Tqloto_tekst_Desi_red

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Lyions, J., Semantics, vol. I-II, Cambridge 1977.
Luice-Sith, Ed., Adam – The male figure in Art, N.Y. 1998.
Mannheim, K., Essays on the Sociology of Culture, L. 1956/ 2003.
Margolis, J., Person and Minds, The Prospects of Nonreductive Materialism, Boston
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McLuchan, M., Understanding Media, L. 1964.
McLuchan, M., Verbi-Voco-Visual Exploration, N.Y. 1967.
McLuchan, M., The Medium is the Message, N.Y. 1968/1998.
Meerloo, J., The Dance, N.Y. 1960.
Mitchell, J., Dance Scene, N.Y. 1967.
Miths and Symbols, N.Y. 2001.
Morris, Ch., Writings of the General Theory of Signs, N.Y. 2001.
Morris, Ch., Signs, Language and Behavior, N.Y. 2002.
Moss, M., Les techniques du corpus. in: Journal de psychologie, Paris 1939.
Moss, M., Sociologie et anthropologie, Paris 1973.
Mouloud, N., Language and Structure, N.Y. 2005.
Ogburn, W. F., Social Change, 1922.
Ogden, G., Richards, J., The meaning of meaning, N.Y. 2005/1927.
Panofsky, Erwin, Style and Medium in the Motion Pictures, in: Film Theory and
Criticism, New York 1947.
Parsons, T., Sociological Theory and the modern Society. N.Y. 1967.
Pauley, H., „Inside Kabuki: An Experience in Comparative Aesthetics“, Journal of
Aesthetics and Art Criticism, vol. 25, pp. 293-306, 1967.
Pelmer, F., Semiotics: A New Cutline, Cambridge 1977.
Pierce, Ch., Collected Writings, N.Y. 2006.
Pierce, Ch., Collected papers, vol. 1-8, Harvard 1931-1958 / 2006.
Prieto, L., Messages and Signs, N.Y. 2001.
Rader, M. M., A Modern Book of Esthetics; an anthology with introduction and
notes, L. 1996.
Rasmussen, D., Symbol and Interpretation, Hague 1974/1999.
Read, H., Icon and Idea, Cambridge 1955/2006.
Rebeck, T., Semiotics. A Surwey of the State of Art, Hague 1974.
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