Otter-Beaujean. Leiden: Brill, 1997.<br />

5. ^ Structure and Function in Turkish Society. Isis Press, 2006, p. 81).<br />

6. ^ From his Turkish Alevis Today.<br />

7. ^ "The Alevi of Anatolia," 1995.<br />

8. ^ Bilici, F: "The Function of Alevi-Bektashi Theology in Modern Turkey", seminar.<br />

Swedish Research Institute, 1996<br />

9. ^ These and many other quotations may be found in John Shindeldecker's Turkish Alevis<br />

Today.<br />

10. ^ Also see, Öztürk, ibid, pp. 78-81. In the old days, marrying a Sünni [Yezide kuşak<br />

çözmek] was also accepted as an offense that led to the state of düşkün. See Alevi Buyruks

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