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Apéndices Doc. N.º 75 Citado en tomo1, página 223. BELDERRAIN: “Brillante representación de Carmen en la Plaza de Toros”. A.P.T. Reseña de prensa, 8 septiembre 1963. Página 1398. Doc. N.º 76 Citado en tomo1, página 227. G: “Principal, «Doña Francisquita»”. A.P.T. Recorte de Prensa, atribuido a enero de 1964, Valencia. Página 1399. Doc. N.º 77 Citado en tomo1, página 228. PORTILLO: “«Carmen»: Una brillante y espectacular representación”. A.P.T. Recorte de prensa, atribuido Valencia, febrero de 1964. Página 1400-1401. Doc. N.º 78 Citado en tomo1, página 229. “Medallas y Minervas”. A.P.T. Página 1402. Doc. N.º 79 Citado en tomo1, página 231. S. F.: “«Doña Francisquita» no Coliseu”. A.P.T. Recorte de prensa atribuido a Diario Popular, Lisboa, marzo de 1964. Página 1403. Doc. N.º 80 Citado en tomo1, página 233. DE FREITAS, M.ª H.: “A «Carmen» no coliseu com uma deslumbrante encenaçao de José Tamayo”. A.P.T. Recorte de prensa atribuido a marzo de 1964. Página 1404. Doc. N.º 81 Citado en tomo1, página 234. J.F.B.: “A ópera «Carmen», de Bizet, teve uma encenaçao de grande espectáculo, no coliseu”. A.P.T. Recorte de prensa, atribuido a Lisboa, marzo de 1964. Página 1405. Doc. N.º 82 Citado en tomo1, página 234. A. J. P.: “Ópera no Coliseu. «Carmen» de Bizet”. A.P.T. Recorte de prensa, atribuido a Jornal do comercio, Lisboa, marzo de 1964. Página 1406. Doc. N.º 83 Citado en tomo1, página 235. A.J.P.: “Vida musical. Melodias de Cruz e Sousa”. A.P.T. Recorte de prensa, atribuido a Lisboa, marzo de 1964. Página 1407. 1307
Tenor Pedro Lavirgen. Trayectoria de una voz Doc. N.º 84 Citado en tomo1, página 238. L. R.: “Éxito de Pedro Lavirgen”. A.P.T. Recorte de prensa. Escrito a máquina nos remite a Comercio, Gijón, 7 mayo 1964. Página 1408. Doc. N.º 85 Citado en tomo1, página 238. “Género Lírico. Ópera y zarzuela”. A.P.T. Recorte de prensa. Escrito a máquina nos remite a Dígame, Gijón, 12 mayo 1964. Página 1409. Doc. N.º 86 Citado en tomo1, página 242. NAS: «El Carnaval de Venecia». A.P.T. Recorte de prensa. Manuscrito señala La Gaceta del Norte, 27 de agosto de 1964. Página 1410. Doc. N.º 87 Citado en tomo1, página 242. NAS: “«Doña Francisquita» en el Coliseo”. A.P.T. Recorte de prensa que atribuido a La Gaceta del Norte, agosto de 1964. Página 1411. Doc. N.º 88 Citado en tomo1, página 248. ASENSIO, A.: “La entrevista del día. Pedro Lavirgen, a la ópera”. A.P.T. Recorte de prensa atribuido a 1964. Página 1412. Doc. N.º 89 Citado en tomo1, página 249. “El tenor Pedro Lavirgen de quien…” A.P.T.. Recorte de prensa, manuscrito nos remite a Hoja del Lunes, Oviedo, 26 de octubre de 1964. Página 1413. Doc. N.º 90 Citado en tomo1, página 256. CLARIÓN: “Música. Músicos cordobeses profetas fuera de su tierra”. A.P.T. Recorte de prensa atribuido a Córdoba, 1964. Página 1414. Doc. N.º 91 Citado en tomo1, página 257. “Carta de Gijón”. A.P.T. Recorte de Prensa. Por el contenido de la misma la atribuimos a una fecha posterior al 19 de noviembre de 1964. Página 1415. Doc. N.º 92 Citado en tomo1, página 261. SUPLENTE: “El «Miserere», de Eslava en feliz interpretación”. A.P.T. Recorte de prensa, Sevilla, 15 de abril de 1965. Página 1416. 1308
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UNIVERSIDAD DE CÓRDOBA DEPARTAMENT
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TENOR PEDRO LAVIRGEN. TRAYECTORIA D
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Tenor Pedro Lavirgen. Trayectoria d
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LISTA DE ABREVIATURAS A H.P.C. Arch
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PARTE TERCERA Parte tercera. Escena
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Parte tercera. Escenarios internaci
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3.4. NORMA EN PHILADELPHIA Parte te
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PARTE CUARTA AÑOS PARA EL ÉXITO (
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Parte cuarta. Años para el éxito
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3. EN LA CÚSPIDE (1975-1976) Parte
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***** ***** Parte cuarta. Años par
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PARTE QUINTA CAMBIOS EN LA ESCENA (
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1.1. LA NUEVA REALIDAD ESPAÑOLA Qu
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2.5. TRES TÍTULOS PARA OVIEDO Quin
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TOMO II
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1250 Apéndices
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