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Parte sexta. Al otro lado de la pirámide (1982-1993) así completaría sus veinte temporadas seguidas en el Liceo, la propuesta le subió bastante el ánimo. 252 El público iba preparado para ovacionarlo, pero reconoce que no estuvo bien, no es que pasara nada escandaloso añade –pero estaba muy afectado, ni brillante, ni mucho menos; simplemente pasó como pudo la obra: “Noté que la gente se apagó y esto es muy ingrato porque la gente no se acordó de mis noches de gloria en el Liceo. Me brindó aplausos con mucha cortesía y hasta con afecto”. A la puerta esperaba que se festejaran sus veinte años en el Liceo, en su lugar vio caras mustias, y la ausencia de algunos a los que esperaba encontrarse. Comprendió que el público era así y como tal tuvo que aceptarlo. Este es el recuerdo de su última actuación liceísta. 253 Efectivamente, con la ópera Don Carlo, Pedro Lavirgen cerraba la historia que había ido escribiendo función tras función en el Liceo de Barcelona, como puede verse en el cuadro-resumen de sus actuaciones (véase en la página siguiente). Analizadas las actuaciones de Pedro Lavirgen, llegamos a las siguientes conclusiones: El empresario Juan Antonio Pamias (recordemos que aparte de las dotes directivas era un gran conocedor de la ópera y de su mundo vocal) intuyó en un joven debutante unas grandes posibilidades que fue mostrando título tras título y año tras año. Así lo demuestra el hecho de que desde su irrupción, en noviembre de 1964, el tenor no faltó a las temporadas de ópera, actuando ininterrumpidamente durante dieciocho, hasta marzo de 1982, para retornar en el año 1988. Así pues, la etapa liceísta del tenor está enmarcada en el periodo del empresario Juan Antonio Pamias. En ocho temporadas interviene en un solo título, que llega a representar como único reparto hasta en cuatro funciones. 252 Obsérvese el error del tenor pues realmente era la temporada 19. 253 Entrevista de la autora con Pedro Lavirgen (21 de septiembre de 2002). 971
Tenor Pedro Lavirgen. Trayectoria de una voz 972 CUADRO RESUMEN ACTUACIONES DE PEDRO LAVIRGEN EN EL GRAN TEATRO DEL LICEO DE BARCELONA Temporada 1964-1965: Carmen de Georges Bizet. Don José. Temporada 1965-1966: Cavalleria Rusticana de Pietro Mascagni. Turiddu. I pagliacci de Ruggero Leoncavallo. Canio. Temporada 1966- 1967: Carmen de G. Bizet. María del Carmen de Enrique Granados. Homenaje al Ballet del Liceo y a Joan Magriná. Temporada 1967- 1968: Aida de Giuseppe Verdi. Radamés. Concierto XXX Aniversario de la Fundación de RNE. Marina de Emilio Arrieta. Jorge. Temporada 1968-1969: Don Carlo de G. Verdi. Don Carlos. Il trovatore de Verdi. Manrico. Durante la tercera representación del último título se le hizo entrega de la Medalla de Oro del Liceo. Temporada 1969-1970: Carmen apertura de la Temporada. Cuatro. La Dolores de Tomás Bretón. Lázaro. Tres Temporada 1970-1971: Aida. Cuatro. Temporada 1971-1972: La forza del destino de Verdi. Don Álvaro. Alternaba Bergonzi. I pagliacci de Leoncavallo. Tres. Gran Gala Lírica. Homenaje a Juan Antonio Pamias. Doña Francisquita de Amadeo Vives. Fernando. Cuatro. Temporada 1972-1973: Turandot de Giacomo Puccini. Cuatro Temporada 1973- 1974: L´amore dei tre re de Italo Montemezi. Avito. Tres. Il trovatore. Tres. Temporada 1974- 1975: La forza del destino. Tres Carmen. Macbeth de Verdi. Macduff. Tres Concierto a beneficio de UNICEF La Dolores. Tres. Temporada 1975- 1976: Lucia di Lammermoor de G. Donizetti. Edgardo. Tres. Temporada 1976-1977: Il trovatore. Manrico. Tres. Temporada 1977- 1978: I due Foscari de Verdi. Jacopo. Apertura de la Temporada. Tres. Aida. Tres. Adriana Lecouvreur de Francesco Cilea. Mauricio. Temporada 1978- 1979: La forza del destino. Temporada 1979-1980: Otello de Verdi. Otello. Tres. Turandot de G. Puccini. Calaf. Tres. Temporada 1980-1981: I pagliacci de Leoncavallo. Canio. Temporada 1981-1982: Il tabarro de Puccini. Luigi. Tres. Temporada 1988-1989: Don Carlo de Verdi. Don Carlos. Dos.
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UNIVERSIDAD DE CÓRDOBA DEPARTAMENT
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TENOR PEDRO LAVIRGEN. TRAYECTORIA D
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Tenor Pedro Lavirgen. Trayectoria d
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LISTA DE ABREVIATURAS A H.P.C. Arch
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PARTE TERCERA Parte tercera. Escena
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3.4. NORMA EN PHILADELPHIA Parte te
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PARTE CUARTA AÑOS PARA EL ÉXITO (
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3. EN LA CÚSPIDE (1975-1976) Parte
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***** ***** Parte cuarta. Años par
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PARTE QUINTA CAMBIOS EN LA ESCENA (
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1.1. LA NUEVA REALIDAD ESPAÑOLA Qu
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2.5. TRES TÍTULOS PARA OVIEDO Quin
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TOMO II
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1250 Apéndices
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