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Bibliografía VALLS, M.: “En el Liceo. Buena representación de «Otello», de Verdi”. Recorte de prensa, crítica referida a la función del día 1 de diciembre 1979. (A.P.T.) VÁZQUEZ- PRADA, R.: “El divo es español. «Trataré de que Oviedo oiga a Pedro Lavirgen y no al sustituto de Corelli»”, en: Región, Asturias, 15 septiembre 1971, pp. 10-11. --:“Crónica del día. “Sobre «Carmen», y Pedro Lavirgen”, en: Región, Asturias, 17 septiembre 1971, página de cierre. VÁZQUEZ, O.: “El recibimiento que nos han brindado nos ha emocionado a todos. Recorte de prensa, Cuba, con la fecha 22 junio 1983. (A.P.T.) VEGA S. G.: “Antología de la zarzuela”, en: La Libertad, Barranquilla, 2 octubre 1983, 5-A. VEGA, A.: “Éxito rotundo del Coro del Gran Teatro en su debut”, en: Diario 16, 21 junio 1987, p. 60. VEGA, L.A.: “Pedro Lavirgen. Cantante lírico. «El tenor es un ser narcisista, pero sin él no hay espectáculo»”, en: La Nueva España, Oviedo, 12 diciembre 1993, p. 16. VÉLEZ DE PIEDRAHÍTA, R.: “Cómo Haceb ópera”, en: El Colombiano, Medellín, 25 junio 1971, p. 13. VICE: «La bianca vela del poeta-soldato», en: Libertá, 8 noviembre 1974, p. 7. VIDIEL: “El lírico continúa en auge”. Reseña de prensa, Barcelona 4 septiembre 1961. (A.P.T.) VILLA, J.: “Bujalance rinde público homenaje a Pedro Lavirgen. Premio Nacional”, en: Córdoba, 3 octubre 1963, p. 2. W. S.: “Aida International”, en: Der Abend, 7 marzo 1972. (A.P.T.) WEBSTER, D.: “Singing not the setting highlights lyric’s «Norma»”, en: Philadelphia Inquirer, 20 abril 1972, p. 36. WIDDICOMBE, G.: “Covent Garden. Carmen”, en: The Financial Times, 3 noviembre 1975, p. 3. YEPES, G. A.: “A propósito de «Gran estreno»”. Recorte de prensa, atribuido a El Espectador, junio 1971. (A.P.T.) 1219
Tenor Pedro Lavirgen. Trayectoria de una voz ZANNI, U. F.: “Teatros. Teatro Griego de Montjuich. Brillante reposición de las zarzuelas «La revoltosa» y «Gigantes y Cabezudos»”. Reseña de Prensa, atribuida a 1961. (A.P.T.) ZIEGLER, J.: “Belgique. Liège. Otello”. Recorte de la revista Opera Internacional, p. 40 y 41, atribuida a 1978. (A.P.T.) ZORRO SÁNCHEZ, B.: “Carta al director. El Alto Gualquivir en Fitur”, en: Córdoba, 16 febrero 2001, p. 7. 1220 5. REVISTAS “¡Batuta!” en: Audiomúsica, actualidad mundial de la música clásica y popular. México, año 7, n.º 146, 15 octubre 1965, pp. 3 a 6. “«Sansón y Dalila»: Por la Orquesta Municipal y la Coral Polifónica Valentina”. Ritmo. Madrid. XLV, nº 448, enero-febrero 1975, p. 39. “A puertas cerradas, protestas abiertas”. Ritmo. Madrid, n.º 318, abril-mayo 1961, p. 3. “Actividades musicales de la Sección Femenina”. Monsalvat. Barcelona, n.º 13, enero 1975, p. 46. “Asturias”, en: Ritmo. Madrid n.º 443, 1974, p. 22. “Avance de la programación del Liceo 74/ 75”. Monsalvat. Barcelona, n.º 9, septiembre 1974, p. 740. “Congreso Nacional de la música española”. Monsalvat. Barcelona, n.º 38, abril 1977, pp. 237-238. “Consideraciones en torno a la ópera en Madrid”. Monsalvat. Barcelona, n.º 16, abril 1975, pp. 205-209. “Consultorio”. Monsalvat. Barcelona, n.º 13, enero 1975, p. 62. “Crónica de Barcelona”, en: Ritmo. Madrid, n.º 438, enero 1974, p. 23. “Crónica desde La Coruña”. Ritmo. Madrid, n.º 329, octubre 1962, pp. 19-20. “Editorial. Intrusismo musical. Ritmo. Madrid, n.º 454, septiembre 1975, p.3. “Editorial”. Ritmo. Madrid, n.º 308, enero-febrero 1960, p. 3.
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UNIVERSIDAD DE CÓRDOBA DEPARTAMENT
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TENOR PEDRO LAVIRGEN. TRAYECTORIA D
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Tenor Pedro Lavirgen. Trayectoria d
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LISTA DE ABREVIATURAS A H.P.C. Arch
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PARTE TERCERA Parte tercera. Escena
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Parte tercera. Escenarios internaci
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3.4. NORMA EN PHILADELPHIA Parte te
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PARTE CUARTA AÑOS PARA EL ÉXITO (
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3. EN LA CÚSPIDE (1975-1976) Parte
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***** ***** Parte cuarta. Años par
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PARTE QUINTA CAMBIOS EN LA ESCENA (
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1.1. LA NUEVA REALIDAD ESPAÑOLA Qu
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2.5. TRES TÍTULOS PARA OVIEDO Quin
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TOMO II
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