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Introducción Llegados a este punto, queremos reconocer la diligencia con la que nos ha ayudado el personal que atiende las instituciones y archivos que hemos consultado. Agradecemos la colaboración a todas las personas que siempre han tenido a bien el atendernos, bajo la tarjeta de presentación de su admiración hacia el tenor; al propio protagonista, así como a su esposa Paquita Baena. Es justo mencionar el agradecimiento a nuestra tutora, la Doctora Yolanda Olmedo que nos ha dirigido en las sesiones de trabajo, vigilando que nuestra metodología y estilo resultasen adecuados. Esperamos haber recogido fielmente sus enseñanzas. Hemos de reconocer también nuestra gratitud a todos los que con su ánimo nos han infundido aliento y energía para recargar nuestras horas de desvelo, y especialmente a la familia y amigos que han comprendido las horas que les he negado: gracias por vuestra comprensión y paciencia. He de abrir, finalmente, mi corazón a mi hija Belén; sus ojos infantiles me devolvían a la cordura del tiempo, y a Gabriel; sin el querido compañero de viaje no hubiera llegado a esta estación. 25
Tenor Pedro Lavirgen. Trayectoria de una voz 26
Page 1 and 2: UNIVERSIDAD DE CÓRDOBA DEPARTAMENT
Page 3 and 4: TENOR PEDRO LAVIRGEN. TRAYECTORIA D
Page 5 and 6: Tenor Pedro Lavirgen. Trayectoria d
Page 11 and 12: LISTA DE ABREVIATURAS A H.P.C. Arch
Page 29: Tenor Pedro Lavirgen. Trayectoria d
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PARTE TERCERA Parte tercera. Escena
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Parte tercera. Escenarios internaci
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3.4. NORMA EN PHILADELPHIA Parte te
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PARTE CUARTA AÑOS PARA EL ÉXITO (
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3. EN LA CÚSPIDE (1975-1976) Parte
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***** ***** Parte cuarta. Años par
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PARTE QUINTA CAMBIOS EN LA ESCENA (
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1.1. LA NUEVA REALIDAD ESPAÑOLA Qu
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2.5. TRES TÍTULOS PARA OVIEDO Quin
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TOMO II
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1250 Apéndices
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