últimas corrientes teóricas en los estudios de traducción - Gredos ...

More documents

Recommendations

Info

E. SÁNCHEZ TRIGO–UNIDADES DE TRADUCCIÓN PARA EL ANÁLISIS DE ESTRATEGIAS TRADUCTORAS HOUSE, Juliane; BLUM-KULKA, Shoshana. Interlingual and Intercultural Communication. Tubinga: Gunter Narr, 1986. KUSSMAUL, Paul; TIRKKONEN-CONDIT, Sonja. “Think-Aloud Protocol Analysis in Translation Studies”. TTR, 1995, vol. 8, pp. 177-199. KÖNIGS, Frank y KAUFFMAN, Reinhard. 1996. “Processus mentaux étudiés chez des sujets allemands apprenant le français lorsqu’ils sont en train de traduire”. Meta. 1996, vol. 41 (1), pp. 7-25. LORENZO, María Pilar. “Apuntes para una discusión sobre métodos de estudio del proceso de traducción”. En HANSEN, Gyde. Probing the Process in Translation: Methods and Results. Copenhague: Samfundslitteratur, 1999, pp. 21-42. SÁNCHEZ TRIGO, Elena. “Aproximación a las unidades de traducción. Ámbito francésespañol”. En FÉLIX FERNÁNDEZ, Leandro; ORTEGA ARJONILLA, Emilio. II Estudios sobre Traducción e Interpretación, Málaga: Universidad de Málaga, 1998, vol. I, pp. 159- 168. ———“Las denominadas Unidades de traducción: Evolución del concepto y nuevos enfoques”. En SÁNCHEZ TRIGO, Elena; DÍAZ FOUCES, Óscar. Traducción & Comunicación v.1. Vigo: Universidad de Vigo, 2000, pp. 89-124. SÉGUINOT, Candace. “The Translation Process: An Experimental Study”. En SÉGUINOT, Candace. The Translation Process. Toronto: H.G. Publications, 1989, pp. 21-54. ANEXOS: ANEXO 1: TEXTO ORIGINAL Higelin l’authentique. Ce n’est pas un rendez-vous manqué. Le cheveu en bataille, l’allure désinvolte mais le regard gêné, l’artiste est en retard. Il s’excuse une fois, deux fois et rassuré‚ de ne sentir aucun reproche, s’installe, presque timide, au fond de la salle de ce café-tabac, rue de Clichy. En face, les sept lettres de son nom s’étalent sur la fa‡ade du Casino de Paris. HIGELIN, juste le nom. Comme pour les plus grands -Brel, Brassens, Piaf-, on se passe du prénom. Un double café pour l’ami chanteur. La mine pas très fraîche des lendemains de fête, le prince du rock baroque allume une cigarette, comme pour dire: “Feu vert, je suis fin prêt”. Eternellement jeune, Higelin, pareil à un gamin, s’émerveille pour un oui, ou pour un non. Et c’est bien là son secret de jouvence. La vie le ravit. Chaque instant est pour lui une source d’émotion.Tout vit chez Higelin: son regard charbonneux qui peut exprimer en quelques secondes les sentiments les plus divers; ses gestes amples et souples; ses phrases, alambiquées, qui s’envolent comme autant de messages que l’on mettrait en bouteille pour ensuite les jeter à la mer. Des phrases sans parenthèses, ponctuées de guillemets, d’exclamations, de silences aussi, pour repartir de plus belle; des phrases qui ne s’arrêtent jamais tellement il aime raconter Higelin, la vie, la mort… la vie, quoi! Priorité à la poésie. Le faiseur de mots raconte ses compagnons de tous les jours avec lesquels il cohabite, dans la maison, au pied d’une rue, à Pantin: “C’est un petit pêcher qui n’a pas pris, déclare-t-il tristement. Un vieux poirier qui donne des poires, de belles poires, dont une très grosse. Je ne l’ai pas mangée, je la trouvais tellement belle! Un grand marronier, un beau marronier, et alors un cerisier tout à fait étonnant dont je laisse toutes les cerisses aux oiseaux tellement elles sont amères… Un cerisier dont le tronc est complètement bouffé éventré, noir, gris et cramé‚ mais qui malgré tout donne plein de cerises. Eh bien, je retrouve que cet arbre donne un exemple extraordinaire. Lorsque je me décourage d’un manque d’inspiration, 728
E. SÁNCHEZ TRIGO–UNIDADES DE TRADUCCIÓN PARA EL ANÁLISIS DE ESTRATEGIAS TRADUCTORAS je pense… son aspect déchu et pourtant si généreux. Je l’aime ce cerisier. Oui, je l’aime de compagnonnage; je le trouve très courageux”. ANEXO 2: DISPOSICIÓN DEL TEXTO PARA EL TRADUCTOR _ ELC Writelog - setup de inglés - [proyecto texto inglés] 05-12-98 +------------------------------------------------------------------------------+ ¦The authentic Higelin. I was afraid he was going to stand me up.But the ¦artits finally entered in a rather offhand way, his hair tousled and just ¦the slightest tinge of sheepishness on his face. He is late. He apologizes ¦once, then once again, and -relieved that he doesn't have to face a barrage ¦of reproaches- sits downs almost timidly in the rear of a café on rue ¦Clichy. Just opposite, the seven letters of his name are emblazoned on the ¦Casino de Paris: H.I.G.E.L.I.N.- last name only, like Brel, Brassens, Piaf ¦and other legends. The singer orders a large cup of coffee. Looking a ¦little weary from late-night partying, the prince of baroque rock lights up ¦ +------------------------------------------------------------------------------¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ +------------------------------------------------------------------------------+ F1,F2=Scroll source text F3=Dictionary Esc=Save and exit Pos 1 Lin 1 ANEXO 3: INFORMACIÓN DE SALIDA DEL TRANSLOG --- TRANSLOG Log file - code --- Significado de los símbolos: Log file : IS1.LOG Source text : proyecto Keystrokes ANEXO total 4: ANÁLISIS : 3930DE FRECUENCIA Dictionary lookups: 0 Time lapse : 00.48.12,38 Time unit : 0.50 sek. ******[↓][↓][↓][↑][↑][↑][*:6.09][↓][↓][↓]*[↑][↑][↑][*:72.06]H*igelin·o·aut***é ntico*.[*:22.96]Non·faltou*·**á·cita*.*·[*:36.75]Os**** ·pelo***·desc*oidado** ,·[*:52.40]co*n·apare** ien***c*ia·tranqu*i** **quil*******a**·*pero·c****** *o*a·**** unha·**mira*da***·[*:45.04]un·tanto·molesta*,·o·a*rtista**·**chega ·tarde.*******·*Discul**** *úlpas*e·un*ha·e·outra·vex* z****·*******e·logo·*c omo* **ò· *ó·ver·*que·no**n·****se·lle·*a***cha*c*ou·*ningun* *ún·repr*oc he**,·*instálase*****,****·un·tanto***·*tímido**,·*non* *****·fondo·*da*·*sala ·d*e·* s* este·**c*afé[*:11.15]·q* * *,·que ·que·est*á·situa*d*o*·*na*·ru 729
Page 1 and 2:
ANNE BARR, M. ROSARIO MARTÍN RUANO
Page 3 and 4:
ROMÁN ÁLVAREZ-PRESENTACIÓN 3 PRE
Page 5 and 6:
ANNE BARR/M. ROSARIO MARTÍN RUANO/
Page 7 and 8:
ANNE BARR/M. ROSARIO MARTÍN RUANO/
Page 9 and 10:
ÍNDICE-ÚLTIMAS CORRIENTES TEÓRIC
Page 11 and 12:
ÍNDICE-ÚLTIMAS CORRIENTES TEÓRIC
Page 13 and 14:
JOSÉ MIGUEL ALONSO GIRÁLDEZ-EL SP
Page 15 and 16:
Page 17 and 18:
Page 19 and 20:
Page 21 and 22:
Page 23 and 24:
ALBERTO ÁLVAREZ LUGRÍS-HIPÓTESIS
Page 25 and 26:
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
MARIBEL ANDREU/PILAR ORERO: ENSEÑA
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
M. I. BALTEIRO FERNÁNDEZ-PROBLEMS
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
A. BOLAÑOS, D. M.ª GUERRA, P. MÁ
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
ADAURI BREZOLIN: RECENT WORK ON THE
Page 69 and 70:
ADAURI BREZOLIN: RECENT WORK ON THE
Page 71 and 72:
ANTONIO BUENO GARCÍA-ENFOQUES TEÓ
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
J. M. BUSTOS GISBERT-TRANSFERENCIA
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
PABLO CANCELO-EVALUATION OF MACHINE
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
TERESA CANEDA CABRERA-TRANSLATION A
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
OVIDI CARBONELL-IDENTITY IN TRANSLA
Page 111 and 112:
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
ANNEX TEXT A TEXT B Marzo Fui a Ale
Page 121 and 122:
Al cuerno, dijo Troy. OVIDI CARBONE
Page 123 and 124:
MARC CHARRON-LE PRESTIGE DES PROLOG
Page 125 and 126:
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
RUTH AMARILIS COTTO-SKIN, COLOR, SI
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Page 141 and 142:
RESUMEN SUSANA CRUCES COLADO-LAS PA
Page 143 and 144:
SUSANA CRUCES COLADO-LAS PALABRAS N
Page 145 and 146:
SUSANA CRUCES COLADO-LAS PALABRAS N
Page 147 and 148:
R. DE PEDRO RICOY-SUBVERSIÓN O TRA
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
K. J. DUNCAN BARLOW-ON THE TRANSLAT
Page 155 and 156:
Page 157 and 158:
Page 159 and 160:
MOHAMED EL-MADKOURI MAATAOUI-TRADUC
Page 161 and 162:
Page 163 and 164:
Page 165 and 166:
Page 167 and 168:
Page 169 and 170:
Page 171 and 172:
EVA ESPASA BORRÁS-LABERINTOS Y PAR
Page 173 and 174:
Page 175 and 176:
Page 177 and 178:
Page 179 and 180:
E. FERNÁNDEZ VALLINA-PERSPECTIVA G
Page 181 and 182:
Page 183 and 184:
Page 185 and 186:
Page 187 and 188:
Page 189 and 190:
Page 191 and 192:
JOÃO FERREIRA DUARTE-REPRESENTING
Page 193 and 194:
Page 195 and 196:
Page 197 and 198:
Page 199 and 200:
Page 201 and 202:
E. FLORES ACUÑA/C. SANCHO VERA-LA
Page 203 and 204:
Page 205 and 206:
Page 207 and 208:
Page 209 and 210:
Page 211 and 212:
Page 213 and 214:
ALAN FLOYD-ACTITUDES PURISTAS: EL E
Page 215 and 216:
ALAN FLOYD-ACTITUDES PURISTAS: EL E
Page 217 and 218:
CARLOS FORTEA-LOS MOTIVOS DEL TRADU
Page 219 and 220:
Page 221 and 222:
Page 223 and 224:
S. GAMERO/V. MONTALT-ENSEÑAR A COM
Page 225 and 226:
Page 227 and 228:
Page 229 and 230:
Page 231 and 232:
Page 233 and 234:
ANA M.ª GARCÍA ÁLVAREZ-DESCONSTR
Page 235 and 236:
Page 237 and 238:
Page 239 and 240:
ROSARIO GARCÍA LÓPEZ-TEORÍA Y DI
Page 241 and 242:
Page 243 and 244:
Page 245 and 246:
Page 247 and 248:
CARMEN GARCÍA NAVARRO-LA TRADUCCI
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Page 255 and 256:
E. GAREA OYA-LA TRADUCCIÓN COMO RE
Page 257 and 258:
Page 259 and 260:
Page 261 and 262:
Page 263 and 264:
PILAR GODAYOL-TRADUCIR DERRIDA: LA
Page 265 and 266:
Page 267 and 268:
Page 269 and 270:
IRIA GONZÁLEZ LIAÑO-LA TRADUCCIÓ
Page 271 and 272:
Page 273 and 274:
Page 275 and 276:
Page 277 and 278:
Page 279 and 280:
VERÓNICA GONZÁLEZ PÉREZ-TERMINOL
Page 281 and 282:
VERÓNICA GONZÁLEZ PÉREZ-TERMINOL
Page 283 and 284:
MICHAEL GRADE-IMPACT OF THE GROWTH
Page 285 and 286:
Page 287 and 288:
Page 289 and 290:
Page 291 and 292:
Page 293 and 294:
Page 295 and 296:
Page 297 and 298:
Page 299 and 300:
CAMINO GUTIÉRREZ LANZA-DOBLAJES PO
Page 301 and 302:
Page 303 and 304:
Page 305 and 306:
EMMANUEL HERIQUE-”STYLISTIQUE COM
Page 307 and 308:
Page 309 and 310:
Page 311 and 312:
LETICIA HERRERO RODES-LA TRADUCCIÓ
Page 313 and 314:
Page 315 and 316:
Page 317 and 318:
AMPARO JIMÉNEZ IVARS-APROXIMACIÓN
Page 319 and 320:
Page 321 and 322:
Page 323 and 324:
Page 325 and 326:
Page 327 and 328:
Page 329 and 330:
MARIA EDUARDA KEATING-LES VOYAGES D
Page 331 and 332:
Page 333 and 334:
Page 335 and 336:
Page 337 and 338:
RAINER MARIA KOEPPL-ALFRED HITCHCOC
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Page 345 and 346:
LIST OF REFERENCES RAINER MARIA KOE
Page 347 and 348:
J.J. LANERO-RAPIDEZ Y TRANSFORMACI
Page 349 and 350:
Page 351 and 352:
Page 353 and 354:
Page 355 and 356:
DANIEL LINDER-TRANSLATING HARD-BOIL
Page 357 and 358:
Page 359 and 360:
Page 361 and 362:
Page 363 and 364:
Page 365 and 366:
Page 367 and 368:
Mª JESÚS LORENZO MODIA-LATE 17TH-
Page 369 and 370:
Page 371 and 372:
Page 373 and 374:
Page 375 and 376:
Page 377 and 378:
Page 379 and 380:
ROSA LORÉS SANZ-APROXIMACIÓN AL E
Page 381 and 382:
Page 383 and 384:
Page 385 and 386:
Page 387 and 388:
Page 389 and 390:
HASSANE LOUNIS-RELEVANCE THEORY: HO
Page 391 and 392:
Page 393 and 394:
Page 395 and 396:
Page 397 and 398:
ANA LUNA ALONSO-IDENTIDAD CULTURAL
Page 399 and 400:
Page 401 and 402:
Page 403 and 404:
ZINAIDA LVOVSKAYA-DETERMINISMO, ACE
Page 405 and 406:
Page 407 and 408:
Page 409 and 410:
Page 411 and 412:
LUCINÉA MARCELINO VILLELA-FROM SCO
Page 413 and 414:
LUCINÉA MARCELINO VILLELA-FROM SCO
Page 415 and 416:
DAVID MARÍN HERNÁNDEZ-LA TRADUCCI
Page 417 and 418:
Page 419 and 420:
Page 421 and 422:
Page 423 and 424:
Page 425 and 426:
Page 427 and 428:
CELIA MARTÍN DE LEÓN-LA LINGÜÍS
Page 429 and 430:
Page 431 and 432:
Page 433 and 434:
ADELA MARTÍNEZ GARCÍA-LA HERMENÉ
Page 435 and 436:
Page 437 and 438:
Page 439 and 440:
Page 441 and 442:
Page 443 and 444:
CONCLUSIÓN ADELA MARTÍNEZ GARCÍA
Page 445 and 446:
Page 447 and 448:
CARMEN MATA PASTOR-SOBRE LA TRADUCC
Page 449 and 450:
Page 451 and 452:
Page 453 and 454:
Page 455 and 456:
JOANA MATOS FRIAS/PAULA RAMALHO ALM
Page 457 and 458:
Page 459 and 460:
Page 461 and 462:
Page 463 and 464:
Page 465 and 466:
Page 467 and 468:
LUCÍA MOLINA-INTERFERENCIAS CULTUR
Page 469 and 470:
TM2: 148 TM3: 564 LUCÍA MOLINA-INT
Page 471 and 472:
Page 473 and 474:
TM3: 453 LUCÍA MOLINA-INTERFERENCI
Page 475 and 476:
TM2: 179 TM3: 605 LUCÍA MOLINA-INT
Page 477 and 478:
Page 479 and 480:
CONSUELO MONTES GRANADO-LA CONSTRUC
Page 481 and 482:
Page 483 and 484:
Page 485 and 486:
Page 487 and 488:
ESTHER MONZÓ-EL GÉNERO DISCURSIVO
Page 489 and 490:
Page 491 and 492:
Page 493 and 494:
Page 495 and 496:
Page 497 and 498:
4. CONCLUSIÓN ESTHER MONZÓ-EL GÉ
Page 499 and 500:
Page 501 and 502:
ESTHER MORILLAS: NORMA LINGÜÍSTIC
Page 503 and 504:
Page 505 and 506:
Page 507 and 508:
MARSHALL MORRIS-EMPATÍA IMAGINATIV
Page 509 and 510:
Page 511 and 512:
Page 513 and 514:
T. MORRIS-TEACHING TRANSLATION STRA
Page 515 and 516:
Page 517 and 518:
Page 519 and 520:
GABRIEL MOYAL-SCIENTIFIC TRANSLATIO
Page 521 and 522:
Page 523 and 524:
Page 525 and 526:
Page 527 and 528:
JAVIER ORTIZ GARCÍA-LINGÜÍSTICA
Page 529 and 530:
Page 531 and 532:
Page 533 and 534:
Page 535 and 536:
Page 537 and 538:
PAULO OTTONI -TRADUCTION ET DECONST
Page 539 and 540:
Page 541 and 542:
Page 543 and 544:
A. PARADA-SISTEMA E HISTORIA, DINAM
Page 545 and 546:
Page 547 and 548:
Page 549 and 550:
Page 551 and 552:
A. PARIANOU/P.I. KELANDRIAS-TRANSLA
Page 553 and 554:
Page 555 and 556:
Page 557 and 558:
Mª LUISA PASCUAL GARRIDO-POESÍA I
Page 559 and 560:
Page 561 and 562:
Page 563 and 564:
Page 565 and 566:
Page 567 and 568:
APÉNDICE DE TEXTOS TO: SONNET 18 S
Page 569 and 570:
H) ASTRANA Mª LUISA PASCUAL GARRID
Page 571 and 572:
IGNACIO PÉREZ ÁLVAREZ -LA TRADUCC
Page 573 and 574:
Page 575 and 576:
Page 577 and 578:
JOSÉ FCO. PÉREZ BERENGUEL-METODOL
Page 579 and 580:
Page 581 and 582:
Page 583 and 584:
MARÍA PÉREZ L. DE HEREDIA-TRADUCC
Page 585 and 586:
Page 587 and 588:
Page 589 and 590:
Page 591 and 592:
Page 593 and 594:
ENCARNACIÓN POSTIGO PINAZO-EL LENG
Page 595 and 596:
Page 597 and 598:
Page 599 and 600:
Page 601 and 602:
Page 603 and 604:
J. IGOR PRIETO ARRANZ: (MIS)INFORMI
Page 605 and 606:
Page 607 and 608:
Page 609 and 610:
Page 611 and 612:
Page 613 and 614:
Page 615 and 616:
ANNEX J. IGOR PRIETO ARRANZ: (MIS)I
Page 617 and 618:
NOELIA RAMÓN GARCÍA-LINGÜÍSTICA
Page 619 and 620:
Page 621 and 622:
Page 623 and 624:
Page 625 and 626:
A. M. RAMOS GARCÍA-INFLUENCIA DE L
Page 627 and 628:
Page 629 and 630:
Page 631 and 632:
Page 633 and 634:
M.ª ÁNGELES RECIO ARIZA-ENSEÑANZ
Page 635 and 636:
Page 637 and 638:
Page 639 and 640:
Page 641 and 642:
Page 643 and 644:
MARÍA REIMÓNDEZ MEILÁN-LA TRADUC
Page 645 and 646:
Page 647 and 648:
Page 649 and 650:
Page 651 and 652:
Page 653 and 654:
A. RODRÍGUEZ DOMÍNGUEZ-TRADUCCIÓ
Page 655 and 656:
Page 657 and 658:
Page 659 and 660:
Page 661 and 662:
SILVIA ROISS-INVESTIGACIÓN PROCESU
Page 663 and 664:
Page 665 and 666:
Page 667 and 668:
Page 669 and 670:
DORA SALES SALVADOR-EL POLISISTEMA
Page 671 and 672:
Page 673 and 674:
Page 675 and 676:
Page 677 and 678: DORA SALES SALVADOR-EL POLISISTEMA
Page 685 and 686: E. SAMANIEGO, P. FUERTES, M. VELASC
Page 703 and 704: JORGE J. SÁNCHEZ IGLESIAS-RESTRICC
Page 719 and 720: E. SÁNCHEZ TRIGO-UNIDADES DE TRADU
Page 727: E. SÁNCHEZ TRIGO-UNIDADES DE TRADU
Page 735 and 736: MARÍA T. SÁNCHEZ-LINGUISTICS AND
Page 737 and 738: MARÍA T. SÁNCHEZ-LINGUISTICS AND
Page 739 and 740: M. S. SÁNCHEZ-REYES/R. DURÁN-INFL
Page 741 and 742: M. S. SÁNCHEZ-REYES/R. DURÁN-INFL
Page 743 and 744: LUIS SERRANO FERNÁNDEZ: SEUDOTRADU
Page 751 and 752: CELIA SISLER-UNA TRILOGÍA INDIVISI
Page 763 and 764: SKIBI ŃSKA ELŹBIETA-IMAGE TRADUIT
Page 773 and 774: STAVROULA SOKOLI-CUESTIONARIOS COMO
Page 775 and 776: STAVROULA SOKOLI-CUESTIONARIOS COMO
Page 777 and 778: B. SOTO ARANDA/ M. EL-MADKOURI-TRAD
Page 779 and 780:
B. SOTO ARANDA/ M. EL-MADKOURI-TRAD
Page 781 and 782:
Page 783 and 784:
Page 785 and 786:
Page 787 and 788:
LUIS SOTO-LA TRADUCCIÓN DE LO INTR
Page 789 and 790:
Page 791 and 792:
Fernando Toda traduce: LUIS SOTO-LA
Page 793 and 794:
Page 795 and 796:
M. CRISTINA SOUSA-MIRROR, MIRROR ON
Page 797 and 798:
Page 799 and 800:
Page 801 and 802:
Page 803 and 804:
Page 805 and 806:
Page 807 and 808:
RUBÉN TOSTADO GONZÁLEZ-”AEMULAT
Page 809 and 810:
RUBÉN TOSTADO GONZÁLEZ-”AEMULAT
Page 811 and 812:
CRISTINA VALDÉS RODRÍGUEZ-ESTRATE
Page 813 and 814:
Page 815 and 816:
Page 817 and 818:
Page 819 and 820:
CARMEN VALERO GARCÉS-EL MEDIADOR I
Page 821 and 822:
Page 823 and 824:
Page 825 and 826:
Page 827 and 828:
Page 829 and 830:
VERÓNICA VIVANCO CERVERO-LOS COMPU
Page 831 and 832:
Page 833 and 834:
Page 835 and 836:
Page 837 and 838:
Page 839 and 840:
Page 841 and 842:
HEIDRUN WITTE: LA TRADUCCIÓN Y SU
Page 843 and 844:
Page 845 and 846:
Page 847 and 848:
Page 849 and 850:
JOSÉ YUSTE FRÍAS-TRADUCIR EN LA R
Page 851 and 852:
Page 853 and 854:
Page 855 and 856:
Page 857 and 858:
Page 859 and 860:
PATRICK ZABALBEASCOA-UN MARCO PARA
Page 861 and 862:
Page 863 and 864:
Page 865 and 866:
Page 867 and 868:
show all

últimas corrientes teóricas en los estudios de traducción - Gredos ...

Create successful ePaper yourself

Delete template?

Save as template?