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Bibliografía HEILBRON FERRER, M.: Mariano Rodríguez de Ledesma: Colección de cuarenta ejercicios o estudios progresivos de Vocalización (París, 1828c). Centro Superior de Investigaciones Científicas. Madrid, 2003. HERNÁNDEZ GIRBAL, F.: Cien Cantantes españoles de ópera y zarzuela (siglo XIX y XX). Ediciones Lira, Madrid 1994. HERRERO, F.: La Ópera y su estética. Dirección General de Música y Teatro. Madrid, Ministerio de Cultura, 1983. Historia de los Teatros Nacionales. Vol. 1 (1939-1962), INAEM, Madrid, 1993. HONEGGER, M.: Diccionario de la música, los hombres y sus obras. Tomo I. Espasa Calpe. Madrid, 1987. HURTADO, L.: Apuntes sobre la crítica musical. Grupo Editor Latinoamericano. Buenos Aires, Argentina, 1988. IBORRA, J.: La mirada del conserge. Dietari del Gran Teatre del Liceu (1862- 1981). Institut del Teatre de la Diputació de Barcelona. Barcelona. 1999. IGLESIAS, A.: La ópera en España y su problemática. Ministerio de Educación y Ciencia. Madrid, 1976. --: Coro Nacional de España. 25 años. Instituto Nacional de las Artes Escénicas. Madrid, 1996. KASTIYO, L. y DEL PINO, R.: El Festival Internacional del Música y Danza de Granada, 1952- 2001. Volumen I, (1952- 1980). Festival Internacional del Música y Danza de Granada y Centro de Documentación Musical de Andalucía. Granada, 2000. KRAUS, E. y WEEDA, R.: La música y el público del futuro. Editado por Evertt Helm. París, 1975. La Cultura Popular y los Festivales de España 1965. Ministerio de Información y Turismo. 1965. LAVIRGEN, P.: “La formación del cantante de ópera español”. En: IGLESIAS, A.: La ópera en España y su problemática. Ministerio de Educación y Ciencia. Madrid, 1976, pp. 119-134. --: “Carta de adhesión al homenaje de José María Aguilar, con fecha 19 junio de 1978”. En: SÁNCHEZ LUQUE, J.: Biografía de José María Aguilar, El barítono de la voz de oro. Autor y Monte de Piedad y Caja de Ahorros de Córdoba, Córdoba, 1979. Documento 33, página 98. 1161
Tenor Pedro Lavirgen. Trayectoria de una voz --:“El bel canto y la técnica en la época de Antonio Cortis”. En: AA.VV.: Antonio Cortis. Un trono vicino al sol. Generalitat Valenciana. Valencia, 1992, pp. 79-80. --:“Prólogo”. En: BAÑÓ LLORCA, F.: La Antitécnica. Editorial Alpuerto, Madrid, 2003, pp. 15-17. LOLO, B., GOSÁLVEZ, C. J. y LAMBEA, M.: Índices de la Revista de Musicología (1978 - 1999), Madrid, 2000. LÓPEZ CHÁVARRI, E.: Cien años de música en Valencia. Caja de Ahorros de Valencia. Valencia, 1978. LÓPEZ RUIZ, J. M.ª: Historia del teatro Apolo y de la Verbena de la Paloma. Editorial El avapies. Madrid, 1994. MARCO, T.: Historia de la música española. Edit. Alianza. Madrid, 1983. MARRACO ROCA, A.: La voz cantante. Biblioteca Teatro Mundial. Barcelona, 1914. MATAS RICART, F.: Diccionario biográfico de la Música. Editorial Iberia, S.A. Barcelona, 1966. MATAS RICART, F.: Diccionario biográfico de la Música. Editorial Iberia, S.A. Barcelona, 1980. MATHEOPOULOS, H.: Plácido Domingo mis personajes, mi vida. Ediciones Robinbook. Barcelona, 2001. Ministerio de Información y Turismo. Cultura popular y espectáculos en España 1961-1971. Dirección General de Cultura Popular y Espectáculos.Madrid. Montserrat Caballé 40 anys al Liceu. Fundació Gran Teatre del Liceu. Barcelona, 2002. MORALES VILLAR, M.ª del C.: La Agrupación Lírica “Francisco Alonso” (1963-1973). Historia de una Compañía de Zarzuela de Granada. Consejería de Cultura. Centro de Documentación Musical de Andalucía. Granada, 2003. MORENO CALDERÓN, J. M.: Música y músicos en la Córdoba contemporánea. Publicaciones CajaSur. Córdoba. 1999. --: Desde mi atril. Notas musicales cordobesas. Ediciones de La Posada, Ayuntamiento de Córdoba, 2003. 1162
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UNIVERSIDAD DE CÓRDOBA DEPARTAMENT
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TENOR PEDRO LAVIRGEN. TRAYECTORIA D
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Tenor Pedro Lavirgen. Trayectoria d
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LISTA DE ABREVIATURAS A H.P.C. Arch
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PARTE TERCERA Parte tercera. Escena
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Parte tercera. Escenarios internaci
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3.4. NORMA EN PHILADELPHIA Parte te
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PARTE CUARTA AÑOS PARA EL ÉXITO (
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3. EN LA CÚSPIDE (1975-1976) Parte
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***** ***** Parte cuarta. Años par
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PARTE QUINTA CAMBIOS EN LA ESCENA (
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1.1. LA NUEVA REALIDAD ESPAÑOLA Qu
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2.5. TRES TÍTULOS PARA OVIEDO Quin
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TOMO II
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1250 Apéndices
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