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about the law and practice of tumah and taharah from biblical times to the present. Some<br />

traditional ceremonies, such as the custom of Sephardic women celebrating with a bride as she<br />

goes to the mikveh for the first time, or reciting special t’chinot (women’s prayers) before and<br />

after going to the mikveh, have been revived or widely adopted in order to enhance the experience<br />

of immersion (see Diamant, Anita. The New Jewish Wedding. Fireside, 1985, p. 152-154).<br />

Because mikveh is one of the only Jewish practices that was largely associated with women, many<br />

women desire to reclaim it, in order to retain a practice that has been uniquely associated with<br />

women.<br />

Rethinking mikveh: The Case of Rachel Adler<br />

As a young Orthodox woman, Rachel Adler wrote a seminal article re-envisioning tumah and<br />

taharah, ritual purity and impurity, as a positive experience for women (Adler, Rachel. “Tumah<br />

and Taharah: Endings and Beginnings.” The Jewish Woman: New Perspectives. Ed. Elizabeth<br />

Koltun. Schocken Books, 1976). Like many modern Jewish women, Adler sought to reclaim<br />

Jewish traditions about women by reinterpreting them in a positive way. Adler spoke eloquently of<br />

how women, through their menses, embody the cosmic cycle of life, death, and rebirth, of<br />

darkness and light. She imagined menstruation as symbolic of loss, and mikveh as an expression<br />

of hope and life-giving potential. Adler pointed out that in Temple times purity and impurity<br />

applied to everyone, not only to women. She suggested that the forces of life and death, expressed<br />

through the ancient dichotomy of tumah and taharah, were both ultimately good, and that both<br />

menstrual separation and the return to sexual activity were holy phases of a woman’s life. Many<br />

women were convinced by Adler’s ideas, and it is now commonplace for Jewish women who<br />

write about mikveh to assert what Adler dared to put forward when it was a radical thought: that<br />

“impurity” and “purity” are equal parts of a sacred cycle. Adler created a way of looking at<br />

mikveh that allowed many women to feel good about mikveh as a spiritual practice.<br />

Adler herself, over decades, came to believe that she had been wrong in her thinking. The women<br />

who met her at conferences and praised her for her ideas saddened and embarrassed her. Finally,<br />

twenty-five years later as a Reform theologian, she wrote a second article (”In Your Blood, Live:<br />

Re-visions of a Theology of Purity,” in Lifecycles 2: Jewish Women on Biblical Themes in<br />

Contemporary Life, ed. Debra Orenstein and Jane Rachel Litman, Jewish Lights, 1997) in which<br />

she rejected her former philosophy. In this second article, Adler asserted that her first theory of<br />

mikveh had been a “slave theology” that purported to sanctify women while enabling their<br />

oppression. Adler pointed out that while she claimed that impurity applied to women and men, in<br />

actual Jewish life it only applied to women, thus associating women with death. She also reanalyzed<br />

biblical texts and indicated that while she imagined niddah (menstrual impurity) as a<br />

morally neutral term, the Bible used it as a word for corruption and filth (Lamentations 1:8,17).<br />

Adler indicated that her experience of Orthodox practice was that women were labeled as impure<br />

and were shut out from reading Torah or even from shaking hands with men because of this<br />

designation. She feared that her theology had provided an apologia for misogynistic practices, and<br />

wished to replace it with a theology in which purity and bodily reality can co-exist.<br />

Adler’s two articles represent the poles of Jewish women’s experience regarding mikveh. From an<br />

uncritical acceptance of the ancient laws, Adler moved to an utter rejection of them, expressing the<br />

desire to re-imagine the entire Jewish definition of purity. Yet in her later article Adler praises the<br />

new and creative uses of mikveh that women have developed in recent years. Rabbi Elyse<br />

Goldstein trumpets creative approaches to the mikveh as a way of fundamentally altering the<br />

ritual’s impact: “We reject its principal import as a tool of marriage and we open up other avenues<br />

for meaning…dip on Rosh Chodesh (the new moon)…open the mikveh during the day… turn the<br />

mikveh into a Jewish women’s learning center….” (Goldstein, Elyse. ReVisions: Seeing Torah<br />

Through a Feminist Lens. Key Porter Books, 1998, p. 127-128). The alternative uses of mikveh<br />

that women and men have invented clearly play a role, for both traditional and non-traditional<br />

Jews, in redefining what mikveh means to the Jewish community.

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